君たちはどう生きるか
監督:Hayao Miyazaki
物語の舞台は、第2次世界大戦下の日本。主人公は入院中の母を火事で亡くし、父親の再婚に伴って東京から田舎へ移り住んだ少年・牧眞人（まきまひと）だ。父親の再婚相手は、死んだ母とそっくりな母の妹だった。一風変わった7人の老婆が仕える屋敷に住み始めた眞人。その屋敷の近くには、かつて物語が好きな大おじが建て、忽然と姿を消したという廃墟同然の塔があった。眞人は人の言葉をしゃべるアオサギに導かれ、不思議な世界へと冒険に出る。
- Cubane2026年5月12日This is a seriously weird movie. Am I just along for the ride on Miyazaki's latest acid trip? It tries to explore some pretty heavy themes like grief and loss, but it does it in such a confounding and esoteric manner that any meaning beyond the superficial is missed. It's also more than enough to give your brain months of future nightmare fuel material. Some may find this to be a desirable quality, but I cannot see why.
- Varun2024年10月19日I watched this in theatres because it’s a rare opportunity to catch a Miyazaki film in IMAX. I seem to be in the minority of people who just can’t get on the hype train for this movie. Beautiful animation and an imaginative world isn’t enough to save a lame boring story. I couldn’t decipher a single theme or meaningful moment in the entire runtime no matter how hard I tried. It just meanders aimlessly and you aren’t rewarded for your patience. If someone tells me the story was a metaphor for something, it still doesn’t excuse writing bland characters and building a world with no rules to it. It’s crazy to me that I didn’t have even an ounce of fun watching a Studio Ghibli film (cue the gif of Homelander sitting stone-faced in a theatre). There’s not that much dialogue and the pacing is all over the place. I usually like watching YouTube videos explaining films but I’m not even going to bother with this snoozefest. Pretty visuals for 2 hours alone can’t immerse me when the plot is so hollow I have nothing to connect to. I haven’t been this disappointed at the theatres in a long time.
- Kavon Utterback2025年9月21日I'll start off by saying that this is one of the best audio and visual experiences I've had. Even though you can say that about most Miyazaki movies, this one is truly something special. What didn't 100% grab me was the story, it felt like it masked in metaphors and euphemisms. When you finally figured out the movie after scratching your head for more than a hour, the pay off wasn't worth it for the additional thought that you needed to do.
- MetroidTalon2025年8月22日Miyazaki returns with a deeply personal and beautifully strange tale that blends grief, fantasy, and memory into something haunting and heartfelt. The Boy and the Heron isn’t always easy to follow, but it never stops captivating. The animation is breathtaking, filled with surreal imagery and quiet emotional weight. It feels less like a traditional story and more like a dream being worked out in real time. A meditative farewell that lingers long after the credits roll.
- neuroparadox2025年7月29日I dunno, I didn't really connect with this one. Probably because I haven't experienced that sort of grief before.🤷♂️ So this isn't a rating for the movie itself so much as my experience with it, because on a technical level it's still Miyazaki so it's fucking gorgeous. It was hard not to set my expectations high too, since I consider Spirited Away and Princess Mononoke to be perfect 5 star movies and I've seen them both multiple times. ⭐⭐⭐⭐⭐
- Kevin Ward2025年7月2日Unmistakably a Hayao Miyazaki film with gorgeous animation, a trippy, dream logic adventure, and some of the most hideous depictions of old people ever. Didn’t love it on first watch, but most Miyazaki films grow on me over time. Saw the English dub, and Pattinson’s voice work is wild.
- PapaHamzeh2025年4月2日I'm gonna get thrashed for every one of these Ghibli movies I rate. And that's OK. I accept my punishment from the masses. Ghibli movies are like the Nintendo games of film; a rabid fan base that will, time and time again, show up for their turn at the watering hole and come away saying 'Gee I'm glad I got to drink that, whatever it was!' In my experience, the movies are Big Concept but the bag is fumbled in execution. I want to be clear: I think they are beautiful, I think they are well designed...and that may be it. The philosophical discussions often feel like stream-of-consciousness that leads to nowhere in particular. The themes frequently are put upon the table in high fashion, but I never see anyone really pig out of the food, so to speak. This movie was beautiful. Truly. And it got weirder and weirder, which I absolutely love. The voice acting was...pretty good (bait and switch by a certain BIG casting choice was irritating). Overall, my turn at the watering hole made me think 'Well. I certainly drank something and now my mouth is wet.'
君たちはどう生きるかに関するトリビア
君たちはどう生きるかは2023年7月14日に公開されました。
君たちはどう生きるかはHayao Miyazakiが監督を務めました。
君たちはどう生きるかの上映時間は2h 4mです。
君たちはどう生きるかはToshio Suzukiがプロデューサーを務めました。
物語の舞台は、第2次世界大戦下の日本。主人公は入院中の母を火事で亡くし、父親の再婚に伴って東京から田舎へ移り住んだ少年・牧眞人（まきまひと）だ。父親の再婚相手は、死んだ母とそっくりな母の妹だった。一風変わった7人の老婆が仕える屋敷に住み始めた眞人。その屋敷の近くには、かつて物語が好きな大おじが建て、忽然と姿を消したという廃墟同然の塔があった。眞人は人の言葉をしゃべるアオサギに導かれ、不思議な世界へと冒険に出る。
君たちはどう生きるかの主要人物はMahito Maki (voice) (Soma Santoki), Gray Heron (voice) (Masaki Suda), Kiriko (voice) (Ko Shibasaki)です。
君たちはどう生きるかはGと評価されています。
君たちはどう生きるかはアニメーション, Adventure, ドラマ映画です。
君たちはどう生きるかは、視聴者によって10点満点中7.3点をつけられています。
君たちはどう生きるかの予算は$5000万です。
君たちはどう生きるかの興行収入は$2.9億です。