ニューヨークに暮らすアフリカ系アメリカ人の写真家クリスは、ある週末に白人の彼女ローズの実家へ招待される。若干の不安とは裏腹に過剰な歓迎を受けるものの、黒人の使用人がいることに妙な違和感を覚える。翌日、亡くなったローズの祖父を讃えるパーティに多くの友人が集まるが、何故か白人ばかり。そんななか、黒人の若者を発見し携帯で撮影すると、フラッシュが焚かれた瞬間彼は鼻から血を流し急に豹変し、「出ていけ！」と襲い掛かってくる。“何かがおかしい”と感じたクリスは、ローズと一緒に実家から出ようするが…。
- cultfilmliker2025年4月20日Honestly one of the greatest screenplays of all-time imo. So tight and so perfect. The detail is extraordinary! The sound (and absence of sound) is so powerful. I forget how hilarious the surrealism is. Whitford and Kaluuya have my favorite performances in this, followed by Caleb Landry Jones and Lil Rel. God, Daniel’s performance is incredible A movie that never disappoints. Only gets better with age.
- Scott2025年3月13日One of the best films I've seen, period. The cast is great and play their roles perfectly. The storyline is unique, even though you know something right away isn't right with this family. I've seen this movie probably 20 times because it's that entertaining. You can't watch too many movies more than once, but this one you can. You'll pick up little things each time that make you wonder how you missed it. It's not really gory and there's only a few scenes that might show some blood and violence, but it's not bad compared to many other movies. It's not real scary, it's more suspenseful. There is comedy thrown into it here and there too, which makes it fun to watch. Not slapstick comedy, but subtle words and saying that make you smile and that's because the cast makes it entertaining. Favorite line in this movie: "ROSE! Where's those keys...?"
- Eric Bakke2024年11月4日I stumbled into Get Out completely by accident. I was walking by Seattle's Ark Lodge Theatre one evening when I saw they were handing out free tickets for a sneak preview screening. I had no idea what I was getting myself into, but it turned out to be one of the most electric movie experiences of my life. The energy in that theater was off the charts—it was one of the most vocal, engaged audiences I’ve ever been a part of, and it made the entire film even more satisfying to watch. From the very beginning, Jordan Peele's vision was clear: Get Out is a masterclass in suspense, social commentary, and psychological horror. The mix of horror, humor, and sharp social critique is so expertly woven together that it feels fresh and timeless at the same time. What really struck me during that screening was how the audience responded—there were gasps, cheers, and a lot of vocal reactions to certain scenes, which only heightened the intensity. Peele created a world that’s both deeply unsettling and all-too-real, and the film’s exploration of race, privilege, and exploitation is as relevant today as it was when the movie first hit theaters. Get Out is more than just a horror film—it’s an all-time classic that will forever stand the test of time. It’s the kind of movie that stays with you, demanding to be talked about, analyzed, and dissected. Watching it for the first time in such an electric environment only made it all the more impactful, and I truly think this film will be remembered for years to come as a defining piece of cinema.
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ゲット・アウトは2017年2月24日に公開されました。
ゲット・アウトはJordan Peeleが監督を務めました。
ゲット・アウトの上映時間は1h 44mです。
ゲット・アウトはJason Blum, Edward H. Hamm Jr. , Sean McKittrick, Jordan Peeleがプロデューサーを務めました。
ニューヨークに暮らすアフリカ系アメリカ人の写真家クリスは、ある週末に白人の彼女ローズの実家へ招待される。若干の不安とは裏腹に過剰な歓迎を受けるものの、黒人の使用人がいることに妙な違和感を覚える。翌日、亡くなったローズの祖父を讃えるパーティに多くの友人が集まるが、何故か白人ばかり。そんななか、黒人の若者を発見し携帯で撮影すると、フラッシュが焚かれた瞬間彼は鼻から血を流し急に豹変し、「出ていけ！」と襲い掛かってくる。“何かがおかしい”と感じたクリスは、ローズと一緒に実家から出ようするが…。
ゲット・アウトの主要人物はChris Washington (Daniel Kaluuya), Rose Armitage (Allison Williams), Missy Armitage (Catherine Keener)です。
ゲット・アウトはGと評価されています。
ゲット・アウトはホラー, スリラー, 謎映画です。
ゲット・アウトは、視聴者によって10点満点中8.6点をつけられています。
ゲット・アウトの予算は$450万です。
ゲット・アウトの興行収入は$2.6億です。