舞台は1980年代のイギリス。暴力や性描写を売りにした過激な映画“ビデオ・ナスティ”の事前検閲を行うイーニッドは、ある日チェック中のホラー映画のなかに、幼い頃に姿を消した妹に似ている出演者を見つける。真偽を確かめようとする彼女は、次第に現実と虚構の狭間に引きずり込まれていく……。
- jackmeat2025年7月17日My quick rating - 6.2/10. With all the horror and especially gore flicks I watch, it is like this is my job. Here, we have a censor who needs to decide which scenes are too much and provide rating recommendations for films. Aside from all the stories you may hear about directors going to these people and bribing them to get their rating down to "R" as opposed to NC-17, this one is more about a particular clip our censor, Enid (Niamh Algar), views. Immediately when watching, she has memories of a similar life situation where her sister had disappeared, and she becomes obsessed with solving the mystery. As she investigates further into the movie, the lines between reality and fiction slowly dissolve, and her acting is pretty spot on in demonstrating this. The vast majority of the gore in this is more in the videos she rate,s but when the blurred lines do get crossed, the psychological torment she is in, and the violence merge, keeping you wondering what is actually true. Not a jump scare type of flick, just a nicely paced story that is told through the eyes of a woman who is desperately clinging to her own sanity and just wants to find her sister. I had not heard of this one, but was pleasantly surprised by how it ended up.
- cultfilmliker2026年4月12日“Thank you for the whiskey. I’ll see myself out.” A fun Channel Zero style film! One of the movie posters makes this film look awful but it’s actually good and unique and not a Black Mirror knockoff like it looks! I’ve definitely seen this before but idk when or what happened and it seemed like good prep for Faces of Death so I figured why not (edit: I remember the sister part vividly as soon as it reminded me and now this feels like an unnecessary rewatch lol) [edit 2: I definitely didn’t finish this bc I would remember this shit!] Last comparison, walking through tunnels while you have a loved one missing à la Absentia always seems like a very bad idea! Loved the direction! The story was alright!
- Patrick Wai5日前As a horror film, Censor is only moderately effective. There are some unsettling moments and a few bursts of gruesome violence, but if you’re expecting a terrifying or edge-of-your-seat experience, you may come away underwhelmed. Where the film truly succeeds is as a psychological drama, chronicling one woman’s slow descent into obsession, delusion, and ultimately psychosis. Niamh Algar delivers an outstanding performance as Enid, carrying nearly every scene with subtlety and restraint. Her gradual unraveling feels believable rather than theatrical, making the film increasingly uncomfortable as reality and fantasy begin to blur. Michael Smiley is also excellent as the unsettling film producer, bringing an eerie calmness that lingers long after he leaves the screen. The backdrop is equally fascinating. Set during Britain’s “video nasties” panic of the 1980s, Censor offers a compelling look at a time when governments and moral campaigners believed violent films were corrupting society. It’s a fascinating reminder that while the targets of censorship have changed over the past forty years, the debates themselves haven’t disappeared. Today the conversations may revolve around social media, AI, books, or online content, but the tension between protecting the public and preserving artistic freedom remains remarkably familiar. The story itself is refreshingly original. Rather than relying on supernatural monsters or masked killers, the film turns memory, guilt, and trauma into its greatest source of horror. As Enid loses her grip on reality, the audience is invited to experience that confusion alongside her, making the final act as tragic as it is disturbing. I wouldn’t rank Censor among the great modern horror films. But as a character study of a woman consumed by unresolved trauma and her own fractured mind, it’s far more compelling. I’d rate it around 6/10 as a horror film, but closer to 8/10 as a psychological drama.
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映画検閲は2021年6月11日に公開されました。
映画検閲はPrano Bailey-Bondが監督を務めました。
映画検閲の上映時間は84mです。
映画検閲はHelen Sara Jonesがプロデューサーを務めました。
舞台は1980年代のイギリス。暴力や性描写を売りにした過激な映画“ビデオ・ナスティ”の事前検閲を行うイーニッドは、ある日チェック中のホラー映画のなかに、幼い頃に姿を消した妹に似ている出演者を見つける。真偽を確かめようとする彼女は、次第に現実と虚構の狭間に引きずり込まれていく……。
映画検閲の主要人物はEnid Baines (Niamh Algar), Doug Smart (Michael Smiley), Sanderson (Nicholas Burns)です。
映画検閲はR15+と評価されています。
映画検閲はホラー, 謎, スリラー映画です。
映画検閲は、視聴者によって10点満点中5.7点をつけられています。
映画検閲の興行収入は$31万です。