落下の王国
監督:Tarsem Singh
左腕を骨折して入院中の5歳の少女アレクサンドリアは、脚を骨折してベッドに横たわる青年ロイと出会う。彼は彼女にアレキサンダー大王の物語を聞かせ、翌日も病室に来るようささやく。再びアレクサンドリアがロイのもとを訪れると、彼は総督と6人の男たちが織り成す壮大な叙事詩を語り始める。＜＜ターセム監督が製作した、美しい美術品のような感動巨編。自殺願望のあるスタントマンが幼い少女を操るために始めた虚構の物語が、やがて夢と希望を紡いでいく様子を丹念に映し出す。傷ついた青年役にリー・ペイス。彼を慕う少女を演じるのは、これが映画デビュー作となるカティンカ・ウンタール。CGに頼らず、世界遺産を含む世界24か国以上で撮影された驚きの華麗な映像に息をのむ。＞＞
落下の王国の評価とレビュー
- N2026年2月14日A rare film treasure. Cinematically rich and creative. The little girls acting is the icing on the cake
- Adam Aragon2025年10月29日An amazing film. The back story behind it is also great. Filmed in like 33 countries. It’s visually amazing with a real personal and epic storyline. It’s a favorite of mine
- mickerdoo2025年10月27日Half story of despair in the face of innocence. Half bold adventure with jaw dropping settings and striking design. Intertwines emotionally.
- Varun2024年11月22日What a marvellous spectacle! The scenery and visual beauty of this movie is unbelievable, and the seamless transitions that blend fictional elements into the natural world is wondrous. Yes there is a meaning attached to the end of the movie, but one may still ask what is the point of spending enormous amounts of time, energy and money on the grand set pieces for such a silly nonsensical story, especially one that seems to be make-believe blabber? The director even bankrupted himself making of this film. The point is to just tell a story. Humans cannot live without stories. We conceptualise our whole lives with made up structures of various stories. It’s like asking what the purpose of life is, and the most fundamental answer is just to live. To tell a story because it can be told. Why do you think we spend billions on creating superhero movies? On some level every story can be considered both silly and profound. It’s how you view it that matters. And in this movie, the story was completely meaningless to Roy, a means to an end, but for the girl it was everything. I loved that there was also a bit of suspense for the audience to figure out what it’s all about, some may feel they wasted their time but personally I really appreciated the vision behind this movie to expound on the power of storytelling and the innocent hope and strength that children bring to fairy tales and life itself. The pacing and switching of the 2 parallel stories is pretty good. The girl did such an amazing job acting this role. I had zero idea Lee Pace was in this, coincidentally I had just watched him a week ago as the sinister emperor in the tv show Foundation, so it was nice to see a little bit of similarity as well as contrast in his character. I don’t think this movie is a masterpiece but it’s a must see for the visuals alone, like there were so many scenes I just couldn’t wrap my head around how much effort they put even just for mundane sequences, and some of the symmetrical imagery was splitting my brain apart. I loved the ending and I think that just based on the themes and final lesson, this movie will stick with me forever and remind me of what’s important during tough times.
- Piss foot2025年10月4日ScrumdillidyYUMcious
- WindUp2025年8月19日This brilliant film exemplifies why film matters both as high art and as pure escapist fun. It's a perfect example of why the complaint "well, that's not realistic" is sometimes the best recommendation of all.
- Kevin Ward2025年7月2日Decided to finally watch this after rewatching The Cell and wow, I loved this. Lee Pace stars as Roy Walker a paralyzed patient in a hospital in Los Angeles in 1915. He befriends a young patient Alexandria, that starts visiting him in the ward. He begins telling her stories attempting to coax her into stealing some morphine for him. Completely loved the dynamic of how Roy is telling the stories, but we’re visually seeing how young Alexandria is picturing the story. The people in and around Alexandria’s world appear as characters in the story. Roy adapts and changes the story based in Alexandria’s reactions to it, and how best he thinks he can get her to help him. And as the character’s becomes more fleshed out in Roy’s story, Alexandria’s visualization of them change. It’s a beautiful dynamic accentuated by some gorgeously captured locations. And as The Fall concludes and we’re given the context of the opening sequence and what the fall title refers to, I was utterly moved. It’s a fairly simple story, yet exquisitely rendered and beautifully structured. Highly recommend, if you haven’t seen it.
