

Nobel Peace
監督:Astik Dalai2021年10月8日 2h 1mドラマ
6.7
'Nobel Peace' is a feature film exploring the dangerous social tensions arisen from religious differences and simple differences of opinion which lead to cruel, senseless violence and oppression which in turn leads to further injustices and creates a never-ending cycle of exploitation from both legal authorities as well as illegal groups. Set in a small touristic village in India, we follow the story of Hayan Mir and his friend Aasif Alam long with professor Shlok Manhas. Hayan is a young man desiring to make videos to attract tourists to his village and promote peace. His actions are being misinterpreted as he visits a terrorist camp. Although he eventually gets released after relentless efforts of the professor and his lawyer uncle pleading for his release, the damages caused to everyone involved are priceless and hefty.
Nobel Peaceの視聴方法
Nobel Peaceに関するトリビア
Nobel Peaceは2021年10月8日に公開されました。
Nobel PeaceはAstik Dalaiが監督を務めました。
Nobel Peaceの上映時間は2h 1mです。
Nobel PeaceはAlok Raiがプロデューサーを務めました。
'Nobel Peace' is a feature film exploring the dangerous social tensions arisen from religious differences and simple differences of opinion which lead to cruel, senseless violence and oppression which in turn leads to further injustices and creates a never-ending cycle of exploitation from both legal authorities as well as illegal groups. Set in a small touristic village in India, we follow the story of Hayan Mir and his friend Aasif Alam long with professor Shlok Manhas. Hayan is a young man desiring to make videos to attract tourists to his village and promote peace. His actions are being misinterpreted as he visits a terrorist camp. Although he eventually gets released after relentless efforts of the professor and his lawyer uncle pleading for his release, the damages caused to everyone involved are priceless and hefty.
Nobel Peaceの主要人物はHayan Mir (Mudasir Zafar), Asif Alam (Mayur Mehta), Shlok Manhas (Hiten Tejwani)です。
Nobel Peaceはドラマ映画です。
Nobel Peaceは、視聴者によって10点満点中6.7点をつけられています。

