ザ・クラフト
監督:Andrew Fleming霊感の強い転校生サラは、ナンシー、ボニー、ロシェルというクラスで浮いた存在の３人組の少女たちに出会う｡それぞれに深い悩みを抱える彼女たちは親しくなり、黒魔術の力で周囲を見返したいという思いで結ばれていた｡サラと彼女たちは親しくなり､儀式にも参加｡サラの霊感を得て、彼女たちは魔力を手にし、それぞれの願望をかなえる。しかし、若い彼女たちは魔力を自制できず次第に濫用するようになった。やがてグループを抜けようとするサラに３人の魔の手が迫る！
ザ・クラフトの評価とレビュー
- Demonxl1012025年12月27日Another classic
- flavo432025年12月14日The Craft is a solid ’90s cult film built on a compelling premise and a cast of actresses who were hugely popular at the time. Its exploration of teenage identity, power, and belonging through the lens of modern witchcraft is genuinely engaging, and the supernatural elements are easily the most interesting part of the film. The depiction of spells, rituals, and consequences gives the story a darker edge that helps it stand out from other teen-oriented thrillers of the era. That said, the film sometimes stumbles in how its female characters are portrayed. There’s an oversexualized tone and reliance on familiar feminine tropes that suggest a male-centric perspective on how teenage girls behave, which can feel dated and reductive. These choices occasionally undermine the emotional depth the story could have achieved. Still, The Craft remains an enjoyable watch, buoyed by strong performances and a memorable atmosphere. Its core idea—power without responsibility leading to corruption—resonates, and the witchcraft angle is what ultimately gives the film its lasting appeal.
- runinhot2025年10月3日Chicks dig this one
- LivewireAdmin2025年10月14日“We are the weirdos, mister.” Andrew Fleming’s The Craft is a wickedly entertaining slice of supernatural teen drama — part empowerment fantasy, part cautionary tale, and entirely steeped in that irresistible mid-’90s aesthetic of black lipstick, Catholic school uniforms, and angst turned mystical. It’s Heathers meets Carrie by way of Sabrina the Teenage Witch’s darker twin, and it holds up remarkably well nearly three decades later. At its core, The Craft is about power — who has it, who wants it, and what happens when you take too much. Robin Tunney’s Sarah is the perfect audience surrogate: the new girl with a mysterious past, who stumbles into a coven led by Fairuza Balk’s magnetic and unhinged Nancy. Balk is the film’s secret weapon — her performance burns with chaotic energy, a perfect storm of charisma and rage. By the time she’s levitating in front of a mirror, eyes wild and voice trembling with power, it’s clear you’re watching one of the most memorable villain turns of the decade. Balk has to have one of the most piercing gaze's in all of cinema. The film’s greatest strength lies in how it captures the intoxicating appeal of belonging. The girls’ bond feels genuine — a shared rebellion against the cruelty of high school and the injustices of their lives. But as their magic grows stronger, so does the film’s commentary on temptation and the illusion of control. When it all unravels, it’s both tragic and inevitable, with a finale that’s as much about emotional fallout as supernatural chaos. Technically, the movie’s dated in all the right ways. The effects are charmingly practical, the soundtrack is grungy perfection, and the production design radiates that VHS-era texture that modern teen horror rarely captures. There’s an unpolished authenticity to it — a mood, a vibe, an energy that modern horror tend to overproduce. Speaking of modern horror, where are the witch movies nowadays? It’s not flawless: some of the supporting characters are underwritten, and the pacing in the back half dips slightly as the tone shifts from friendship drama to full-on horror. But even with those flaws, The Craft endures because it understands something elemental about adolescence — that hunger for identity and agency, the thrill and terror of realizing you can change your world… but maybe not yourself. The Craft remains a spell that still works. It’s stylish, emotional, and brimming with feminist fury before that became a marketing term. A quintessential ‘90s artifact and a cult classic that deserves its place in the pantheon of teen horror. I feel as though there was lore to be mined in regards to a prequel (Sarah's mother) but instead they gave us a "requel" in 2020? Gonna check that one out next. letterboxd: FilmPhanPA
- tellum2025年8月21日A very good teen drama with the added twist of them getting Carrie esque powers. Great acting and premise.
- mistermccall2025年9月14日This s— ages like fine wine.
- Stephanie2025年8月7日I just watched this movie. Boy does it bring back memories watching this. What a great movie
- Stephen2025年8月4日This movie has such a nostalgia behind it now. A good movie that depicts witches for what they are with a reality twist to it. Great for Halloween season
- Aaron Slade2025年7月3日As it was known in the 90s, KinderGoth the movie Utterly terrible. So predictable its not funny. I resent that I will not get the time wasted watching this back again.
- venage252025年5月19日Gotta lil weird at the end👌
ザ・クラフトに関するトリビア
ザ・クラフトは1996年5月3日に公開されました。
ザ・クラフトはAndrew Flemingが監督を務めました。
ザ・クラフトの上映時間は1h 41mです。
ザ・クラフトはDouglas Wickがプロデューサーを務めました。
霊感の強い転校生サラは、ナンシー、ボニー、ロシェルというクラスで浮いた存在の３人組の少女たちに出会う｡それぞれに深い悩みを抱える彼女たちは親しくなり、黒魔術の力で周囲を見返したいという思いで結ばれていた｡サラと彼女たちは親しくなり､儀式にも参加｡サラの霊感を得て、彼女たちは魔力を手にし、それぞれの願望をかなえる。しかし、若い彼女たちは魔力を自制できず次第に濫用するようになった。やがてグループを抜けようとするサラに３人の魔の手が迫る！
ザ・クラフトの主要人物はSarah (Robin Tunney), Nancy (Fairuza Balk), Bonnie (Neve Campbell)です。
ザ・クラフトはPG12と評価されています。
ザ・クラフトはホラー, ファンタジー, ドラマ映画です。
ザ・クラフトは、視聴者によって10点満点中6.5点をつけられています。
ザ・クラフトの予算は$1500万です。
ザ・クラフトの興行収入は$2480万です。