Not Rated
1966    1h 51mドラマ,
7.487%84%7.3
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深夜の公園でカップルを盗み撮りした売れっ子カメラマンのトーマス(デヴィッド・ヘミングス)。そのことに気づいたカップルの女性(ヴァネッサ・レッドグレーヴ)は、彼にネガを出せと迫る。しかし、彼女に別のネガを渡したトーマスが本物を現像してみると、そこに映されていたものは…。
監督:Michelangelo Antonioni
  • David HemmingsThomas
  • Vanessa RedgraveJane
  • Sarah MilesPatricia
  • John CastleBill
  • Veruschka von LehndorffVeruschka
  • Jane BirkinThe Blonde
  • Gillian HillsThe Brunette
  • Peter BowlesRon
  • Julian ChagrinMime
  • Claude ChagrinMime
  • Jimmy PageSelf - The Yardbirds (uncredited)
  • Jeff BeckSelf - The Yardbirds (uncredited)
  • Tsai ChinThomas's Receptionist (uncredited)
  • Susan BrodrickAntique Shop Owner (uncredited)
  • Peggy MoffittModel (uncredited)
  • Melanie HampshireModel (uncredited)
  • Charlie BirdHomeless Man (uncredited)
  • Robin BurnsHomeless Man (uncredited)
  • Julio CortázarHomeless Man (uncredited) / Author
  • Chris DrejaSelf - The Yardbirds (uncredited)
  • mickerdoo2025年12月24日
    Loved the 60s fashion and his flat. Probably should have made a phone call earlier. What’s with the mimes? Needs more detective vibes.
  • renesys72025年11月3日
    Waste of time
  • ca69892025年7月8日
    Magnificent review of swinging London film par excellence!
  • Rowan Krzysiak2025年2月5日
    It's a film that's almost impossible to sum up with a pithy review. It's distracted and focused. It's grounded and dreamlike. It's stuffed with meaning but lacks resolve. It creeps over you and leaves you bewildered. Highly recommended.
  • Mister Arn2025年5月21日
    "Blow-Up" focuses on a photographer and employs strong visual storytelling. This cinematic approach results in deliberate pacing, compelling the audience to observe every detail. The film then cleverly uses these details to confuse and mislead the viewer. This approach takes a lot of work by the viewer and may not be for everyone.
  • vangh12025年5月14日
    As inscrutable as it is intriguing. In the early going I thought it was going to be one of those movies where nothing really happens. And then something really happens! But does it really amount to all that much? Maybe! The filmmaker didn't really tell me. So I guess it's up to me to decide. Much like the troupe of mimes who expect a complete stranger to toss back their imaginary tennis ball, I guess. I love how much the cinematographer loves frame-within-a-frame imagery. It's pushed to it's aesthetic limits in this one.

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  • Blow-Up
    Blow-Up予告編

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