1971年、若い夫婦と5人の娘のペロン一家は、ロードアイランド州ハリスヴィルの田舎にある、いささか古いが屋敷のように広い部屋を持つ一軒家を購入した。念願のマイホーム購入を喜ぶペロン一家であったが、入居した翌日から奇怪な現象が次々と発生するようになる。 ついに娘たちにもその危害が及ぶに至って、ペロン夫妻の妻キャロリンは、超常現象研究家夫妻として名高いウォーレン夫妻に助けを求める。夫のエドはカトリック教会が唯一公認した非聖職者の悪魔研究家であり、妻のロレインは透視能力を持っている。 ウォーレン夫妻の調査の結果、その一軒家には戦慄すべき血塗られた過去がある事が判明した。ウォーレン夫妻はペロン一家を救うべく尽力するが、霊力の強さと邪悪さはウォーレン夫妻の想像をはるかに超えるものであった。
- FVNKYFLIX2025年12月18日The Conjuring is what happens when a sweet little farmhouse in Rhode Island decides to be more haunted than a Skynet server farm on Judgment Day. The Perron family thinks they’re getting a fresh start, and instead they move into a house that feels like the T-1000 got bored of chasing John Connor and decided to start slamming doors, clapping in closets, and playing “guess who’s standing behind you” at three in the morning. Every scene is basically, “What if your house hated you…and was really patient about it?” Enter Ed and Lorraine Warren, the closest thing this universe has to a tag-team of paranormal Sarah Connor and a vaguely Catholic T-800. Ed’s the practical one, lugging around tape recorders and holy water like ammo, while Lorraine is the psychic who walks into a room and immediately looks like she just got a push notification from hell. Miles Dyson would be in the corner trying to measure this thing; the Warrens just walk in like, “Yeah, that’s a demon. You need a priest and probably new furniture.” The haunting escalates the way Skynet escalates: quietly at first, then all at once. You get weird smells, bruises, and yanked bedsheets before it graduates to full-blown possession and airborne moms. Bathsheba, the witchy demon running the show, has big T-1000 energy—once she locks onto the family, she does not care about locks, distance, or common sense. She’s riding on top of wardrobes, hanging from trees, and treating the mom’s body like a rental car with no insurance. By the time the exorcism hits, the house is basically the steel foundry from Terminator 2, except instead of molten metal it’s rosaries, screaming children, and a mom trying not to murder her own kid. What makes it hit harder is that the Warrens aren’t superheroes; they’re tired, scared, and just stubborn enough to stay in the fight. Lorraine’s visions chew her up, Ed nearly gets wrecked doing improvised exorcism work, and the Perrons are hanging on by a thread while the house runs patch notes on new ways to traumatize them. It’s less “boo gotcha” horror and more “this thing will not stop until someone breaks the cycle,” which is straight out of Sarah Connor’s whole playbook. Hasta la vista, baby — because if Sarah Connor, John Connor, the T-800, the T-1000, and Bathsheba all ended up in that farmhouse, John would be bricking up the basement, Sarah would be burning the damn tree, and the T-1000 would be the only one petty enough to stay behind and argue with the demon about who haunts the place better.
- flavo432025年12月16日The Conjuring (2013) surprised me in the best way, especially as someone who doesn’t usually watch horror films. Knowing it was based on the real‑life paranormal investigations of Ed and Lorraine Warren drew me in, and the film’s adaptation of their accounts is genuinely frightening, claustrophobic, eerie, and mysterious. The casting is excellent, with strong performances that ground the supernatural elements in believable emotion. The effects—practical and digital—are used with restraint, enhancing the tension rather than overwhelming it. While there are a few traditional jump scares, the movie relies more on atmosphere and slow‑burn dread, which kept me completely riveted. Watching it in the dark only amplified the experience, making every creak and shadow feel significant. The Conjuring succeeds as both a chilling haunting story and a character‑driven drama, offering a gripping entry into modern supernatural horror even for viewers who don’t typically seek out the genre.
- LivewireAdmin2025年3月31日I don't even know how many times I've watched this now but James Wan truly changed the horror game with this one. I remember I was still working at Regal at the time this came out and there was a lot of buzz about how this had received an R rating but not for language or nudity, just for pure horror. I don't think that's happened since? Wan ingeniously set up a shared universe in this with the Warren's collection room. It feels like almost every piece in there could be it's own standalone spinoff film. The cast is great, the scares are great. I was in the mood to marathon this series as there are entries I have not yet seen. Stay tuned... Starting with this one I would like to rate the evil entities each film features - Bathsheba: - 4 out of 5 - truly creepy looking - the clap game was sinister and scary enough to be put in the trailers - exorcism level type stuff - attempting to scare and kill an adult can be creepy but trying to kill a kid is on a whole other level
死霊館を視聴
お使いのデバイス向けのPlexを入手
20種類以上のプラットフォームで無料で使えます。お手持ちのデバイスをお選びください。死霊館に関するトリビア
死霊館は2013年7月18日に公開されました。
死霊館はJames Wanが監督を務めました。
死霊館の上映時間は1h 51mです。
死霊館はTony DeRosa-Grund, Peter Safran, Rob Cowanがプロデューサーを務めました。
1971年、若い夫婦と5人の娘のペロン一家は、ロードアイランド州ハリスヴィルの田舎にある、いささか古いが屋敷のように広い部屋を持つ一軒家を購入した。念願のマイホーム購入を喜ぶペロン一家であったが、入居した翌日から奇怪な現象が次々と発生するようになる。 ついに娘たちにもその危害が及ぶに至って、ペロン夫妻の妻キャロリンは、超常現象研究家夫妻として名高いウォーレン夫妻に助けを求める。夫のエドはカトリック教会が唯一公認した非聖職者の悪魔研究家であり、妻のロレインは透視能力を持っている。 ウォーレン夫妻の調査の結果、その一軒家には戦慄すべき血塗られた過去がある事が判明した。ウォーレン夫妻はペロン一家を救うべく尽力するが、霊力の強さと邪悪さはウォーレン夫妻の想像をはるかに超えるものであった。
死霊館の主要人物はLorraine Warren (Vera Farmiga), Ed Warren (Patrick Wilson), Carolyn Perron (Lili Taylor)です。
死霊館はPG12と評価されています。
死霊館はホラー, スリラー, 謎映画です。
死霊館は、視聴者によって10点満点中8.3点をつけられています。
死霊館の予算は$1300万です。
死霊館の興行収入は$3.2億です。