ロボコップ
監督:Paul Verhoeven7.685%84%7.4
舞台は近未来のデトロイト。かつて自動車産業で栄華を誇ったこの街は犯罪都市と化し、巨大コングロマリット企業オムニ・コンシューマ・プロダクツ（OCP、通称オムニ社）によって警察（民営化されていて警察官から一般職員に至るまで会社員）を含む街全体が支配されていた。
アレックス・マーフィー巡査は、一連の警官殺しにおける犯人とされ指名手配中のマフィアであるクラレンス一味を追っていた。マーフィーはカーチェイスの末に一味の隠家を発見、潜入するも惨殺される。犯罪撲滅のため「警官のロボット化」を企画していたオムニ社は、死亡診断が下されたマーフィーの死していない生体部分を部品として利用、彼をロボコップとして蘇らせる。
ロボコップは驚異的な性能で優秀な成果をあげ、街の治安は少しずつ取り戻されて行った。しかし、ロボコップ自身は人間だった頃の記憶の断片に悩まされ、ついには自分が何者であったかを知ってしまう。
ロボコップの評価とレビュー
- Zokkiie4日前Haven’t seen this in over 25 years, and wow—I’d forgotten how intense and brutal it really is. The action hits hard, the satire is sharp, and it somehow balances both without ever feeling messy. The practical effects are messy in the best way, gritty and tactile, and the dark, dry humor sneaks up on you. It’s confident in its chaos, unapologetically rough around the edges, which makes it stick in your head. That bleak, industrial vibe just works, and even after it’s over, it lingers longer than you expect.
- Mike Holland2026年3月5日Dead or ALIVE
- Scott beard2026年1月24日RoboCop (1987) is Paul Verhoeven dropping a thermonuclear satire bomb disguised as the most badass cyborg cop movie ever made. Detroit’s a crime ravaged shithole run by corporate overlords at OCP who literally auction off the city like it’s a bad timeshare. They murder honest cop Alex Murphy (Peter Weller, giving robotic stoicism Oscar worthy depth) in one of the most brutal, lingering executions in cinema history, shot to pieces, limbs mangled, blood everywhere, then resurrect him as RoboCop: part machine, part haunting memory of the man he used to be. The action? Pure 80s excess done right. RoboCop storms in with that iconic “dead or alive, you’re coming with me” deadpan, auto aiming precision shots, and enough slow motion violence to make your popcorn taste like guilt. The practical effects hold up like steel: that toxic waste villain meltdown still looks gloriously disgusting, and the stop motion ED 209 malfunction is comedy gold wrapped in corporate hubris. But Verhoeven’s not just serving ultraviolence, he’s force feeding you Reagan era America on steroids. Corporate greed privatizing everything (including law enforcement), media desensitization with fake news segments (“Nuke ‘em!” game shows, product placement murders), and the illusion of justice in a system that chews up good people and spits out profit machines. The satire is vicious and hilarious: OCP execs clap like seals at murder demos, the news anchors smile through apocalypse reports, and RoboCop’s directive glitches remind you humanity’s the real glitch. Weller’s performance is the soul, those tiny eye twitches when old memories flicker, the halting “I’d buy that for a dollar!” echoes, turn a tin man into a tragic hero. Nancy Allen’s tough as nails partner adds heart without sap, Kurtwood Smith’s coke fueled villain Clarence Boddicker is scenery chewing perfection (“Bitches leave!”), and the whole cast plays it straight so the irony hits like a Directive violation. It’s funny as hell (those interstitial ads are savage), gory enough to get an X rating originally, and smart enough to make you question if we’re all just programmed to cheer for the next upgrade. The 2014 remake? Polished, PG 13 sanitized corporate product, misses the point entirely. The original is raw, unapologetic, and still cuts deeper than any modern blockbuster dares. Ten out of ten directive violating headshots. RoboCop isn’t just a movie; it’s a middle finger to unchecked capitalism, wrapped in chrome and carnage. Say it with me, “Serve the public trust. Protect the innocent. Uphold the law.” Then go watch it and feel that delicious unease. 🤖💥🩸
- mhamreus2026年1月20日A brutal, hilarious time capsule of late-80s cinema, RoboCop is peak Paul Verhoeven. On the surface, it is a hard-R sci-fi action film drenched in over-the-top violence. Underneath, it is razor-sharp social commentary aimed straight at corporate greed, privatized policing, and a media culture numb to brutality. Verhoeven walks a perfect line between satire and spectacle. The violence is so excessive it becomes absurd, the villains so exaggerated they feel like walking indictments of the era. And somehow it all works. Every outrageous moment reinforces the point rather than dulling it. At the center is RoboCop himself, a tragic hero fighting to reclaim fragments of his humanity beneath the steel. The film never forgets the man inside the machine, even when the body count climbs. And then there is Kurtwood Smith. As Clarence Boddicker, he absolutely steals the villain show. Charismatic, vicious, and endlessly quotable, he delivers some of the most memorable lines of the decade and sets the gold standard for cinematic bad guys. This is a movie that simply could not be made today. Too mean. Too blunt. Too willing to offend. And that is exactly why it still hits so hard
- sti532026年1月13日I'd buy THAT for a dollar!
