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A man struggles to survive after awakening alone, trapped in a society connected only by primitive computers, where the ability to entertain is his only currency. The first feature film ever to be shot entirely from one fixed camera angle.
監督:Ira Rosensweig
  • Melvin Gregg#000000014
  • Bradley Whitford#006395873
  • Danielle Campbell#038491828
  • Alice Braga#052605011
  • Melvin Vaughan#002456921
  • Macy Minear#071131480
  • Ira Rosensweig監督 / プロデューサー / 編集者 / ストーリー
  • Kevin Matusowプロデューサー
  • Carissa Buffelプロデューサー
  • Damián AcevedoDirector Of Photography
  • Joe Stocktonオリジナルの作曲者
  • Benjamin Sutorストーリー
  • jackmeat2024年11月4日
    My quick rating - 5.2/10. I popped this on knowing nothing about it. The movie offers a timely, minimalistic look at the isolation and commodification of personal experience in the digital age. The premise is simple but engaging: a man (Melvin Gregg) wakes up in a stripped-down room, with only a primitive computer at his disposal. He quickly learns that in this new world, entertainment is currency—reminiscent of the TikTok-driven social economy where content is king. It’s an intriguing concept, even if it feels a bit like it’s trying to pack a lot into its budget constraints. One of the film’s strengths is its commitment to exploring the mental toll of isolation and the lengths people will go for validation. The performances, however, are hit-or-miss; at times, the main character’s responses feel grounded, but there’s also an underlying tone of acceptance that feels rushed. In such a bizarre situation, you’d expect a longer struggle with disbelief or frustration, but the character’s quick adaptation undermines some of the tension. The social commentary on our relationship with social media and how far we’ll go to feel “seen” is definitely at the forefront. The film raises interesting questions, like how entertainment becomes a transactional part of human existence. Yet, it doesn’t dig quite as deeply as it could, skimming the surface instead of delivering a full critique. Overall, I still found the flick to be commendable for the effort and ambition it shows with a limited budget. While the acting and pacing issues keep it from being fully immersive, it’s an intriguing watch for those interested in themes of social media’s impact on mental health and self-worth.

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