カメラマンのジェフは足を骨折し、ニューヨークはグリニッチ・ヴィレッジのアパートで療養中。身動きの取れない彼にとって退屈しのぎの楽しみは、窓から見える中庭と向いのアパートの住人たちを眺める事だけ。だが、その中で、セールスマンの夫と激しい口論をしていた病床の妻の姿が見えなくなった事に気づいた。セールスマンの様子を窺う内に、ジェフはその男が女房を殺したのではないかと推測、恋人のリザと看護人ステラの協力を得て調査を始めるのだが……。
- Gianni Cavuoto2025年11月29日One of my most favorite movies of the Golden era. Grace Kelly was a standout in American film at this time. Alfred Hitchcock made three movies with her and this was the 2nd. She was so elegant and had such a stage presence without being pretentious. And Jimmy Stewart was no slouch either. Interesting movie with the limited set and super focus on the obvious. It's a great time for anyone who watches for sure.
- IamFredWest2025年4月12日Just watched Rear Window for the first time — and wow. Alfred Hitchcock masterfully turns a single apartment and a courtyard into an entire world. I was completely drawn into the slow-burning suspense, the voyeuristic tension, and the brilliant visual storytelling. As a street photographer myself, I couldn’t help but relate to Jefferies’ obsession with observing everyday life from a distance — framing, guessing, imagining. It’s not just a thriller; it’s a meditation on watching and being watched. The pacing, the performances (especially James Stewart and Grace Kelly), and the meticulous detail in every window and story make it a true classic. Still can’t believe how fresh it feels for a film made in 1954.
- BrandonCF2025年8月13日It's hard to believe that such a great movie could be made with such a minimal set and cast. With the right script, actors and director though Rear Window pulls it off without breaking a sweat. A little drama, a little romance and a lot of suspense and talent have made this movie a timeless masterpiece that holds up to anything made before or after. One of my favorite movies that's very easy to watch again and again.
- Mike2024年10月11日Rear Window is a very mysterious and intriguing film, that makes you eager to find out the truth " That's no ordinary look. That's the kind of look a man gives when he is afraid somebody might be watching him." This film has a pretty simplistic story, but Alfred Hitchcock managed to create a very interesting plot that is supported by great cinematography and interesting characters. A plot that intrigues the viewer into finding out the truth, just like the protagonist is trying to do. Alfred Hitchcock is known for his creation of suspense in his films... and Rear Window is not shy of that either. The suspension increased the closer you came to finding out the truth. Alfred Hitchcock didn't get the nickname the 'Master of Suspense' for no reason, so you can already imagine how high the suspense got when it was at its peak. The suspense, mystery and interesting characters are the key aspects to why I love this film so much. I really liked the fact that the characters were actually smart and had intriguing dialogue. They all had strong arguments and counter arguments as to why someone would be guilty or innocent of murder, creating hesitation and suspicion that kept the mystery alive. This film makes you doubt the characters, their actions and it even makes you doubt if the things you saw or heard are actually true. All this hesitation and suspicion made me very eager to find out the truth. The cinematography is everything you would expect from Alfred Hitchcock. You get to see what Hitchcock wants you to see, and you don't get to see what Hitchcock doesn't want you to see. This control of the cinematography complements the story and plot so well, that the film manages to hold your full attention from beginning to end. Every scene visualizes the mysterious elements the protagonist experiences, by placing the viewer into the mental and physical perspective of him. This way the protagonist isn't the only one trying to solve the murder mystery, the viewer is too. Rear Window wasn't the first Hitchcock film that I have seen, that one goes to Psycho, which I also really liked. Rear Window is, for me personally, a prime example as to why Alfred Hitchcock deserves to be called the 'Master of Suspense'. Letterboxd: Mike_v_E
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裏窓は1954年8月1日に公開されました。
裏窓はAlfred Hitchcockが監督を務めました。
裏窓の上映時間は1h 52mです。
裏窓はAlfred Hitchcockがプロデューサーを務めました。
カメラマンのジェフは足を骨折し、ニューヨークはグリニッチ・ヴィレッジのアパートで療養中。身動きの取れない彼にとって退屈しのぎの楽しみは、窓から見える中庭と向いのアパートの住人たちを眺める事だけ。だが、その中で、セールスマンの夫と激しい口論をしていた病床の妻の姿が見えなくなった事に気づいた。セールスマンの様子を窺う内に、ジェフはその男が女房を殺したのではないかと推測、恋人のリザと看護人ステラの協力を得て調査を始めるのだが……。
裏窓の主要人物はL.B. Jefferies (James Stewart), Lisa Fremont (Grace Kelly), Thomas Doyle (Wendell Corey)です。
裏窓はGと評価されています。
裏窓は謎, スリラー, ドラマ映画です。
裏窓は、視聴者によって10点満点中9.5点をつけられています。
裏窓の予算は$100万です。
裏窓の興行収入は$3704.2万です。