ムーンライト
7.498%79%7.4
マイアミを舞台に自分の居場所とアイデンティティを模索する少年の成長を、少年期、ティーンエイジャー期、成人期の3つの時代構成で描き、第89回アカデミー賞で作品賞ほか、脚色賞、助演男優賞の3部門を受賞したヒューマンドラマ。 マイアミの貧困地域で暮らす内気な少年シャロンは、学校では「リトル（チビ）」と呼ばれていじめられ、家庭では麻薬常習者の母親ポーラから育児放棄されていた。そんなシャロンに優しく接してくれるのは、近所に住む麻薬ディーラーのフアン夫妻と、唯一の男友達であるケヴィンだけ。やがてシャロンは、ケヴィンに対して友情以上の思いを抱くようになるが、自分が暮らすコミュニティではこの感情が決して受け入れてもらえないことに気づき、誰にも思いを打ち明けられずにいた。そんな中、ある事件が起こり……。
- Tim and Ken2026年2月15日I've seen this movie 2 or 3 times. I always enjoy an LGBT coming of age story. Some other older gays might be able to relate to the challenges of coming out. The need to "act like one of the guys" to fit in. The sense that some of us are unable to come out to ourselves and others until there's some distance to feel safe enough to do so. But when it finally happens, it just feels so right, and freeing.
- Garrett Wilkins2日前Just as Andrea Arnold did in American Honey, Barry Jenkins turns his attention toward a part of America that mainstream filmmaking rarely cares to acknowledge. While American Honey follows one forgotten corner of the country's underclass, Moonlight reveals an entirely different one. Both films remind us just how many American stories remain untold. What struck me most was how little interest the film has in assigning blame or making a certain audience feel guilty by outright claiming any type of systemic injustice exists. It never seems interested in telling viewers what they're supposed to think. Instead, it simply presents its characters as they are, trusting that their humanity is enough to earn empathy on its own. I found that approach far more effective than the kind of mainstream dramas that arrive with their social justice lessons already baked into the screenplay. Mahershala Ali is phenomenal despite appearing for far less of the film than I expected. He had an aura of security about him that extended well beyond his limited screen time. I wasn't entirely convinced at first that Trevante Rhodes was the right choice for the film's final chapter. By the end, though, he had completely won me over as the right choice for the final act protagonist. Barry Jenkins directs with remarkable confidence and allows these performances and the silence between them to carry as much weight as the dialogue itself. I spent much of the film thinking less about where the story was going and more about what it was trying to say. It raises questions about identity, masculinity, sexuality, family, addiction, poverty, and belonging. I wondered whether it was subtly or perhaps even incidentally suggesting that society begins shaping a person's understanding of themselves long before they have the opportunity to define that identity on their own. Whether that was Jenkins' intention or simply my own interpretation, I appreciated that the film never forces an answer. But at the same time, I think Moonlight reaches into so many different areas that it never fully commits to any single one of them, and even though this can sometimes be a successful tactic, I can't quite say this film pulls that effort off well enough to be worthwhile. I have to say too, if I'm being forthright, I personally believe the Academy had stronger Best Picture nominees that year. With that said, I completely understand why Moonlight has become such a respected film. More than anything, I'm glad I watched the two A24 products, American Honey and Moonlight, back-to-back. They complement one another remarkably well, revealing two different perspectives of life beneath the surface of modern America without either one pretending to have all the answers.
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ムーンライトは2016年10月21日に公開されました。
ムーンライトはBarry Jenkinsが監督を務めました。
ムーンライトの上映時間は1h 50mです。
ムーンライトはAdele Romanski, Jeremy Kleiner, Dede Gardnerがプロデューサーを務めました。
マイアミを舞台に自分の居場所とアイデンティティを模索する少年の成長を、少年期、ティーンエイジャー期、成人期の3つの時代構成で描き、第89回アカデミー賞で作品賞ほか、脚色賞、助演男優賞の3部門を受賞したヒューマンドラマ。 マイアミの貧困地域で暮らす内気な少年シャロンは、学校では「リトル（チビ）」と呼ばれていじめられ、家庭では麻薬常習者の母親ポーラから育児放棄されていた。そんなシャロンに優しく接してくれるのは、近所に住む麻薬ディーラーのフアン夫妻と、唯一の男友達であるケヴィンだけ。やがてシャロンは、ケヴィンに対して友情以上の思いを抱くようになるが、自分が暮らすコミュニティではこの感情が決して受け入れてもらえないことに気づき、誰にも思いを打ち明けられずにいた。そんな中、ある事件が起こり……。
ムーンライトの主要人物はBlack (Trevante Rhodes), Kevin (André Holland), Teresa (Janelle Monáe)です。
ムーンライトはR15+と評価されています。
ムーンライトはドラマ映画です。
ムーンライトは、視聴者によって10点満点中7.9点をつけられています。
ムーンライトの予算は$400万です。
ムーンライトの興行収入は$6504.7万です。