G
1962    2h 6mロマンス, ドラマ
7.787%89%7.7
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三年越しの恋に終止符を打ったヴィットリアは、株式仲買人のピエロという青年と恋に落ちる。しかし彼女には、二人の間に横たわる大きな溝が感じられるのだった…。
監督:Michelangelo Antonioni
  • Alain DelonPiero
  • Monica VittiVittoria
  • Francisco RabalRiccardo
  • Lilla BrignoneVittoria's Mother
  • Rossana RoryAnita
  • Mirella RicciardiMarta
  • Louis SeignerErcoli
  • Cyrus EliasIntoxicated Man (uncredited)
  • Alba MaioliniWoman at the Stock Market (uncredited)
  • Maria TedeschiWoman with Glasses at the Stock Market (uncredited)
  • Michelangelo Antonioni監督 / ストーリー
  • Raymond Hakimプロデューサー
  • Robert Hakimプロデューサー
  • Piero PolettoProduction Design
  • Gianni Di VenanzoDirector Of Photography
  • Gitt MagriniAssistant Costume Designer
  • Bice BrichettoCostume Design
  • Franco FredaMakeup Artist
  • Franco IndovinaFirst Assistant Director
  • Elvira D'Amicoスクリプター
  • lennyofficial3日前
    An intriguing tug-of-war plays out between a translator named Vittoria and a stockbroker named Piero. Monica Vitti perfectly embodies Vittoria as the very incarnation of romantic angst. She wants to break up with her fiancé—who tries to "make her happy" but only succeeds in driving her further away. The two lovers don't get together right away, held back by Vittoria's insecurity; eventually, however, she lets her guard down and wants to see him again and again, endlessly. Alain Delon commands the screen with his irresistible charm (fuck, I want to be him). I think the final scene represents my ultimate "couple goals" for a lifelong partner. Furthermore, the film makes excellent use of framing and the imagery created by those shots. We are clearly dealing with a high-quality, accomplished work.
  • makdelart2026年3月17日
    The most challenging film in Antonioni’s trilogy, but (perhaps) the most compelling and (certainly) the most symbolic.
  • DropsyRocio2025年6月22日
    This film is a beautiful portrait of solitude. Welcome to a modern world. I think this film proves that the phone destroyed the last bit of beauty we had. I recommend this film to my female friends, but also to the other friends.
  • Charles London2025年2月25日
    The story within the pictures isn't as much the story as the pictures telling it. Michelangelo Antonioni uses his camera to create a visual masterpiece in exquisite black-and-white, with his celluloid canvas highlighted by beautiful lead actors in all of their photogenic glory. A chatty picture this is not. It's the lens that does most of the talking.

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