ワン・バトル・アフター・アナザー
監督:Paul Thomas Anderson元革命家の頼りない中年男ボブ。彼はさらわれた愛娘を取り戻すため、かつての仲間や謎めいた空手のセンセイの助けを借りながら、恐ろしい軍人ロックジョーに立ち向かっていく。
ワン・バトル・アフター・アナザーの評価とレビュー
- Dom0208762025年11月15日What the hell did I just watch?
- thomasrogers7532025年9月27日PTA might actually be one of the greatest directors of our time I also loved Leo and Del Toro
- David Cates1日前Good film worth your time.
- yousif1684日前A stunning film reflects to us the hidden reality, but it is known.
- Splitvision896日前I had put off watching this for awhile thinking it probably wouldn't live up to the hype but this is an absolutely incredible movie! Everything about this movie is pure cinema. The story, the casting, the cinematography, music, pacing, ect. is as perfect as you will find in a movie.
- da96137日前Not good, not bad... I wouldn't recommend it to anyone
- vaai2026年4月8日Overrated.
- Magnus Parde2025年11月16日"One Battle After Another" is less a movie and more a chaotic descent into tasteless indulgence. From the opening scene, it’s clear the director was preoccupied with titillation over storytelling. The film plays out like a bizarre mashup of a 1970s disaster flick—except instead of tension or drama, we’re treated to a parade of gratuitous encounters that feel wildly out of place. Imagine an airplane spiraling toward doom while the passengers are inexplicably more interested in hooking up than surviving. That’s the tone. And it’s exhausting. The script is incoherent, the pacing erratic, and the characters are caricatures of bad decisions. There’s no emotional core, no thematic depth—just a relentless barrage of scenes that seem designed to provoke rather than entertain. It’s not edgy. It’s just lazy. Worse still, this film feels emblematic of a broader decline in Hollywood’s creative standards. If this is what the industry is banking on, it’s no wonder audiences are turning away. Substance is being replaced by shock value, and the result is a product that caters to the lowest common denominator. If trends like this continue, the only viewers left will be those who’ve given up on cinema as an art form. Avoid at all costs. This isn’t a battle worth fighting.
- Angel2025年12月23日After watching this movie, I am starting to understand that Europe and the USA have become completely different worlds. I had the chance to get to know an American for a while two months ago, and I've already got a hint of the same dissonance. The music, the actors, the shots, a masterpiece, but regarding the script, for some reason, I always have the same feeling. Like if I am watching a documentary about an alien civilization in despair about to collapse, that doesn't have anything to do with my reality in Europe. Don't get me wrong, we are about to collapse too, but for completely different reasons xD. A background of total disconnection about what is happening in the movie, and what I believe is true because of my context. I can't imagine this happening, that's the problem. But a bigger problem is if this can be in the imaginarium of somebody else. I wonder if there would be a point where the content from America just connects with Americans, specifically from just one side, because the other side doesn't control the narrative in cinemas. Currently, it does not connect with me anymore. I suppose if I live there, and I vote democrats this is a full masterpiece, but I remember with sadness and melancholy when Hollywood was the fabric of dreams with no sides, now it is just another tool for propaganda. I kinda understand why the youngsters don't get it, you need to go back more than 20 years to find dreams instead of advertisement in cinemas. Many kids tell me they didn't watch The Lord of the Rings ever, so ask them if they know about Back to the Future or Indiana Jones is pointless most of the time, they will never understand what a movie was at that time for your imagination, for your growth, for your hopes and beliefs. Now you are just injected with hatred, revenge and pain.
- Mikey Smith2026年4月7日Yeah. Sean Penn deserved that Oscar.
- kbams2026年4月6日Leonardo DiCaprio does a solid job in this, he really pulls you in as this burned-out, bumbling revolutionary trying to hold things together. Good acting from him. Sean Penn though, wow. He is scary and seriously freaky as the villain Colonel Lockjaw, but in a good way. You genuinely feel uneasy every time he shows up on screen. That man committed to the role. Now those Christmas Adventurers people, the secret cabal in the film...a good stand in for the Epstein Trump people...., they are a pretty freakish bunch, kind of shady and creepy in a way that feels all too real. The kind of crowd that makes you raise an eyebrow. Honestly it is a bit of a shame more of those nasty characters did not get what was coming to them. As for whether it is a feel-good movie, honestly it is a yes and no situation. There are moments that lift you up, but it is a pretty wild and chaotic ride getting there. Sort of feel-good, kind of, in its own weird way. Worth a watch.
- Raphael Dreier2025年11月14日boring movie
- Riley O'Connor2026年4月5日Unexpected. Fantastic. Worth it.
- JPKGWV2026年4月4日The only redeeming quality of this story is the father daughter relationship. The rest sucks. Evil white man and the put down "people of color". I've had enough, tell your story to someone else.
- Chris C2026年4月1日Leo's performance in this was excellent and really sold the befuddled, out of his depth stoner. Benicio was barely in the movie but, as usual, completely stole every scene he was in. But despite those—and other—great performances, the movie as a whole itself felt slow and kind of disjointed to me. I enjoyed it, certainly, but I have to admit that it was absolutely not a Best Picture contender in my eyes.
ワン・バトル・アフター・アナザーを視聴
ワン・バトル・アフター・アナザーに関するトリビア
ワン・バトル・アフター・アナザーは2025年9月24日に公開されました。
ワン・バトル・アフター・アナザーはPaul Thomas Andersonが監督を務めました。
ワン・バトル・アフター・アナザーの上映時間は2h 41mです。
ワン・バトル・アフター・アナザーはAdam Somner, Sara Murphy, Paul Thomas Andersonがプロデューサーを務めました。
元革命家の頼りない中年男ボブ。彼はさらわれた愛娘を取り戻すため、かつての仲間や謎めいた空手のセンセイの助けを借りながら、恐ろしい軍人ロックジョーに立ち向かっていく。
ワン・バトル・アフター・アナザーの主要人物はBob (Leonardo DiCaprio), Col. Steven J. Lockjaw (Sean Penn), Willa (Chase Infiniti)です。
ワン・バトル・アフター・アナザーはPG12と評価されています。
ワン・バトル・アフター・アナザーは犯罪, ドラマ, スリラー映画です。
ワン・バトル・アフター・アナザーは、視聴者によって10点満点中8.5点をつけられています。
ワン・バトル・アフター・アナザーの予算は$1.8億です。
ワン・バトル・アフター・アナザーの興行収入は$2.1億です。