2003年、アメリカ軍がバグダッドを占領した際、ロイ・ミラー主任兵曹と陸軍検査官チームは、イラクの砂漠に備蓄されていると思われる大量破壊兵器を発見するために派遣された。次々と罠が仕掛けられた危険な場所を転々としながら、致命的な化学物質を探していくが、代わりに巧妙な隠蔽工作が行われており、任務の目的が覆されそうになる。
- Shaydeknight2025年9月29日Green Zone is a solid thriller/war film that does the job of turning intelligence-era uncertainty into sustained cinematic tension. Matt Damon anchors the movie with a quietly escalating anger: he starts controlled and professional, and you can see frustration turn to moral indignation as the story peels back bureaucratic layers. Damon sells that trajectory: his performance represents a man pushed past tolerance into righteous fury. The thrills may not stay with you after the credits but the indignation will. The film makes an explicit argument, one that lands as sickening and infuriating: a war built on manufactured claims that produces real, avoidable suffering. By the time the credits roll, you'll likely feel angry, unsettled, and ethically uneasy. Technically, the film is impressive. The production design and cinematography do incredible work re-creating segments of a devastated city: wide, immersive frames and textured, labyrinthine locations that suggest the city’s scale and chaos. Rigid, wide shots of the setting contrast with handheld, intimate coverage of action on the ground. That contrast becomes a recurring visual metaphor: the machinery of state versus the messy, consequential reality it produces. It’s not subtle, but it’s effective, the imagery reinforces the film’s moral centre. Action direction is taut and immersive. Firefights, raids, and chases are staged so you get lost in the moment rather than merely observing it. Editing keeps the pace lean. Sound design and score push urgency without bludgeoning the drama. If the movie has a flaw, it’s that the procedural energy sometimes outruns the deeper political interrogation the material invites. The film tells you the facts that should enrage you, and it gives you a protagonist who shares that outrage, but it doesn’t always follow through with the sustained, systemic critique you might want. Still, there’s power in how it makes you feel, and films that leave you angry in a productive way are doing something rare. Green Zone works as both an entertaining, well-made thriller and a provocation: it’s the sort of movie that pushes you from passive viewing to moral reflection. If you walk out furious, then the film has performed the important civic function of reminding viewers that cinematic adrenaline and moral consequence can, and sometimes should, coexist.
- MR_BigTime2026年2月28日If the world were the canvas of a massively multiplayer online role-playing game, Green Zone would be showing us how America's role in it would be that of the griefing modder, who despite all the reports about their malicious behavior, sits at the highest throne, God Mode active, until an even worse modder takes them out, and then it all starts all over again. And the worst part is that everyone knows (or is oblivious to) it but no one can really do anything about it.
- Pascal Bollier2025年9月22日i like matt damon. i enjoy watching him on screen, and this is no different for this movie. however, other than that, there's little to like. the grainy shaky cam is so freakin annoying, it was actually distracting. i keep it in my collection just because of matt damon, but it is not a movie that i will revisit any time soon.
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グリーン・ゾーンは2010年3月11日に公開されました。
グリーン・ゾーンはPaul Greengrassが監督を務めました。
グリーン・ゾーンの上映時間は1h 55mです。
グリーン・ゾーンはLloyd Levin, Eric Fellner, Mairi Bett, Tim Bevan, Michael Bronner, Christopher Rouse, Kate Solomon, Paul Greengrassがプロデューサーを務めました。
2003年、アメリカ軍がバグダッドを占領した際、ロイ・ミラー主任兵曹と陸軍検査官チームは、イラクの砂漠に備蓄されていると思われる大量破壊兵器を発見するために派遣された。次々と罠が仕掛けられた危険な場所を転々としながら、致命的な化学物質を探していくが、代わりに巧妙な隠蔽工作が行われており、任務の目的が覆されそうになる。
グリーン・ゾーンの主要人物はRoy Miller (Matt Damon), Clark Poundstone (Greg Kinnear), Martin Brown (Brendan Gleeson)です。
グリーン・ゾーンはGと評価されています。
グリーン・ゾーンはスリラー, Action, Adventure映画です。
グリーン・ゾーンは、視聴者によって10点満点中5.7点をつけられています。
グリーン・ゾーンの予算は$1億です。
グリーン・ゾーンの興行収入は$9488.3万です。