The Makes
監督:Eric BaudelaireIn 1967, following the success of BLOW UP, Michelangelo Antonioni planned to make a film in Japan. The project was cancelled, and Antonioni opted for the United States instead, where he shot ZABRISKIE POINT. In 1983, Antonioni published "That Bowling Alley on the Tiber," a compilation of notes and intentions for films that were never made, "narrative nuclei" that point towards a cinema that remains invisible after Antonioni's death in 2007. In the spirit of the Zen riddle about the sound of one hand clapping, artist and filmmaker Eric Baudelaire invents the notion of the "make" as a remake of a film that was never made, the ghost of a movie lurking behind a document attesting to its possibility. Adopting the format of a DVD bonus track, Baudelaire's 26 minute experimental film THE MAKES unfolds as a staged interview with Philippe Azoury, a well-known film critic for the French newspaper Liberation. In the course of this film, Antonioni's unrealized cinema finds a form through an assemblage of various materials that end up giving meaning to each other: story ideas from Antonioni's "That Bowling Alley on the Tiber," found film stills from various unrelated Japanese productions, a precise and surprisingly convincing critical discourse by Azoury, real life anecdotes and an ominous correspondence between Barthes and Antonioni. Exploring the notion of invisible cinema, this montage of unrelated material from the past creates a strangely concrete cinematic experience in the present.
The Makesの視聴方法
The Makesに関するトリビア
The Makesは2009年10月28日に公開されました。
The MakesはEric Baudelaireが監督を務めました。
The Makesの上映時間は26mです。
The MakesはEric Baudelaireがプロデューサーを務めました。
In 1967, following the success of BLOW UP, Michelangelo Antonioni planned to make a film in Japan. The project was cancelled, and Antonioni opted for the United States instead, where he shot ZABRISKIE POINT. In 1983, Antonioni published "That Bowling Alley on the Tiber," a compilation of notes and intentions for films that were never made, "narrative nuclei" that point towards a cinema that remains invisible after Antonioni's death in 2007. In the spirit of the Zen riddle about the sound of one hand clapping, artist and filmmaker Eric Baudelaire invents the notion of the "make" as a remake of a film that was never made, the ghost of a movie lurking behind a document attesting to its possibility. Adopting the format of a DVD bonus track, Baudelaire's 26 minute experimental film THE MAKES unfolds as a staged interview with Philippe Azoury, a well-known film critic for the French newspaper Liberation. In the course of this film, Antonioni's unrealized cinema finds a form through an assemblage of various materials that end up giving meaning to each other: story ideas from Antonioni's "That Bowling Alley on the Tiber," found film stills from various unrelated Japanese productions, a precise and surprisingly convincing critical discourse by Azoury, real life anecdotes and an ominous correspondence between Barthes and Antonioni. Exploring the notion of invisible cinema, this montage of unrelated material from the past creates a strangely concrete cinematic experience in the present.
The Makesの主要人物はthe critic (Philippe Azoury)です。
The MakesはNot Ratedと評価されています。
The Makesはドキュメンタリー, Short映画です。
The Makesは、視聴者によって10点満点中5.5点をつけられています。