Last Call at Maud's
監督:Paris Poirier
From 1966 until 1989, Maud's was a San Francisco bar for women. Almost half the film sets the context leading to Maud's opening: lesbians discovering their sexual orientation and having few places to socialize; the foundation of the Daughters of Bilitis in 1955; the need for alternatives to gay (men's) bars, subject to police raids in the 1950s. So, Ricky Streicher opened Maud's: her goal was an honest, open, free place. Good times were on the rise until the late 1970s, then came Harvey Milk's assassination and AIDS. People drank less in the 1980s as well and had fewer casual affairs. Maud's closes, and patrons express great fondness for the place and its people.
Last Call at Maud'sの視聴方法
Last Call at Maud'sに関するトリビア
Last Call at Maud'sは1993年2月5日に公開されました。
Last Call at Maud'sはParis Poirierが監督を務めました。
Last Call at Maud'sの上映時間は77mです。
Last Call at Maud'sはKaren Kiss, Paris Poirierがプロデューサーを務めました。
From 1966 until 1989, Maud's was a San Francisco bar for women. Almost half the film sets the context leading to Maud's opening: lesbians discovering their sexual orientation and having few places to socialize; the foundation of the Daughters of Bilitis in 1955; the need for alternatives to gay (men's) bars, subject to police raids in the 1950s. So, Ricky Streicher opened Maud's: her goal was an honest, open, free place. Good times were on the rise until the late 1970s, then came Harvey Milk's assassination and AIDS. People drank less in the 1980s as well and had fewer casual affairs. Maud's closes, and patrons express great fondness for the place and its people.
Last Call at Maud'sの主要人物はself (Rikki Streicher), self (Phyllis Lyon), self (Del Martin)です。
Last Call at Maud'sはドキュメンタリー, 履歴映画です。
Last Call at Maud'sは、視聴者によって10点満点中7.3点をつけられています。