ときは23世紀――西暦2200年。地球での仕事を終え、活動拠点である火星に戻ってきた私立探偵 アリーヌ 。「行方不明になっている大学生の娘を探してほしい」という男の依頼を受けて、アンドロイドの相棒 カルロス と共に捜索を開始する。調査の過程で、火星の首都ノクティスの暗部に足を踏み入れていく二人を待ち受けていたのは、腐敗した街の裏側、強大な権力を持つ企業の陰謀、そして人間とロボットが共存する社会の根幹を揺るがす事態だった。
- Varun2024年10月19日Damn I had a really good time with this movie. It gets into the action right from the start and never lets you catch your breath. The pacing is fast and concise. The procedural investigation is interesting. The characters were pretty cool. The action scenes are tense. The animation is really good. I suspect some may not like this film for a couple of reasons. The sci-fi genre of robots and AI has been done many times before and there’s a preference for slower world building and an appetite for a different exploration of themes. And people also love using futuristic worlds to escape in. I know I had the same subconscious desires and my mind wanted an easy to understand story, but I was really glad that the movie treated me like an adult and had a singular focused vision for the plot. I think this futuristic setting still has new ideas to offer and the past inspirations it took from have some really nice spins to them. I’d definitely recommend seeing it on a bigger screen with a good sound system as the heightened tension during most scenes really hits hard. This is probably an 8/10 story wise but the script bumps it up to a 9 thanks to the adrenaline pumped fun it added to my experience.
- Shaydeknight2026年4月5日Mars Express is a refreshing reminder that ambitious animated science fiction doesn't have to come from Japan or a major Hollywood studio. It's confident, stylish, and unusually thoughtful. The animation is excellent, clean, fluid, and distinctive without leaning into anime conventions or styles. The visual language feels European, slightly restrained, but still expressive. It suits the grounded tone of the story. The world building is one of the film's strongest elements. Some have labelled it "cyberpunk" but that feels too narrow. The setting is futuristic and technologically saturated, yet it isn't purely dystopian. Society functions. People work, argue, love, and deal with each other in fairly ordinary ways. Corporations exist, artificial beings exist, and the world feels vibrant rather than exaggerated. It's closer to a plausible extension of current trends than a stylized nightmare. The film also folds in bioengineering as a parallel to robotics and AI. That choice adds a layer often missing in similar stories. Instead of framing the future as purely mechanical, it explores biological modification as another path forward. The film subtly opens up questions about identity, embodiment, and the rights of crafted biological beings without hammering them too hard. The idea of "backups" is particularly strong: dead individuals whose last recorded personalities are installed into synthetic bodies. The film doesn't stop to lecture about the implications, it simply shows them. Families reacting, rights being debated, emotional bonds shifting, and showing us the quiet discomfort of continuity of life that isn't quite continuity. It handles all of this with minimal exposition, trusting the audience to follow along. The narrative itself is a complex neo-noir detective story, and it holds together well. The investigation unfolds gradually, layering conspiracy, personal stakes, and broader social questions. The pacing is measured without dragging, and the characters feel realistic: flawed, noble, and tragic. Everything is crafted with care. The animation, the voice work, the plot structure, and the themes all reinforce each other. Nothing feels preachy, yet the film raises substantial ideas about consciousness, personhood, and technological coexistence. It's the kind of intelligent animated science fiction that appears too rarely. The result is quietly impressive. The French should absolutely be proud of this movie.
- Jeremiah2025年12月16日Dug this a lot. Ghost in the Shell, Blade Runner, iRobot, Robocop, neo noir vibes aplenty with pretty darn great animation and style. Artistically, its both stylistic and also realistic (in a cartoon way) pretty much everything is on point and done with upmost quality. No-nonsense with existential themes of technology. Could use a better title but for all the other things its got going for it thats a pretty tiny con.
- Chris C2025年9月2日There's a surprisingly deep plot underneath the beautiful animation here. The style isn't exactly what you're used to probably, but it ends up working very well for the story. There are some really nice action scenes and the "investigation" details are well done. I was all set to give this 4 stars, until the very end, which felt kind of sudden to me and a bit of a letdown. Even with that, though, it's still a very entertaining ride and well worth the time for any sci-fi fan, as you'll get to experience a great animated movie.
- neuroparadox2025年7月29日A beautiful and profound triumph. So many amazing shots; it's absolutelygorgeous. I don't want to put a label on it but imagine both Blade Runners had sex with Akira. A home run first film for the director.👏 Is it perfect? No. Is it 5 stars? Yes. It has one of the most devastating scenes I've ever seen, and you could only to it in animation: 1:16:30 til about 1:17:45....oof. got me. 😭😭😭 There's some issues with plot conveniences, but I'll forgive that for the tight Sub-90 runtime. That being said, I would have been fine with this being 15 min longer. "Dear friends, you may fuck yourselves." Also, sweet homages to Demolition Man and Halo... amongst others. ❤️🤟
- Rowan Krzysiak2025年7月3日A film that doesn't really have its own direction and ends up falling in between the gaps of the more thought provoking or exciting works it pays homage to. There's a lazy attention to detail with the world setting and the character development feels immature, ultimately failing in its attempt to evoke any real empathy. The pleasant visuals could've allowed for some leeway but the concluding third is laughable. Confused.
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マーズ・エクスプレスは2023年11月22日に公開されました。
マーズ・エクスプレスはJérémie Périnが監督を務めました。
マーズ・エクスプレスの上映時間は89mです。
マーズ・エクスプレスはDidier Creste, Gaëlle Bayssièreがプロデューサーを務めました。
ときは23世紀――西暦2200年。地球での仕事を終え、活動拠点である火星に戻ってきた私立探偵 アリーヌ 。「行方不明になっている大学生の娘を探してほしい」という男の依頼を受けて、アンドロイドの相棒 カルロス と共に捜索を開始する。調査の過程で、火星の首都ノクティスの暗部に足を踏み入れていく二人を待ち受けていたのは、腐敗した街の裏側、強大な権力を持つ企業の陰謀、そして人間とロボットが共存する社会の根幹を揺るがす事態だった。
マーズ・エクスプレスの主要人物はAline Ruby (voice) (Léa Drucker), Chris Royjacker (voice) (Mathieu Amalric), Carlos Rivera (voice) (Daniel Njo Lobé)です。
マーズ・エクスプレスはGと評価されています。
マーズ・エクスプレスはアニメーション, Action, 謎映画です。
マーズ・エクスプレスは、視聴者によって10点満点中8.6点をつけられています。
マーズ・エクスプレスの予算は$790万です。
マーズ・エクスプレスの興行収入は$145.6万です。