ミッキー17
6.778%73%6.8
「パラサイト 半地下の家族」で第72回カンヌ国際映画祭パルム・ドール受賞、第92回アカデミー賞では作品賞、監督賞、脚本賞、国際長編映画賞の4冠を達成したポン・ジュノが、ハリウッドで手掛けたエンターテインメント大作。人類発展を掲げる巨大企業の下、ミッキーは、命を落とすたびに新たな身体で再生する究極のミッションに就くが……。
- Alex | Pop Culture Brain2025年3月7日Bong Joon-ho dared to ask what if Idiocracy meets Avatar And well, mission accomplished I saw Mickey 17 so here’s the good and the bad without spoilers Parasite, in my opinion, is a masterpiece So I was anticipating and also dreading what director Bong Joon-ho would do next Turns out I had nothing to worry about, because his follow up Mickey 17 Is another banger but for completely different reasons This sci fi dark comedy throws back to a lot his previous work Echoing Okja and Snowpiercer in equal measure But it’s a lot more like the former in tone — because this movie is capital H Hilarious I was laughing out loud throughout. It was easily the most fun I’ve had at the movies so far this year And that was no easy task, because the tone director Bong and the cast accomplish here is really tricky It has to remain tense and exciting to pull of the science fiction adventure stuff But also has to be broad and wacky enough to be land the comedy And at any moment things could have gone off the rails by being too over the top But they never did All the performances were on the exact same page about what this movie was It all felt of a piece and that requires clear vision from the director and a sense of continuity among the actors The whole cast is worth mentioning, but Robert Pattinson was genius in multiple roles Mark Ruffalo was bonkers and hysterical - not far from his Poor Things performance While Steve Yeun has a brilliant monologue late in the film Likewise, Bong Joon-ho uses some clever unconventional editing techniques to hook you in The production design was thoughtful, intriguing, and expansive And like so many of Bong’s previous movies, the satire was on point That said the overall theme is one we've seen many times before The movie’s climax kind of devolves into a more typical sci fi adventure Which felt a little less special and unique compared to the rest of the movie And the sound design in the climax was rough, I lost a lot of dialogue But in general Mickey 17 is a blast and another achievement for Bong Joon-ho
- rg94002026年7月8日Mickey 17 feels pretty signature Bong Joon Ho, the humor, the critique of capitalism, and his passion for environmentalism rolled up into a blockbuster budget. I would say it's kind of like a cross between Snowpiercer's aesthetics and Okja's themes and tone. This might alienate people who were expecting something more in line with his last movie, Parasite. I think the premise lends itself to a fairly biting critique of capitalism and the way workers are expendable tools, cogs in a larger machine. But outside of the very concept of Mickey being an expendable, the movie doesn't really sharpen this particular theme, instead focusing most of its runtime on the environmentalism aspect. A lot of the interesting threads mentioned in the first half actually end up feeling a bit underbaked or abandoned for this plot instead which more or less takes over the entire second half of the movie. I don't think it's a bad half or anything, but it does feel very reminiscent of Okja whereas I do think Bong Joon Ho is best when he's doing something completely new even if it is in service to consistent themes. The first half feels like that. It talks about the ethical dilemmas, introduces some fun interpersonal dynamics, and has some genuinely great moments. It's a shame so much of that isn't expanded upon because I was feeling very strongly about the movie at that point. The performances are mainly what you would expect from a BJH movie, zany characters and very over-the-top villains. Robert Pattinson is fantastic, fully committing to the bit and showcasing enough range to make me truly believe he was two different characters. I definitely laughed, and I think BJH is incapable of making a bad movie even if this one did feel like it missed the mark in being one of his best ones.
- DoggesAndCattes2025年5月1日You don't need to watch Mickey 1 through 16 to enjoy this film. Mickey 17 is its own self contained story that is both entertaining and well done. Great to see returning cast play all new characters with Robert Pattinson reprising the titular role as Mickey Barnes. Looking forward to Mickey 18!
- Rievous2025年4月7日Honestly, it's the most original film I've seen at the cinema in quite a while. So many films these days seem to be remakes, reboots, or live-action adaptations. It's not the best film ever made or a masterpiece of cinema, but it was genuinely entertaining and enjoyable—and that's sometimes all a film needs to be.
- Evan May2026年4月8日"Mickey 17" may not be my favorite Bong Joon Ho film, but it is a fun and insightful watch. It's a bit Daniel Dennett's teleportation problem meets predatory capitalism meets class/populist politics meets genocidal colonialism meets romantic comedy in what feels like a live-action cartoon. It makes for a somewhat messy movie that somehow works. Robert Pattinson is always worth watching. Jung Jae-il's score provides the perfect soundtrack for the experience, and perhaps for life in these days.
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ミッキー17は2025年2月28日に公開されました。
ミッキー17はBong Joon Hoが監督を務めました。
ミッキー17の上映時間は2h 16mです。
ミッキー17はDooho Choi, Bong Joon Ho, Jeremy Kleiner, Dede Gardnerがプロデューサーを務めました。
「パラサイト 半地下の家族」で第72回カンヌ国際映画祭パルム・ドール受賞、第92回アカデミー賞では作品賞、監督賞、脚本賞、国際長編映画賞の4冠を達成したポン・ジュノが、ハリウッドで手掛けたエンターテインメント大作。人類発展を掲げる巨大企業の下、ミッキーは、命を落とすたびに新たな身体で再生する究極のミッションに就くが……。
ミッキー17の主要人物はMickey Barnes (Robert Pattinson), Nasha (Naomi Ackie), Timo (Steven Yeun)です。
ミッキー17はGと評価されています。
ミッキー17はサイエンスフィクション, Adventure, コメディ映画です。
ミッキー17は、視聴者によって10点満点中7.3点をつけられています。
ミッキー17の予算は$1.2億です。
ミッキー17の興行収入は$1.3億です。