- Cubane2026年1月8日They have a statue of this vaguely phallic metal man in Detroit despite none of the filming actually taking place there. The choice to use Dallas as a cheat location for Detroit is lazy and contemptible. It's a shame considering the great themes, action, one-liners, and hilarious campy CGI this film also has on offer.
- Richard2026年1月4日Saw this one in the cinema back in the day and it absolutely burned itself into my brain, the perfect mix of satire, violence and that wonderfully grimy 080's sci‑fi aesthetic. Later owned it on VHS and DVD, because of course you do when a film hits this hard. It’s still one of the sharpest reflections on corporate greed ever put on screen, wrapped in a story that somehow manages to be brutal, funny and weirdly heartfelt all at once. And that ending with the director falling? Still hilarious.
- Nathan Aubert2025年12月31日Respect for a classic, but it shows it's age now. Does not read as timeless to me, but still a fun movie.
- Guff19852025年12月27日One of the best action movies from the 80's. I'll Buy That for a Dollar!
- Leonard Mosca2025年2月9日Is a classic movie with science fiction over the top violence but I don't think that's the only interesting thing about the movie the story is interesting I think a lot of fans get the wrong idea about this film
- CarbonDJ2025年11月4日Forever a classic. Paul Verhoeven delivered a masterpiece. The city he built. The TV commercials (great work that I was happy to see come back in Starship Troopers). The bad guys are unforgettable. Peter Weller's Robocop is delivered with perfection.
- Stairwaytothestars2025年9月29日When lead begins its frantic flight To fall is but a common plight In Robo's shadow, truth is found A finer grace than Lobo's ground. ROBO BOBO is alright.
- Timeless Cinema2025年5月6日Robocop has no right to be this good. And yet, it delivers action, corporate politics, AI, sciencd fiction, comedy, and drama all into an explosive package.
- Paul Steele2025年9月21日RoboCop is Paul Verhoeven’s first American film—and it does not disappoint. This sci-fi masterpiece may have a relatively short runtime, but it packs in an incredible amount of story and style. Peter Weller’s portrayal of Alex Murphy, a.k.a. RoboCop, is unforgettable, and his iconic look signals the changing times to come. The film is chilling at times, exploring the struggle between man and machine in ways that still feel relevant today. It’s also undeniably violent, with squib work unlike anything I’d ever seen before. I especially enjoyed the spliced news segments that give a satirical snapshot of this future world. Two main villains drive the conflict: Ronny Cox as Dick Jones, representing the greedy mega-corporation OCP, and Kurtwood Smith as the ruthless street criminal who does Jones’s dirty work. Both are formidable in their own right. RoboCop is now a cult classic and, in my opinion, has never been surpassed by any of its sequels or reboots. A truly great American debut for Verhoeven and a clear taste of the bold filmmaking he would bring to Hollywood.
- NotoriousEdge2025年9月20日If they had Robocop instead of Will Smith the I robot movie is over in 5 minutes.
ロボコップに関するトリビア
ロボコップは1987年7月17日に公開されました。
ロボコップはPaul Verhoevenが監督を務めました。
ロボコップの上映時間は1h 43mです。
ロボコップはArne Schmidtがプロデューサーを務めました。
舞台は近未来のデトロイト。かつて自動車産業で栄華を誇ったこの街は犯罪都市と化し、巨大コングロマリット企業オムニ・コンシューマ・プロダクツ（OCP、通称オムニ社）によって警察（民営化されていて警察官から一般職員に至るまで会社員）を含む街全体が支配されていた。
アレックス・マーフィー巡査は、一連の警官殺しにおける犯人とされ指名手配中のマフィアであるクラレンス一味を追っていた。マーフィーはカーチェイスの末に一味の隠家を発見、潜入するも惨殺される。犯罪撲滅のため「警官のロボット化」を企画していたオムニ社は、死亡診断が下されたマーフィーの死していない生体部分を部品として利用、彼をロボコップとして蘇らせる。
ロボコップは驚異的な性能で優秀な成果をあげ、街の治安は少しずつ取り戻されて行った。しかし、ロボコップ自身は人間だった頃の記憶の断片に悩まされ、ついには自分が何者であったかを知ってしまう。
ロボコップの主要人物はOfficer Alex J. Murphy / RoboCop (Peter Weller), Officer Anne Lewis (Nancy Allen), The Old Man (Dan O'Herlihy)です。
ロボコップはR15+と評価されています。
ロボコップはサイエンスフィクション, Action, スリラー映画です。
ロボコップは、視聴者によって10点満点中8.4点をつけられています。
ロボコップの予算は$1300万です。
ロボコップの興行収入は$5342.5万です。