平安時代、羅生門の下で雨宿りをする下男（上田吉二郎）相手に、旅法師（千秋実）と杣売り（志村喬）が奇妙な話を語り始める。京の都で悪名高き盗賊多襄丸（三船敏郎）が山中で侍夫婦の妻（京マチ子）を襲い、夫（森雅之）を殺害したという。だが、検非違使による調査が始まると、盗賊と妻の証言はまったく異なっており……。
- christofferbenndorf4日前Akira Kurosawa’s Rashomon is a cinematic masterpiece that explores the subjectivity of truth. By recounting a singular violent crime through the contradictory perspectives of those involved, the film forces viewers to confront how ego and self-interest distort memory. Unlike the stylized, superhuman warriors seen in Kurosawa's later epics, these characters are refreshingly flawed and grounded. While the fragmented narrative can be disorienting, this confusion is entirely intentional. Kurosawa isn't interested in simple answers; he’s crafting a brilliant, haunting meditation on human nature. If you appreciate character-driven stories over action, Rashomon is essential, thought-provoking viewing.
- Elliot0472026年1月13日If you love Nolan’s mind-bending non-linear timelines, know that Rashomon invented that style over 70 years ago. It wasn’t a blockbuster or feel-good flick, it’s pure cinema study, forcing you to rethink human nature and self-deception. Modern directors built their careers on its path, from Hollywood thrillers to courtroom dramas. Sure, today’s artists could mimic Van Gogh perfectly, but that doesn’t erase the original’s genius.
- PoetofCinema2025年10月13日I strongly revere Akira Kurosawa for how he did Ryūnosuke Akutagawa’s work with justice and tact. It’s beyond impressive because I read Akutagawa’s work first and he was firstly extraordinary and legendary. I have to say, this film does deserve the hype it gets. This may sound cliché but yes the film is a masterpiece; it is, really. There is a lot to say about this iconic film directed by Kurosawa as the ambiguity, strangeness, action, interactions, dialogue, and imagery has been executed well to show the audience watching it enticed and interested in the film. As I said before, this film can get a lot of praise because how many good things are from this movie. Overall, a masterpiece.
- Joel2025年7月1日Kurosawa is so good always, I love how much range there is in his filmography the same way as I love Toshiro Mifune's range (although I desperately need to watch more of both of their films.) This is probably my least favourite Kurosawa film I've seen, but it's still a brilliant film. If only plex didn't have a 2.5 minute ad break every ~12 minutes...
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羅生門は1950年8月26日に公開されました。
羅生門はAkira Kurosawaが監督を務めました。
羅生門の上映時間は87mです。
羅生門はJingo Minouraがプロデューサーを務めました。
平安時代、羅生門の下で雨宿りをする下男（上田吉二郎）相手に、旅法師（千秋実）と杣売り（志村喬）が奇妙な話を語り始める。京の都で悪名高き盗賊多襄丸（三船敏郎）が山中で侍夫婦の妻（京マチ子）を襲い、夫（森雅之）を殺害したという。だが、検非違使による調査が始まると、盗賊と妻の証言はまったく異なっており……。
羅生門の主要人物はTajômaru (Toshirō Mifune), Masako (Machiko Kyō), Woodcutter (Takashi Shimura)です。
羅生門はGと評価されています。
羅生門は犯罪, ドラマ, 謎映画です。
羅生門は、視聴者によって10点満点中9.3点をつけられています。
羅生門の予算は$25万です。
羅生門の興行収入は$12万です。