G
2024    2h 4mAction, ホラー
6.493%59%6.7
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吉井良介は、町工場に勤めながら “ラーテル” というハンドルネームを使い転売で日銭を稼いでいた。医療機器、バッグにフィギュア……売れるものなら何でもいい。安く仕入れて、高く売る、ただそれだけのこと。転売の仕事を教わった高専の先輩・村岡からの “デカい” 儲け話にも耳を傾けず、真面目にコツコツと悪事を働いていく。吉井にとって、増えていく預金残高だけが信じられる存在だった。そんな折、勤務先の社長・滝本から管理職への昇進を打診された吉井は、「3 年も働いたんだ。もう十分だろう」と固辞し、と、その足で辞職。郊外の湖畔に事務所兼自宅を借り、恋人・秋子との新しい生活をスタートする。地元の若者・佐野を雇い、転売業が軌道に乗ってきた矢先、吉井の周りで不審な出来事が重なり始める。徘徊する怪しげな車、割られた窓ガラス、付きまとう影、インターネット上の悪意——。負のスパイラルによって増長された憎悪はやがて実体を獲得し、狂気を宿した不特定多数の集団へと変貌。その標的となった吉井の「日常」は急速に破壊されていく……。
監督:Kiyoshi Kurosawa
  • Masaki SudaRyōsuke Yoshii / 'Ratel'
  • Daiken OkudairaSano
  • Kotone FurukawaAkiko
  • Masataka KubotaMuraoka
  • Yoshiyoshi ArakawaTakimoto
  • Amane OkayamaMiyake
  • Masaaki AkahoriSoichi Tonoyama
  • Mutsuo YoshiokaYabe
  • Yugo MikawaInoue
  • Maho YamadaChizuru Tonoyama
  • Toshihiro YashibaHojo
  • Yoshiyuki MorishitaMurota
  • Tetsuya ChibaHunter
  • Yutaka Matsushige
  • Tomomitsu Adachi
  • Ryo Yoshida
  • Mamoru Hagiwara
  • Soichiro Tanaka
  • Tomoaki Saitō
  • Yohei Sasaki
  • cultfilmliker2026年4月15日
    Employee Of A Lifetime Award goes to that guy I mean, if you INSIST on burning EVERY bridge, you can’t be surprised when you find yourself alone It’s Lady Vengeance but for scammers ….made me really wanna play Call of Duty by the end Currently Ranked #55/210 in 2025 Ranked Added to The Non-English Niche
  • James Saenz2026年4月12日
    bleak exploration of how miserable people abuse other miserable people and how the veil of anonymity through the internet emboldens that behavior. i honestly preferred the first half of the film for how it builds up this creeping sense of malaise, as it’s more reminiscent of kurosawa’s previous works like pulse and cure.
  • andy b2025年11月1日
    bro i have no idea really what kurosawa was really trying to do with this. didn't feel anything like his other work. still can't say it was bad, just feel like his talents weren't really channeled here. still well worth watching... everybody need a friend like sano though
  • badhandbanana2025年10月23日
    Horrifying, funny, and surreal. A must watch, especially for fans of Kiyoshi Kurosawa. Saying too much would be spoiling it, so I recommend just going in with an open mind.
  • Kevin Ward2025年6月30日
    Cloud from Kiyoshi Kurosawa is a slow-burn thriller about greed, self-interest, and the consequences of living without conscience. Masaki Suda plays Ryousuke Yoshii, a coldly transactional reseller who flips whatever he can—medical appliances, "designer" bags, collectible toys—using cutthroat tactics to source goods without concern for who gets hurt. As for the quality, legitimacy, or provenance of the items, he pleads ignorance—so long as he’s cashed out before the fallout. When Yoshii turns down a promotion at his factory job to pursue his side hustle full-time, it’s the first step in a quiet unraveling. Cloud plays like a morality tale—a cynical critique of capitalism where, in the end, capitalism eats the capitalist. Yoshii and his girlfriend Akiko (Kotone Furukawa) move to the countryside, a shift that props up their surface-level goals and shared materialism—a fresh start built on the same hollow foundation. But as Yoshii’s reseller persona, Ratel, starts attracting backlash, a karmic wave builds. It’s solidly entertaining, even if some of the messaging is a bit overt—especially in the broadly drawn character of Akiko, whose arc could’ve used more nuance.
  • hairydemon2026年1月5日
    A very well made load of crap. What starts as a preposterous but "maybe" believeable scenario slowly devolves into the ridiculous pretty fast. By the end (and I won't spoil it for you if you want to be suckered by other reviews) i despised the director and the stupid choices he had made. I was even more worried about the reviewers showering this inane drivel with praise. Just because it is shot nicely does not mean that it is good.
  • Timeless Cinema2025年10月30日
    Through the actions of each character, Cloud builds from a quiet thriller into an entertaining action climax. As all players commit to their decisions & face their final consequences.
  • russrev1ews2025年10月22日
    I think something must’ve been lost in translation because this movie didn’t make a ton of sense at the end. It’s almost like David Lynch got to edit the last 2 minutes.

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