007／ゴールドフィンガー
監督:Guy Hamiltonメキシコでの任務の帰路、マイアミに立ち寄ったイギリス秘密情報部員ジェームズ・ボンドは、かつてのカジノ・ロワイヤルでの勝負の際同席したデュポンと再会し、彼の頼みでオーリック・ゴールドフィンガーのカードのいかさまを暴いた。ロンドンへ戻ったボンドは、ゴールドフィンガーがスメルシュの手先となって金の密輸を行っているらしいことを聞かされ、その調査を命じられた。調査中、ボンドはゴールドフィンガーに捕らわれ、彼がアメリカ合衆国のフォート・ノックスを襲撃して合衆国金塊保管所に貯蔵された金塊を奪取し、ソ連の巡洋艦に積み込んで海外に運び去ろうとしていることを知る。
007／ゴールドフィンガーの評価とレビュー
- ርልዪረ2025年1月28日̸/̸̅̅ ̆̅ ̅̅ ̅̅"Goldfinger" is my favorite James Bond movie. Sean Connery really put his stamp on Bond in this thrilling story of the "Bond" saga.̸/̸̅̅ ̆̅ ̅̅ ̅̅
- mickerdoo2025年7月31日Oh, Sean Connery. Such a man's man. Bond saves a modest 60k lives (and western economy). Pussy Galore? That's what you landed on? Subtle.
- thomasrogers7532026年3月27日Her name was WHAT?
- oatmeal.zip2026年1月17日pussy galore
- Ben2025年9月22日What makes this so great is that Goldfinger and Bond know who each other is - it's a cordial battle of wits between them. There's also a machine-gun toting grandma, what more do you want.
- LivewireAdmin2025年12月8日Imagine wining and dining your biggest opp lol There’s a reason Goldfinger is often cited when people talk about the “classic Bond formula.” By its third outing, the Bond series had sharpened its identity, leaning confidently into spectacle, suave gadgetry, and larger-than-life villains. Three Bond films in three years? unheard of by today's post-production standards. Goldfinger doesn’t merely indulge the aforementioned tropes—it codifies them. The result is a film that feels like a template: bold title song (FRWL played an instrumental version of the Bond song in it's opening), gadget-laden Aston Martin, impeccably staged opening sequence, and a villain whose thematic obsession is so specific it borders on the operatic. Gert Fröbe’s Auric Goldfinger remains one of cinema’s most iconic antagonists—refined, unwavering, and unnervingly calm in his pursuit of wealth. His presence anchors the film in a way few Bond villains manage, providing a memorable counterpoint to Sean Connery’s still-cool, still-effortless take on 007. And the atmosphere… it’s pure mid-century fantasy. The color, the swagger, the indulgence in glamour and danger—the whole production radiates a confidence that would echo throughout Bond films for decades and of course who can forget Shirley Eaton in the iconic gold paint? But watching it now, with modern eyes, reveals the curious duality beneath its polished exterior. Despite its iconic status, Goldfinger is not fully satisfying in its execution. The story is genuinely interesting, and Goldfinger himself is a villain worthy of his reputation (he is actually introduced to the audience as somewhat inept). What’s surprising, though, is how little Bond behaves like a spy in the classical sense. Rather than working in the shadows or unraveling conspiracies through covert action, he spends much of the film practically shadowing Goldfinger in broad daylight. The cat-and-mouse dynamic becomes more of a forced partnership, where Bond is captured, escorted, and essentially walked through the villain’s plan piece by piece (it's what Austin Powers was able to poke fun at so well). Tania Mallet's Tilly Masterson offers a short-lived revenge subplot that was honestly quite interesting but the script squanders that as well. It’s all engaging, but it doesn’t scratch that espionage itch the series usually thrives on. The film also carries moments that have not aged well. Most notably, the infamous barn “romance” scene, which disregards consent in a way that feels jarring and uncomfortable today. It’s a stark reminder of the era’s blind spots, and it certainly impacts how the film can be perceived through a modern lens. In the end, Goldfinger remains a historically important Bond film—one that crystallized the series’ identity—but its legacy outshines its moment-to-moment spycraft. Stylish, iconic, and deeply flawed, it’s a movie whose gold standard reputation is easier to appreciate than to fully endorse.
