カーニヴァルの夜、望みをかなえる魔王のボックスにコインを入れた主人公が、翌朝目覚めると少年からオトナに成長していた。親友の協力によって玩具メーカーに就職した主人公だったが、持ち前の自由な発想が社長に認められめきめき昇格していく……。
- Tony G2025年11月21日THE SPACE GOES DOWN, DOWN BABY, DOWN, DOWN THE ROLLER COASTER. SWEET, SWEET BABY, SWEET, SWEET, DON'T LET ME GO. SHIMMY, SHIMMY, COCOA POP. SHIMMY, SHIMMY, ROCK. SHIMMY, SHIMMY, COCOA POP. SHIMMY, SHIMMY, ROCK. I MET A GIRLFRIEND — A TRISCUIT. SHE SAID, A TRISCUIT, A BISCUIT. ICE CREAM, SODA POP, VANILLA ON THE TOP. OOH, SHELLY'S OUT, WALKING DOWN THE STREET, TEN TIMES A WEEK. I READ IT. I SAID IT. I STOLE MY MOMMA'S CREDIT. I'M COOL. I'M HOT. SOCK ME IN THE STOMACH THREE MORE TIMES.
- Dave2025年11月17日Great freaking movie! Although I can recognise it aged well in some areas and not in others. Imagine a 12 year old kid becoming an adult and subsequently having lots of sex with a 30 something year old adult in a modern movie.... I think the only guy whod produce it would be Harvey Weinstein.
- Callum2024年12月11日⭐⭐⭐⭐⭐ – Big – Growing up sounded great… until it wasn’t. My original take on this was something like “Classic Tom Hanks in a classic body-swap movie”, and that feels almost quaint now. This is one of those films that reveals more of itself the older you get, without ever losing what made it magical in the first place. What kid hasn’t wanted to grow up fast — like, RIGHT NOW fast? Not someday. Not gradually. Just wake up and be done with it. Big taps straight into that universal wish, then has the honesty to show what happens when you actually get it. The cool bits arrive first… and then the bill comes due. Tom Hanks is phenomenal here. I know a lot of people point to the 2000s or even the 2010s as the peak of his career, but honestly — he was already operating at an incredible level in the ’80s. The way he captures a child’s excitement, confusion, and eventual disillusionment inside an adult body is pitch-perfect. It’s funny, yes, but it’s also quietly heartbreaking in places. Rewatching this now, there’s also a deep hit of nostalgia. As a child of the ’80s, it’s impossible not to smile at the world on display — kids actually being kids, no phones glued to hands, no social media noise, just arcades, toys, and imagination. That joy hits first… and then the film reminds you it isn’t just a time capsule. Once the story really gets going, it delivers on every level. A kid wishes to be older. He gets it. He moves to the biggest, best city he can imagine. He lands a job at a toy company (and yes, the sheer wall of ’80s toys is a joy in itself). He gets a girlfriend. And then, slowly but surely, it all starts to fall apart as he realises adulthood isn’t the fantasy he thought it was. That’s why this keeps getting rewatched. We all recognise ourselves in it, whether we’re longing for the future or quietly wishing we could step back for a moment. It’s funny, warm, honest, and endlessly relatable — a true classic that earns its place every single time. 🥤 A fizzy cola from a corner shop — sweet, nostalgic, and guaranteed to make you feel like a kid again.
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ビッグは1988年6月3日に公開されました。
ビッグはPenny Marshallが監督を務めました。
ビッグの上映時間は1h 44mです。
ビッグはJames L. Brooks, Robert Greenhutがプロデューサーを務めました。
カーニヴァルの夜、望みをかなえる魔王のボックスにコインを入れた主人公が、翌朝目覚めると少年からオトナに成長していた。親友の協力によって玩具メーカーに就職した主人公だったが、持ち前の自由な発想が社長に認められめきめき昇格していく……。
ビッグの主要人物はJosh Baskin (Tom Hanks), Susan (Elizabeth Perkins), MacMillan (Robert Loggia)です。
ビッグはPG12と評価されています。
ビッグはコメディ, ファンタジー, ドラマ映画です。
ビッグは、視聴者によって10点満点中8.2点をつけられています。
ビッグの予算は$1800万です。
ビッグの興行収入は$1.5億です。