愛か条件か――“婚活のプロ”ルーシーの人生の選択とは？ 婚活も日々進化を遂げるニューヨークでは、クライアントの理想や条件をマッチングさせ、ベストパートナーを見つけ出す結婚相談所が大流行。そんな現代の婚活市場を舞台に、凄腕のマッチメーカーが、結婚相手として最高なリッチで優しい恋人と、夢を追う売れない俳優の元カレとの間で揺れる姿を描く。監督・脚本は、『パスト ライブス／再会』（24）で世界中を魅了したセリーヌ・ソン。主人公のルーシーを演じるのは、『フィフティ・シェイズ・オブ・グレイ』でスターの座を獲得したダコタ・ジョンソン。ルーシーの元カレ・ジョンにクリス・エヴァンス、リッチで優しい恋人・ハリーにはペドロ・パスカルがそれぞれ扮し、プライスレスな三角関係が映し出される。現代的なテーマを兼ね備えた新たな傑作ラブストーリーがついに日本公開。
- Joel2025年6月12日Maybe a career best performance for Chris Evans, but man this screen play thinks it’s so much smarter than it is. A few moments literally made me roll my eyes. There’s good moments in here. Pedro’s charming as ever, the main score that plays throughout this is beautiful, and it feels so close to being something special. Ultimately it ends up being closer to the notebook (which I hate) than being anything really great.
- Devin Ford2026年4月27日Legitimately one of the worst movies I've ever seen. All of the acting was extremely wooden and all the characters were genuinely vain and horrible people. I don't know the first thing about being in a serious relationship, but if finding love means becoming like the characters in this film, then I am fine being on my own. This movie seriously make me hate myself and even the remote possibility of finding love.
- MrTrivet2026年2月10日Materialists is a romcom that attempts an honest look at dating in the age of comparison, checklists, and constant self-optimization. Its starting point is love as a process that increasingly resembles a transaction, where emotions must compete with social, financial, and aesthetic capital. The film puts this kind of calculation under scrutiny, but instead of contempt it opts for a measured romanticism - not naive, but cautious. Although the narrative is told mainly from a female perspective, it is surprisingly empathetic toward men who feel lost in today’s relationship marketplace. Their insecurities, related to appearance, height, or economic status, are not mocked, but presented as real barriers in a world that rewards the “right” parameters. The film also takes a clear-eyed approach to money: not as the enemy of love, but as its boundary condition. Material comfort often proves more important than emotional authenticity, and Materialists does not condemn this attitude, instead relativizing the characters’ choices. Much of the film’s appeal comes from the sheer likability of its main cast. Dakota Johnson’s character, in particular, stands out: outwardly cold, blunt, and emotionally guarded, yet surprisingly grounded and human. Beneath the sharp edges, she feels like a comfort character - someone whose pragmatism reads less as cynicism and more as a learned success and hapiness strategy. It’s a likable, bittersweet piece of cinema.
- Tyler Campbell2026年1月18日I can't help but think this movie suffers from expectations created by how it was promoted. The 3 leads being jovial and playful in interviews and such, suggesting a romcom. Admittedly, as a 36 year old man, I did not look into this movie beyond whatever snippets of the promotion snuck into Hot Ones or something my wife was looking at, so I could be off base with that. But Materialists is not a romcom, it's a romdram. Sure, there's a little bit of comedic levity, but it's mostly slow and tonally weird, with some sudden darkness that really threw me for a loop. Thematically, it's a decent criticism of things like materialism, shallow dating, and how society judges people. For what it actually is and who it's actually for, Materialists might be better than the rating I gave it. But expecting a romcom and getting characters talking a lot about their dating value or lackthereof and trying to talk each other into or out of being with one another wasn't particularly entertaining to me. If they dove off the deep end into the dark branch of the story, they may have been able to do an effective subversion of expectations and made it very impactful, now that I think about it. Instead, it was just a low stakes relationship drama. If you're into that, Materialists might be for you.
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マテリアリスト 結婚の条件は2025年6月12日に公開されました。
マテリアリスト 結婚の条件はCeline Songが監督を務めました。
マテリアリスト 結婚の条件の上映時間は1h 56mです。
マテリアリスト 結婚の条件はPamela Koffler, Christine Vachon, David Hinojosa, Celine Songがプロデューサーを務めました。
愛か条件か――“婚活のプロ”ルーシーの人生の選択とは？ 婚活も日々進化を遂げるニューヨークでは、クライアントの理想や条件をマッチングさせ、ベストパートナーを見つけ出す結婚相談所が大流行。そんな現代の婚活市場を舞台に、凄腕のマッチメーカーが、結婚相手として最高なリッチで優しい恋人と、夢を追う売れない俳優の元カレとの間で揺れる姿を描く。監督・脚本は、『パスト ライブス／再会』（24）で世界中を魅了したセリーヌ・ソン。主人公のルーシーを演じるのは、『フィフティ・シェイズ・オブ・グレイ』でスターの座を獲得したダコタ・ジョンソン。ルーシーの元カレ・ジョンにクリス・エヴァンス、リッチで優しい恋人・ハリーにはペドロ・パスカルがそれぞれ扮し、プライスレスな三角関係が映し出される。現代的なテーマを兼ね備えた新たな傑作ラブストーリーがついに日本公開。
マテリアリスト 結婚の条件の主要人物はLucy (Dakota Johnson), John (Chris Evans), Harry (Pedro Pascal)です。
マテリアリスト 結婚の条件はGと評価されています。
マテリアリスト 結婚の条件はコメディ, ロマンス, ドラマ映画です。
マテリアリスト 結婚の条件は、視聴者によって10点満点中6.6点をつけられています。
マテリアリスト 結婚の条件の予算は$2000万です。
マテリアリスト 結婚の条件の興行収入は$1.1億です。