R18+
2001    1h 41mAction, 犯罪
5.635%45%5.9
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デトロイト21分署に勤める刑事ボイドは、感情的な性質が災いして命令無視や失態を犯す問題児。とうとう犯罪多発地域にある15分署に飛ばされたが……。セガールがダメ刑事に扮した痛快ポリス・アクション・ムーヴィー。
監督:Andrzej Bartkowiak
  • Steven SeagalOrin Boyd
  • DMXLatrell Walker
  • Isaiah WashingtonGeorge Clark
  • Anthony AndersonT.K. Johnson
  • Bill DukeChief Hinges
  • Michael Jai WhiteLewis Strutt
  • Jill HennessyAnnette Mulcahy
  • Tom ArnoldHenry Wayne
  • Bruce McGillFrank Daniels
  • David VadimMatt Montini
  • Eva MendesTrish
  • Matthew G. TaylorUseldinger
  • Paolo MastropietroParker
  • Shane DalyFitz
  • Drag-OnShaun Rollins
  • Jennifer IrwinLinda, Anger Management Therapist
  • Daniel KashRory
  • Rothaford GrayNorris
  • Dean MckenzieCarlson
  • Gregory VitaleGregory
  • ርልዪረ2026年5月16日
    Despite Fire Down Below being a No. 1 hit in America, it went straight to video here in the UK and killed Seagal's career for four years. But then veteran action producer Joel Silver thrust Steve back in the limelight, put him on the Slimfast diet gave him slightly better material to work with. After all, an actor can only do as good as the script. From a novel of the same name by John Westerman (but bearing minimal resemblance to it) the plot centers on Orin Boyd, a cop busted down to patrolman after a rough encounter with the Vice-President. Once on the streets Boyd's suspicious nose can't keep him out of trouble with undercover cops who are trying to bust local Drug Boss Latrell Walker…or so it seems. There are many attempts at irony throughout the movie and surprisingly enough most of them work. Boyd is forced to attend rage control classes in which he meets eccentric TV host Henry Wayne (Tom Arnold) who becomes his wannabe partner. But sadly enough the classes don't work as Boyd continues to uses violence first, ask questions later. And there is a public service announcement too; Seagal survives a car wreck by airbag. A later car crash victim doesn't have one and dies. Dozens of cop movie clichés staple the flimsy script together. And the bad guys are obvious from the moment they appear on screen. Bartkowiak's direction is better than in his debut Romeo Must Die, and adds a heavy dose of frenetic rush to such a fast-paced film. However the set-up and execution of the story is so dull you'll forget about it half an hour after the credits roll. Seagal has learned a little, just a little, more in the acting area but still doesn't know how to express himself much. There's too much frowning and not enough other emotions from Boyd. We do want to feel more from him but he won't allow us. I guess this is just how Seagal is. He just can't get away from himself no matter what role he plays. I wish Seagal would try harder, but he just never bothers with making an effort.

DENGEKI 電撃を視聴

  • Exit Wounds
    Exit Wounds予告編
  • B-Roll
    B-Roll舞台裏
  • Exit Wounds Scene: Club Fight
    Exit Wounds Scene: Club Fightシーン
  • Exit Wounds Scene: I Want This Car
    Exit Wounds Scene: I Want This Carシーン
  • Exit Wounds Scene: Range Rover Chase
    Exit Wounds Scene: Range Rover Chaseシーン
  • Exit Wounds Scene: I Need Major Weight
    Exit Wounds Scene: I Need Major Weightシーン
  • Exit Wounds Scene: My Brother's Keeper
    Exit Wounds Scene: My Brother's Keeperシーン
  • Exit Wonds Scene: Why Would I Want You Dead?
    Exit Wonds Scene: Why Would I Want You Dead?シーン

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