- Zokkiie2025年10月13日Easily one of the best Bond movies. Slick, stylish, and packed with charm—Connery’s at his coolest, the villain’s unforgettable, and that theme song still slaps. It’s a bit old-school now, but honestly, that’s part of the fun.
- iqbalhu52025年9月20日Classic. Best bond movie
- The Patrick2025年7月11日This is in my opinion where James Bond (Sean Connery) puts his stamp on the series. Although not perfect it has almost everything you want in a Bond movie with the obvious issues that was still present at the time of it being made. Some writing/acting/directing issues here and there. Ending was a bit rushed. Having said that, they did build and improved many other things from the first 2 movies. Goldfinger and Oddjob were more intimidating then the villains in the first two movies which helps this movie tremendously. Overall an excellent Bond movie, the best so far and I can't wait to continue reviewing these.
- Mister Arn2025年5月18日Goldfinger does a magnificent job building up, but the ending is very contrived and lazy.
- MetroidTalon2025年9月18日Goldfinger is where the Bond formula truly locks into place. Gadgets, one-liners, iconic villains, and a globe-trotting plot come together with style and swagger. Sean Connery owns the screen, and Gert Frobe’s Goldfinger remains one of the most memorable adversaries in the series. The pacing is tight, the set pieces still hold up, and the tone walks the line between cool and absurd with confidence. Add in a killer theme song and Oddjob’s hat, and it’s no surprise this became the blueprint for everything that followed. A near-perfect Bond outing that defined the franchise for generations.
- bogometer2025年9月10日Goldfinger is simply the best Sean Connery Bond film. Goldfinger and Odd Job are two of the most memorable Bond villains for me. Yes it’s sexist and dated but not stupidly so like the Roger Moore era.
- Alexandre Grégoire2025年6月12日While iconic in its time, "Goldfinger" shows its age in more than just its visuals. The acting style feels dated, often veering into theatrical or wooden territory by today’s standards. The dialogue, once considered sharp, now comes across as stiff or overly simplistic. The plot, though memorable for its core premise, lacks the complexity and emotional depth audiences have come to expect from modern spy thrillers. Overall, it feels more like a stylized caper than a truly gripping espionage narrative.
007／ゴールドフィンガーに関するトリビア
007／ゴールドフィンガーは1964年9月25日に公開されました。
007／ゴールドフィンガーはGuy Hamiltonが監督を務めました。
007／ゴールドフィンガーの上映時間は1h 50mです。
007／ゴールドフィンガーはAlbert R. Broccoli, Harry Saltzmanがプロデューサーを務めました。
メキシコでの任務の帰路、マイアミに立ち寄ったイギリス秘密情報部員ジェームズ・ボンドは、かつてのカジノ・ロワイヤルでの勝負の際同席したデュポンと再会し、彼の頼みでオーリック・ゴールドフィンガーのカードのいかさまを暴いた。ロンドンへ戻ったボンドは、ゴールドフィンガーがスメルシュの手先となって金の密輸を行っているらしいことを聞かされ、その調査を命じられた。調査中、ボンドはゴールドフィンガーに捕らわれ、彼がアメリカ合衆国のフォート・ノックスを襲撃して合衆国金塊保管所に貯蔵された金塊を奪取し、ソ連の巡洋艦に積み込んで海外に運び去ろうとしていることを知る。
007／ゴールドフィンガーの主要人物はJames Bond (Sean Connery), Auric Goldfinger (Gert Fröbe), Pussy Galore (Honor Blackman)です。
007／ゴールドフィンガーはGと評価されています。
007／ゴールドフィンガーはAction, Adventure, スリラー映画です。
007／ゴールドフィンガーは、視聴者によって10点満点中8.9点をつけられています。
007／ゴールドフィンガーの予算は$300万です。
007／ゴールドフィンガーの興行収入は$1.2億です。