サイコキラーの心理に、自らのそれをシンクロさせて事件を解決するFBI捜査官ウイル・グラハム。その捜査方法は、自己を崩壊させかねない危険なものだった。家族とマイアミで静かに暮らす彼に、FBIから出動要請が。普通の捜査官の手に負えないシリアルキラーが現れたのだ。
- PapaHamzeh5日前I want to rate it higher, but Im afraid that having seen Red Dragon first, i find this one to be quite dull. Bill Petersen isn't very good at times, in fact quite wooden (and dont get me wrong, I dont think Edward Norton is blowing my socks off, either); Brian Cox is good for his part, but he leaves no lasting impression on me in any meaningful way. Anthony Hopkins portrays what I would imagine a demon in human flesh would be, and they have him not in an all-white cell behind bars: they have him in a dungeon, down deep and dark, where you keep The Evil things..if you catch my drift. Even that setting alone adds to the terrifying elements we are supposed to feel about Lektor. Tom Noonan is ok, too. I will say, Michael Mann has some fantastic shots and framing in many scenes, and I really think that helps the movie along. Also, lots of the score is pretty good. That said, lots of the score/soundtrack is also poop from a butt. Its often too loud (and dialogue far too quiet), and some actual songs detract heavily from the scenes. Lastly, Red Dragon does a better job having Dollarhydes story be integrated throughout the movie. In Manhunter, we get most of the Dollarhyde plotline in the final 45 minutes. This is a strange editing choice and makes the story feel disjointed and doesn't carry any tension that Red Dragon manages. I also prefer the ending in Red Dragon to Manhunter, the final conflict feels more in line with how Graham would handle the villain. In Manhunter, just running through a window like a moron and getting sliced by the giant doesn't really speak to his intellect (a theme that even Lektor monologues about at length). In Red Dragon, he uses his psychoanalytical skills to defeat the villain. Its just worse to me. Maybe I would like it more if I hadn't seen Red Dragon first. And perhaps I am not being fair in my judgment due to that. If I were fair and just, id rate it on its own merit in a vacuum. But, im not gonna do that. Too many flaws and strange choices for me to really give it higher than 3 stars.
- maddiechism2025年12月6日this soundtrack is fucking amazing, 80s music just nourishes my soul in such a lively way. heavily rocked in pretty much every way but i guess i wasnt really fully convinced by brian cox' lecktor, but its probably mostly due to how little screentime he gets in this. i wasnt expecting any more though, i didnt even realize this had lecktor in it until they mentioned him. all the other performances are great, noonans dollarhyde is perfectly creepy and menacing. will graham is such an intriguing character and is played incredibly by petersen. joan allen is fantastic as reba.
- flavo432025年12月28日Manhunter is a stylish, atmospheric thriller that I actually prefer over Red Dragon, largely because of its tone and restraint. It is unmistakably a product of the 1980s—steeped in neon, synth, and a cool, detached visual style—but that aesthetic works in its favor, enhancing the film’s unsettling mood. Michael Mann’s direction leans heavily into psychology rather than spectacle, making the story feel intimate and deeply disturbing. The casting was spot-on for its time, with William Petersen bringing a quiet intensity to Will Graham that perfectly conveys emotional exhaustion and obsession. While Anthony Hopkins would later define Hannibal Lecter for many viewers, Brian Cox’s portrayal here is colder and more clinical, which suits the film’s grounded approach. What really sets Manhunter apart is its patience. It allows tension to build slowly, relying on mood, sound, and character rather than shocks. The result is a haunting, cerebral film that lingers long after it ends—a sleek, intelligent take on serial crime that still holds up remarkably well.
- DTSaito2025年11月3日A stylish, haunting thriller that stands the test of time as one of the most atmospheric crime films of the ’80s. Michael Mann’s direction brings a hypnotic blend of neon minimalism and psychological tension, crafting a world that feels both clinical and dreamlike. William Petersen delivers a gripping, understated performance as profiler Will Graham—haunted yet sharp, a man walking the razor’s edge between empathy and obsession. Brian Cox’s chillingly calm portrayal of Hannibal Lecktor predates Hopkins’ iconic version but is equally fascinating in its restraint. With its pulsating synth score and meticulous visual design, Manhunter remains a masterclass in mood and precision—a cerebral, visually stunning precursor to modern psychological thrillers.
- LuciferMorningstar002025年10月20日I was not a fan of this protagonist. He reminded me a lot of Gideon in season 1 of Criminal Minds. Thats all I will say about it. On the other hand, I really enjoyed the villain. The movie may be old but the action scenes were cinematically pleasing. The villain played their role very well. Enough to warrant a second watch.
- pipanni2025年9月2日This is the movie that later would be rebooted as "The Silence of the Lambs". Despite what some people say, this version is by no means better than the cult classic starring Anthony Hopkins and Jodie Foster. In fact, it's a pretty forgettable movie on its own. I like Brian cox and I think he's an amazing actor, but his version of Hannibal Lecter can't hold a candle to Anthony Hopkins electrifying performance. Everything else is also inferior to the reboot.
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刑事グラハム／凍りついた欲望は1986年8月15日に公開されました。
刑事グラハム／凍りついた欲望はMichael Mannが監督を務めました。
刑事グラハム／凍りついた欲望の上映時間は2h 1mです。
刑事グラハム／凍りついた欲望はRichard A. Rothがプロデューサーを務めました。
サイコキラーの心理に、自らのそれをシンクロさせて事件を解決するFBI捜査官ウイル・グラハム。その捜査方法は、自己を崩壊させかねない危険なものだった。家族とマイアミで静かに暮らす彼に、FBIから出動要請が。普通の捜査官の手に負えないシリアルキラーが現れたのだ。
刑事グラハム／凍りついた欲望の主要人物はWill Graham (William L. Petersen), Francis Dollarhyde (Tom Noonan), Jack Crawford (Dennis Farina)です。
刑事グラハム／凍りついた欲望はRと評価されています。
刑事グラハム／凍りついた欲望は謎, スリラー, 犯罪映画です。
刑事グラハム／凍りついた欲望は、視聴者によって10点満点中7.7点をつけられています。
刑事グラハム／凍りついた欲望の予算は$1500万です。
刑事グラハム／凍りついた欲望の興行収入は$862.1万です。