

PROSPECT プロスペクト
監督:Zeek Earl, Christopher Caldwell6.389%74%6.2
A teenage girl and her father travel to a remote alien moon, aiming to strike it rich. They've secured a contract to harvest a large deposit of the elusive gems hidden in the depths of the moon's toxic forest. But there are others roving the wilderness and the job quickly devolves into a fight to survive.
PROSPECT プロスペクトの評価とレビュー
- Rick2025年7月20日Good character driven indie sci-fi film. Great performances by Pedro and Sophie. Compelling world I’d love to know more about. A weird purple man in a box. Pretty impressive what they accomplished with such a tiny budget.
- poorogue2026年2月19日Sophie Thatcher really brought this film to its peak. Without her, this is a flat 2.5. she did real work here, especially for her first big film.
- ChandraJordan2026年1月7日I love anything Pedro is in
- Tim Maccumber2025年12月7日Go movie ,some parts needed clarity
- Shaydeknight2025年10月20日Prospect is a rare little gem of a film, a low-budget sci-fi feature that manages to feel more like a frontier drama than a space adventure. It's dusty, claustrophobic, and quietly haunting. Rather than sprawling intergalactic empires or sleek spaceships, we get rusted helmets, patched-up machinery, and the suffocating air of a lawless gold rush. It's a western, just one that's set on a toxic moon. The story follows a father and daughter who touch down on an alien world to harvest precious gems. Things, naturally, don't go as planned. But Prospect isn't really about treasure or technology, it's about staying alive, trust, and the uneasy alliances that form when survival is the only goal. Pedro Pascal delivers an outstanding performance as Ezra, a man whose erudition and eloquence make him both captivating and untrustworthy. He belongs to that distinguished cinematic bloodline of well-mannered frontier rogues, like Doc Holliday or Mal Reynolds. He's pragmatic, charming, and governed by an internal moral code that seems to exist only when it suits him. He's not heroic, but he isn't soulless either. There are things even he won't do, and you sense genuine regret beneath his rough surface. Sophie Thatcher, in her first major role, more than holds her own beside Pascal. Her transformation through the film is subtle and believable. She begins the story as a dependent and ends it as a survivor. It's an impressive performance, particularly given her age and inexperience. Jay Duplass, as her father Damon, does well as an unlikeable man who is still recognizably human: flawed, desperate, perhaps a little lost in his own issues. The film's greatest strength lies in its atmosphere. Directors Zeek Earl and Chris Caldwell (in their feature debut) build a convincing world with limited means, all grit, grime, and makeshift ingenuity. The language is slightly evolved, the alphabet indecipherable, the technology half-broken and half-understood. It's a "lived-in" universe, not one polished to sterility. That said, a touch more exposition would have helped. While I appreciate the choice to keep the lore enigmatic, a bit more context could have grounded the story without spoiling the mystery. The dialogue is serviceable but not particularly memorable, occasionally bland, and often too literal for such a textured world. I couldn't help thinking the film might have benefited from a bit more linguistic flair, something closer to the rich hyper-futuristic dialects of Cloud Atlas or A Clockwork Orange. Still, the characters and performances make up for the simplicity of the script. Ultimately, Prospect works because it trusts its mood more than its mechanics. It's not about explaining every detail of the universe, it's about showing how people behave when everything familiar is stripped away. It's a survival story first, a sci-fi tale second, and a moral fable somewhere in between. In short, Prospect feels like a promise, the kind of debut that reminds you how much can be done with imagination, restraint, and a good eye for atmosphere. A little rough around the edges, yes, but that's the point. The frontier, whether on Earth or a faraway moon, is never wholly clean.
- cursedbags2025年8月12日for the budget being $4 million not bad.
- wipeout6302025年10月10日Confusing and difficult to understand. There's just enough context for you to build your own story out of it.
PROSPECT プロスペクトに関するトリビア
PROSPECT プロスペクトは2018年11月2日に公開されました。
PROSPECT プロスペクトはZeek Earl, Christopher Caldwellが監督を務めました。
PROSPECT プロスペクトの上映時間は1h 39mです。
PROSPECT プロスペクトはGarrick Dion, Dan Balgoyen, Scott Glassgold, Andrew Miano, Matthias Mellinghaus, Chris Weitzがプロデューサーを務めました。
A teenage girl and her father travel to a remote alien moon, aiming to strike it rich. They've secured a contract to harvest a large deposit of the elusive gems hidden in the depths of the moon's toxic forest. But there are others roving the wilderness and the job quickly devolves into a fight to survive.
PROSPECT プロスペクトの主要人物はCee (Sophie Thatcher), Ezra (Pedro Pascal), Damon (Jay Duplass)です。
PROSPECT プロスペクトはR15+と評価されています。
PROSPECT プロスペクトはサイエンスフィクション, ドラマ, スリラー映画です。
PROSPECT プロスペクトは、視聴者によって10点満点中7.4点をつけられています。
PROSPECT プロスペクトの予算は$400万です。
PROSPECT プロスペクトの興行収入は$22,777です。