- ayayron2025年2月23日Visually stunning and emotional story of pain, love and heroism
- DarthBob312025年7月4日What a lovely film
- CamFlixxx2025年5月4日Incredibly beautiful cinematography. Like a surrealist painting come to life at times. They did my boy Darwin dirty tho…
- NonPlayableContent2025年4月18日B rated Pan's Labyrinth
- Hakihiko2025年1月4日A Visual Journey Through Storytelling "The Fall" is a visually stunning and emotionally engaging film that leaves a lasting impression. Directed by Tarsem Singh, it offers a unique blend of fantasy and reality, set in 1920s Los Angeles. The story follows Roy (Lee Pace), a bedridden stuntman recovering from an accident, who befriends a curious young girl, Alexandria (Catinca Untaru). To pass the time, Roy crafts an elaborate tale of adventure and heroism, which Alexandria visualizes in extraordinary detail. The film's most remarkable aspect is its visuals, with awe-inspiring scenes shot across 28 countries. Each frame is meticulously composed, offering breathtaking landscapes and vibrant costumes that immerse the viewer in its fantastical world. The reliance on real locations over CGI enhances the authenticity and beauty of the imagery. Lee Pace delivers a heartfelt performance as Roy, capturing both his despair and his subtle connection with Alexandria. Catinca Untaru, in her debut role, shines with a natural and unfiltered portrayal of childhood wonder and vulnerability, adding depth and sincerity to their relationship. While the film excels in its visuals and emotional resonance, its narrative pacing occasionally falters, and some may find the shifts between the real world and the fantasy sequences a bit disjointed. However, the overarching themes of loss, resilience, and the escapism found in storytelling remain compelling throughout. "The Fall" is a distinctive film that blends visual splendor with an emotionally driven story making it a memorable experience worth watching.
- Billy Zane2024年12月29日Beautiful film
落下の王国を視聴
落下の王国に関するトリビア
落下の王国は2006年9月9日に公開されました。
落下の王国はTarsem Singhが監督を務めました。
落下の王国の上映時間は1h 57mです。
落下の王国はLionel Kopp, Ray Leakey, Josh Robertson, Nico Soultanakis, Tarsem Singhがプロデューサーを務めました。
左腕を骨折して入院中の5歳の少女アレクサンドリアは、脚を骨折してベッドに横たわる青年ロイと出会う。彼は彼女にアレキサンダー大王の物語を聞かせ、翌日も病室に来るようささやく。再びアレクサンドリアがロイのもとを訪れると、彼は総督と6人の男たちが織り成す壮大な叙事詩を語り始める。＜＜ターセム監督が製作した、美しい美術品のような感動巨編。自殺願望のあるスタントマンが幼い少女を操るために始めた虚構の物語が、やがて夢と希望を紡いでいく様子を丹念に映し出す。傷ついた青年役にリー・ペイス。彼を慕う少女を演じるのは、これが映画デビュー作となるカティンカ・ウンタール。CGに頼らず、世界遺産を含む世界24か国以上で撮影された驚きの華麗な映像に息をのむ。＞＞
落下の王国の主要人物はRoy Walker (Lee Pace), Nurse Evelyn / Sister Evelyn (Justine Waddell), Sinclair / Governor Odious (Daniel Caltagirone)です。
落下の王国はGと評価されています。
落下の王国はドラマ, Adventure, ファンタジー映画です。
落下の王国は、視聴者によって10点満点中8.5点をつけられています。
落下の王国の予算は$3000万です。
落下の王国の興行収入は$398.4万です。