ミッション：インポッシブル／デッドレコニング PART ONE
監督:Christopher McQuarrieIMFエージェント、イーサン・ハントに課せられた究極のミッション—全人類を脅かす新兵器が悪の手に渡る前に見つけ出すこと。しかし、IMF所属前のイーサンの“逃れられない過去”を知る“ある男”が迫るなか、世界各地でイーサンたちは命を懸けた攻防を繰り広げる。やがて、今回のミッションはどんな犠牲を払っても絶対に達成させなければならないことを知る。その時、守るのは、ミッションか、それとも仲間か。イーサンに、史上最大の決断が迫る—
ミッション：インポッシブル／デッドレコニング PART ONEの評価とレビュー
- MeghannB2025年1月31日Let's put it this way. The only thing you need to put in an MI trailer to get me to see the movie is tell me that another MI movie is coming out, and the date it's premiering. BUT that being said this movie is actually excellent. A total thrill ride. I'm counting the days til part 2.
- dint102026年4月6日Perhaps a little too long but thoroughly enjoyable romp
- Spaceman Joe2025年5月28日Dude. It’s perfect. The pacing, story, stunts, music, acting, it’s all top notch! It manages to feel like a completed story while also setting up Final Reckoning. I can’t praise this movie enough.
- Kit Lazer2025年5月9日Still one of the most flawed entries in the franchise: The Entity is an oft used (and poor) villain moniker, the melodrama is cranked up to 11, and there were some new editing choices that don’t serve the story… …and that choice I’ll never forgive… …but it’s a movie that is also adrenaline-fueled, earnest, and well aware of the stakes, not just the stakes of the plot but of (forgive me) cinema itself. It also gave me Pom Klementieff in a way I’ll never forget.
- robbhope2026年3月19日Worst one yet. Fallout was the best.
- Jonathan Cole2026年3月1日A man on the spectrum with improbably ungrey hair spends most of his time chasing trains.
- zombiemoses2025年8月13日I reckon this movie is deadass good
- ronniej9622026年2月20日Great movie, Tom and crew makes another hit
- Cole2025年4月17日I’ll never forget my theater collectively gasping and holding their breath after Tom drives off the cliff. Mr Movies does it again.
- mickerdoo2025年8月11日World at stake. Only one small team can save it. Stunts, explosions, fist fights. You know the drill. Atwell fit the bill nicely.
- MrTrivet2026年2月2日The action is like Tom Cruise - running for his life and never slowing down.
- James Saenz2025年5月22日“i swear, your life will always matter more to me than my own.” “you don’t even know me.” “what difference does that make?” in this age of growing over-reliance on artificial intelligence in its myriad forms, an age of burgeoning distrust and disdain where hostility between in- and out-groups festers at the hands of modified and misrepresented information, it’s such a beacon of hope to witness a piece of art that is so deeply entrenched in compassion and humanity. ethan hunt is not just the living manifestation of destiny, but also an avatar of compassion. the entity is cold, callous, unfeeling. it represents the utter lack of empathy and foresight with which both the united states government and capitalism treat people, eager to sacrifice individuality, freedom, privacy and critical thought in exchange for power, complacency and automation. in our modern world, a world in which technofascism is so quickly on the rise, the indomitable human spirit must fight back with the tenacity of ethan hunt. it’s so poignant that the director of national intelligence in this film would be so willing and eager to marry the entity with the overwhelming might of america’s military industrial complex, so willing to rewrite the truth to suit his own interests. gabriel, the fanatical messenger angel of the entity, does not ascribe to these same ambitions, but his own zealotry’s goals can only lead to another form of human subjugation. this is not even technically a war with artificial intelligence, but rather the philosophy that engenders it. it’s a war against apathy, a war against the relinquishment of agency for the sake of convenience. it is a war against the commodification of every moment of human life, a fight to save the sanctuaries of the human soul and preserve artistic integrity; in cruise’s main point of contention, it’s a war to preserve institutions like the theater. what was born out of passion and ingenuity has deteriorated into huxley’s soma, from exploring imagination to simply consuming content. literature, and by extension art in its countless forms, has constantly warned of this evil. from bradbury to orwell, from huxley’s brave new world to herbert’s butlerian jihad, mankind’s desperate need to innovate and develop has lead to our demise in some fashion intellectually, emotionally, physically, etc. at what point will we ever stop? at what point will we ever realize the gravity of our mistakes, and start to seek our own humanity again? the future is bleak, but the ability change it is always in our grasp.
- keithy0772025年8月1日Needed a locking picking lawyer cross over
- WezLove2026年1月26日Won't know how good it is until I watch Part 2. Lots of story still to be told................
- GBWest2025年6月3日It is a fun film to watch, filled with adventure and excitement.
ミッション：インポッシブル／デッドレコニング PART ONEを視聴
ミッション：インポッシブル／デッドレコニング PART ONEに関するトリビア
ミッション：インポッシブル／デッドレコニング PART ONEは2023年7月8日に公開されました。
ミッション：インポッシブル／デッドレコニング PART ONEはChristopher McQuarrieが監督を務めました。
ミッション：インポッシブル／デッドレコニング PART ONEの上映時間は2h 43mです。
ミッション：インポッシブル／デッドレコニング PART ONEはChristopher McQuarrie, Tom Cruiseがプロデューサーを務めました。
IMFエージェント、イーサン・ハントに課せられた究極のミッション—全人類を脅かす新兵器が悪の手に渡る前に見つけ出すこと。しかし、IMF所属前のイーサンの“逃れられない過去”を知る“ある男”が迫るなか、世界各地でイーサンたちは命を懸けた攻防を繰り広げる。やがて、今回のミッションはどんな犠牲を払っても絶対に達成させなければならないことを知る。その時、守るのは、ミッションか、それとも仲間か。イーサンに、史上最大の決断が迫る—
ミッション：インポッシブル／デッドレコニング PART ONEの主要人物はEthan Hunt (Tom Cruise), Grace (Hayley Atwell), Luther Stickell (Ving Rhames)です。
ミッション：インポッシブル／デッドレコニング PART ONEはGと評価されています。
ミッション：インポッシブル／デッドレコニング PART ONEはスリラー, Action, Adventure映画です。
ミッション：インポッシブル／デッドレコニング PART ONEは、視聴者によって10点満点中9.4点をつけられています。
ミッション：インポッシブル／デッドレコニング PART ONEの予算は$2.2億です。
ミッション：インポッシブル／デッドレコニング PART ONEの興行収入は$5.7億です。