A tormented father witnesses his young son die when caught in a gang's crossfire on Christmas Eve. While recovering from a wound that costs him his voice, he makes vengeance his life's mission and embarks on a punishing training regimen in order to avenge his son's death.
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- Shonkers2026年4月24日…,and the plot thins…., Even so…very watchable, almost comedic… I particularly like the bit where he says..’arrrhg’
- jackmeat2024年12月15日My quick rating - 5.5/10. From the legendary John Woo, this flick delivers a gritty revenge tale infused with the director's trademark action sequences but falls short of the high bar set by Woo's earlier works. This dialogue-free film follows Brian (Joel Kinnaman), a grieving father who witnesses his young son’s tragic death during a gang's Christmas Eve shootout. Left voiceless by a wound sustained in the crossfire, Brian embarks on a relentless journey of vengeance, transforming himself into a weapon of retribution. The concept of a nearly wordless narrative is intriguing, but in execution, it feels more like a distraction than a storytelling innovation. While Kinnaman’s physical performance effectively conveys grief and rage, the absence of dialogue feels contrived. It’s understandable for Brian, whose injury renders him mute, but the silence from the rest of the cast often feels unnatural, pulling the viewer out of an otherwise engaging story. That said, the film delivers where John Woo excels: the action. The set pieces are visceral, thrilling, and meticulously choreographed, showcasing Woo’s signature style of balletic violence. The gunfights are as dynamic as ever, with a kinetic energy that keeps you glued to the screen. However, even these standout moments can’t fully compensate for a story that feels overly simplistic and occasionally forced. On the emotional side, this movie does manage to convey the depth of Brian’s grief and determination, even without dialogue. The story effectively captures the raw, singular focus of a parent bent on justice. Yet, the lack of meaningful interactions or supporting character arcs leaves the film feeling one-dimensional, with its emotional beats not hitting as hard as they could. As a Woo film, Silent Night has all the expected flair, but it’s hard not to compare it to his previous masterpieces. While the movie tries to redefine action storytelling with its dialogue-free approach, it doesn’t reach the heights of classics like Hard Boiled or Face/Off. The novelty of the silence is overshadowed by the missed opportunity to fully capitalize on the talent involved, especially with Kinnaman’s strong performance and Woo’s legendary direction. In the end, this film is an interesting experiment that showcases flashes of brilliance but doesn’t quite live up to the lofty expectations set by its creator’s legacy. Worth a watch for die-hard John Woo fans or action enthusiasts, which I fit into both categories, but for everyone, it may not quite hit the same level.
- Coouge2025年8月16日It seems like no can can speak in this movie
- kVOD.2 | https://linktr.ee/xszr2025年10月13日pacing okay, plot cliche and unsatisfactory ending. but cinematography is damn pretty, definitely the savior on this movie.
- Dino Kaltbrunner2026年1月1日Apart from 5-6 decently made action sequences this movie is just a pain to watch.
- Kevin Ward2025年7月2日I love a good gimmick. (obviously 🥓) But the no dialogue schtick just didn’t work at all for me. Kinnaman’s character being shot in the throat may explain why his character didn’t speak, but it did not at all explain why no one else says any words to him. It really felt like his wife, the firing range instructor, and literally everyone else he comes across would more likely be over-communicating to him rather than defaulting to non-verbal communication. I fully admit this complaint is very nitpicky, but I just did not feel any emotional stakes as a result of the no dialogue. His wife in particular, I would have expected to be emoting to him much more than just somber silent embraces. It really took me out of t he movie and I really don’t think it made the film more compelling simply by being able to claim there’s literally no dialogue in the film. Adding some dialogue could have gone a long way to telling a more moving story and I still think audiences could still latch on to the Silent Night title with a silent protagonist. John Woo can still direct action though, that’s for sure. The action is easily the best part of the film. The last third of the film is entertaining in that regard. The training montages which lead up to it just really challenged my patience though. I was not a fan of this. Really hope Woo grabs a new project soon, though, and doesn’t wait too long to get back into the director’s chair again.
- Chris C2024年10月28日This movie was all about a novel (for current day, at least) idea: do a film with effectively no dialog. And it started off strong! The first twenty minutes or so worked well, but then it began to feel like a gimmick. And as more time went on, it just became annoying, because there were lots of places that there SHOULD have been dialog (by other characters) and the lack of it felt very artificial and frustrating. The action was good once it started, but that didn't happen until fairly late in the film. The film gets some points for the attempt and the solid (once it finally started) action at the end, but it could have been a better film without the gimmick.
- parktool692024年12月1日great christmas watch
- chrislamb772025年12月25日Remove this from your hard drive immediately. You will regret the time spent.
- HaditmaN2025年12月16日This movie was a good watch.
- M08Y2025年10月8日An uninspired and gimmicky action flick that wastes Joel Kinnaman. Silent night is a low budget and low effort action flick where the only unique element is the fact that nobody speaks. Why you would cripple yourself by removing all dialogue when your film is this bland is beyond me. SIlent Night is your usual revenge action film, kind of like John Wick or Nobody if someone had sucked all the fun out of them. Even Joel Kinnaman wasnt enough to save this one. The visuals were all fine except one particular shot of glass breaking which is possiblt the worst thing I've ever seen. The audio was..... present I guess. The music is honestly abusive, the whole score is quiet christmas jingles and what rich people assume gang music is like? In conclusion, it wasnt bad enough to turn off half way through, but unless you've got nothing better to do, I'd sit this one out.
- niall.582025年9月20日Joel Kinnamen is always awesome 👌
サイレント・ナイトに関するトリビア
サイレント・ナイトは2023年11月29日に公開されました。
サイレント・ナイトはJohn Wooが監督を務めました。
サイレント・ナイトの上映時間は1h 44mです。
サイレント・ナイトはJohn Woo, Basil Iwanyk, Erica Lee, Christian Mercuri, Lori Tilkinがプロデューサーを務めました。
A tormented father witnesses his young son die when caught in a gang's crossfire on Christmas Eve. While recovering from a wound that costs him his voice, he makes vengeance his life's mission and embarks on a punishing training regimen in order to avenge his son's death.
サイレント・ナイトの主要人物はBrian Godlock (Joel Kinnaman), Detective Dennis Vassel (Kid Cudi), Playa (Harold Torres)です。
サイレント・ナイトはR15+と評価されています。
サイレント・ナイトはAction, スリラー, 犯罪映画です。
サイレント・ナイトは、視聴者によって10点満点中5点をつけられています。
サイレント・ナイトの興行収入は$1106.7万です。