世界最高峰のオーケストラの一つであるドイツのベルリン・フィルで、女性として初めて首席指揮者に任命されたリディア・ター。彼女は天才的な能力とそれを上回る努力、類稀なるプロデュース力で、自身を輝けるブランドとして作り上げることに成功する。今や作曲家としても、圧倒的な地位を手にしたターだったが、マーラーの交響曲第5番の演奏と録音のプレッシャーと、新曲の創作に苦しんでいた。そんな時、かつてターが指導した若手指揮者の訃報が入り、ある疑惑をかけられたターは、追いつめられていく──
- Spanktacular2026年5月13日I love a great movie that makes me feel low-class, poor, and stupid. Like watching a pre-2000s Dennis Miller standup special because I had no idea what the hell they were talking about, but I still enjoyed it. Could have been trimmed down a bit, but the length is also part of the appeal. Also, going in blind, I thought it was based on a true story, and it was embarrassing realizing halfway through that it wasn't.
- jackmeat2025年11月24日My quick rating - 6.5/10. This Oscar nominee is one that I know very little about. I did catch Cate Blanchett on the Colbert Show during her press tour and got a quick rundown of the basic story, but before that, I knew nothing about the fictional composer. This flick explores the complexities of the international world of Western classical music, with a focus on the life and work of the fictional composer Lydia Tár. The film features a talented cast, including Cate Blanchett, who gives a compelling performance as the lead character, and my choice for this year's acting Oscar for a female. Despite the strong performances, the film's slow pace and long, drawn-out scenes may be a turn-off for some viewers. The story takes its time to unfold, and there are moments where it feels like not much is happening on screen. There was literally an hour between the first great scene with Blanchett showing the lengths her character will go to beat someone down emotionally, until the next scene that had any impact on the story. However, for those with an interest in classical music and the world of orchestra conductors, Tar is an intriguing exploration of a unique and often overlooked facet of the music industry. The film's attention to detail in its portrayal of the classical music scene is commendable, and it offers a rare glimpse into the high-stakes world of orchestral performance. Unfortunately, all of that does take a back seat to her character's egocentric nature and constant need to be in control in scene after scene that are pieced together. I just think that the general audience will be turned off by the extremely slow pace, and the exceptional performance by Blanchett isn't going to be quite enough to satisfy.
- Kevin Ward2025年7月1日Cate Blanchett is incredible. Period. Full stop. Really loved this. Initially this felt like an examination of so many things: cancel culture, the corruptive nature of power, hierarchy and privilege….and much, much more. Yet, in the end I had the feeling that these topics aren’t really argued to conclusion, rather they’re presented here, like a prompt to a 10 page essay. And we, the audience, are intended to scrawl out some truths from this nuanced case study of Lydia Tár. There is so much in here that begs for conversation after the credits roll that this one will surely be sticking with me for a while. And seriously, Cate Blanchett is absolutely incredible from the opening moments to the final scene…..and every frame in between. Plus, there are many little details to be picked up on when watching it a second time. Masterful filmmaking and stunning performance from Cate.
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TAR／ターは2022年10月28日に公開されました。
TAR／ターはTodd Fieldが監督を務めました。
TAR／ターの上映時間は2h 38mです。
TAR／ターはScott Lambert, Alexandra Milchan, Todd Fieldがプロデューサーを務めました。
世界最高峰のオーケストラの一つであるドイツのベルリン・フィルで、女性として初めて首席指揮者に任命されたリディア・ター。彼女は天才的な能力とそれを上回る努力、類稀なるプロデュース力で、自身を輝けるブランドとして作り上げることに成功する。今や作曲家としても、圧倒的な地位を手にしたターだったが、マーラーの交響曲第5番の演奏と録音のプレッシャーと、新曲の創作に苦しんでいた。そんな時、かつてターが指導した若手指揮者の訃報が入り、ある疑惑をかけられたターは、追いつめられていく──
TAR／ターの主要人物はLydia Tár (Cate Blanchett), Sharon Goodnow (Nina Hoss), Francesca Lentini (Noémie Merlant)です。
TAR／ターはGと評価されています。
TAR／ターはドラマ, 音楽映画です。
TAR／ターは、視聴者によって10点満点中7.4点をつけられています。
TAR／ターの予算は$3500万です。
TAR／ターの興行収入は$2904.9万です。