メガロポリス
監督:Francis Ford Coppola4.746%34%5.2
未来のニューヨーク、"新ローマ"を舞台に、先見の明を持つ建築家シーザー・カティリナは、社会の常識を塗り替えるユートピア都市「メガロポリス」の建設を夢見ている。彼に立ちはだかるのは、権力と利権に執着する腐敗した市長フランクリン・キケロ。そして二人の間に立つのが、市長の娘ジュリア。シーザーへの愛が、彼女に忠誠心・野心・人類の未来の間での選択を迫る。
メガロポリスの評価とレビュー
- George K.2024年12月21日Don’t watch this film. It’s a masterpiece. 8/10
- brian65832025年4月7日Megaflopolis.
- calbha2026年4月1日I rated this two and a half for two and half reasons. Aubrey plaza, eye candy for visuals, and half a star for the story...it's a good movie for testing out a new 4k TV. Thats it.
- Carter Lamberton2026年1月18日Just awful, nothing to gain by watching.
- siobhan2662026年1月14日What a remarkable film!
- goaliebrain2026年1月9日An odd movie that is watchable, but seems not only unfinished but not really sure what kind of movie it wants to be.
- Rachael Brinegar2025年10月12日Very weird. Dialogue is strange, not just the parts that went viral. A completely mucked together ending that made no sense. But, the actors' performances were great and the art design was gorgeous (mostly) and just so very Coppola. It was the visuals, Aubery Plaza and Adam Driver that made me keep watching.
- colin klich2025年8月24日If you don’t understand it, yur just too stupid
- whe882025年10月5日Megalopolis is worse than Rebel Moon. Reading people's reviews slamming Megalopolis was more fun than watching the movie.
- NotoriousEdge2025年10月4日An absolute disaster of a movie on so many levels. Completely disjointed nonsense from start to finish. An all time flop that goes in the hall of fame of bad movie that are just bad. Feels like an expensive Neil Breen movie with an all star cast.
- PlexCannon2025年1月18日lol it's so bad
- mwf3692025年8月11日This film is every bit as bad as you heard it was. Still, I don't regret watching it. It featured an amazing cast, and had an interesting story idea. But all of that was overshadowed by wild, unbelievable story tangents, absurd plot devices, mismatched period costumes/accesories, etc. Just an absolute mess.
- dorlesk2025年8月22日It's ok the original was better
- vangh12024年12月18日I had a 20 minutes conversation about the film with the 3 strangers that shared the theatre with me for a 9:35pm Sunday night showing and I'll always appreciate this movie for bringing us together for some entertaining and enlightening conversation. After reading a year ago about this movie's failure to secure distribution after multiple festival screenings, I thought I'd never see it, but I'm so glad I did. Its bizarre, it's big, and at time baffling. It's hit and miss, it wears its heart on its sleeve and it very much feels like a movie that the director self funded. Despite a lot of the dark events that occur throughout, it's an undeniably hopeful movie that has a lot to say about love and its ability to heal. Adam Driver loves weird projects, eh? Put this alongside Annette and Paterson and just revel in the oddity. Absolute Southland Tales vibes. This fumbles the ball a bit less though. (Not a lot less) I myself have pontificated on the parallels of the fall of Rome and some of our modern woes, so it was a joy watching some of that play out on the big screen. Very hard to give this a star rating. Very difficult.
- stuhannaford2025年7月28日Whilst it’s hard to find something everyone agrees upon about this film, the one thing I’m sure everyone can confirm is that it is ‘weird’. There is a distinct humour to it all, but it is hard to tell what the joke is, what the punchline is, and whether it’s for us the viewer to enjoy, or if the joke is on us. There are long phases of such utter absurdity and indulgence, that it’s so hard to differentiate where the joke lies. Is it pointing directly at Holly’weird’ itself, and the continuing spiral art, be that film, music or fashion, seems to be gripped by? The standard that if something is odd enough, it must by definition, be art, regardless of substance. Or perhaps the obsession of mere mortals, fawning over the God’s of celebrity, unaware that what glitters is certainly not gold? The concept that such celebration of one’s self, gives the feeling of being all powerful, to stop even time, until the most important thing of all is tainted, public image. Or is it a delight at the state of the current world and that despite the passing of time, changing of empires, the status quo remains? The rich stay rich, the poor stay poor, and those with power and money flaunt their wealth for ‘good’ causes, whilst everything that should matter, burns outside their gated mansions. It asks so many questions, most of which either don’t need to be asked or answered. It feels at odds with itself throughout. Grand, yet very Am-Dram. Glittery whilst also unpolished. With the talent on show, it is difficult to believe that they can all be so bad throughout, but yet it feels even more incredible that they could all be so good at deliberately playing so poorly. No matter the message, the core or the effort, it is most definitely weird, and in my opinion, fairly un-enjoyable.
メガロポリスに関するトリビア
メガロポリスは2024年9月25日に公開されました。
メガロポリスはFrancis Ford Coppolaが監督を務めました。
メガロポリスの上映時間は2h 18mです。
メガロポリスはFred Roos, Michael Bederman, Barry J. Hirsch, Francis Ford Coppolaがプロデューサーを務めました。
未来のニューヨーク、"新ローマ"を舞台に、先見の明を持つ建築家シーザー・カティリナは、社会の常識を塗り替えるユートピア都市「メガロポリス」の建設を夢見ている。彼に立ちはだかるのは、権力と利権に執着する腐敗した市長フランクリン・キケロ。そして二人の間に立つのが、市長の娘ジュリア。シーザーへの愛が、彼女に忠誠心・野心・人類の未来の間での選択を迫る。
メガロポリスの主要人物はCesar Catilina (Adam Driver), Mayor Cicero (Giancarlo Esposito), Julia Cicero (Nathalie Emmanuel)です。
メガロポリスはPG12と評価されています。
メガロポリスはドラマ, サイエンスフィクション, ファンタジー映画です。
メガロポリスは、視聴者によって10点満点中3.4点をつけられています。
メガロポリスの予算は$1.2億です。
メガロポリスの興行収入は$1438.7万です。