日常のささいなことでも不安になる怖がりの男ボーはある日、さっきまで電話で話してた母が突然、怪死したことを知る。母のもとへ駆けつけようとアパートの玄関を出ると、そこはもう“いつもの日常”ではなかった。これは現実か？ それとも妄想、悪夢なのか？ 次々に奇妙で予想外の出来事が起こる里帰りの道のりは、いつしかボーと世界を徹底的にのみこむ壮大な物語へと変貌していく。
- Garrett Wilkins2026年6月6日As an A24 production, Beau Is Afraid feels right at home alongside the studio's most unconventional releases. Ari Aster fully embraces the company's tendency to abandon traditional storytelling rules in favor of something stranger, more personal, and considerably more divisive. While I ultimately found Midsommar to be the stronger and more focused film, there's no denying the ambition on display here. At over three hours, Beau Is Afraid is messy, excessive, self-indulgent, and often completely fascinating. Joaquin Phoenix delivers one of the best performances of his career, carrying the film's relentless anxiety with a level of commitment that makes even its most absurd moments believable. Patti LuPone is equally excellent as Beau's domineering mother, while Parker Posey leaves a surprisingly strong impression despite her relatively limited screen time. Whether a scene is hilarious, uncomfortable, or completely baffling, the cast never stops treating the material with absolute sincerity. I can't honestly say Beau Is Afraid works all the time. There are stretches where the film disappears so far into its own nightmare logic that it risks losing the audience entirely, and some of Aster's ideas are more interesting than they are effective. Yet I found it impossible not to admire. In an era where so many films feel engineered to appeal to everyone, Beau Is Afraid feels determined to appeal to exactly the people willing to meet it on its own terms. It's the kind of ambitious, uncompromising project that only a studio like A24 would consistently champion. Aster takes an enormous swing, and while it doesn't always connect, I found the film's originality and willingness to reject convention far more memorable than many technically cleaner movies that play things safe.
- Oʂɯαʅԃσ Rσყҽƚƚ2025年12月25日Beau is Afraid demands us to see it again. It basically screams to be rewatched, paused, rewound, dissected, and examined. The brilliance of writer and director Ari Aster is that these repeat viewings will never ever help you get this movie. It's never going to click and magically make sense - going back to the well will only deepen your appreciation for the craft of the film.
- cultfilmliker2025年7月30日*me, last year, ignorant* ⭐️⭐️ *me, this year, enlightened* ⭐️⭐️⭐️ (It’s still too long) Yeah the dude on the cruise is insanely creepy. Great acting! Great cast! Love the young actress essentially playing Parker Posey in Dazed & Confused! Someone needs to ask Ari what happened in his attic when he was a kid
- Kevin Ward2025年7月3日Beau is afraid….and then he grows a pair. Honestly this movie is exhausting. A mommy issues fever dream with a Herculean runtime that will likely satisfy Ari Aster fans and simultaneously repulse his detractors. I find myself mostly in the middle, admiring almost every ounce of craft on display and simultaneously never wanting to watch this again. The Free t-shirt was pretty cool though. And Birthday Boy Stab Man….you will always be famous.
お使いのデバイス向けのPlexを入手
20種類以上のプラットフォームで無料で使えます。お手持ちのデバイスをお選びください。ボーはおそれているに関するトリビア
ボーはおそれているは2023年4月20日に公開されました。
ボーはおそれているはAri Asterが監督を務めました。
ボーはおそれているの上映時間は2h 59mです。
ボーはおそれているはAri Aster, Lars Knudsenがプロデューサーを務めました。
日常のささいなことでも不安になる怖がりの男ボーはある日、さっきまで電話で話してた母が突然、怪死したことを知る。母のもとへ駆けつけようとアパートの玄関を出ると、そこはもう“いつもの日常”ではなかった。これは現実か？ それとも妄想、悪夢なのか？ 次々に奇妙で予想外の出来事が起こる里帰りの道のりは、いつしかボーと世界を徹底的にのみこむ壮大な物語へと変貌していく。
ボーはおそれているの主要人物はBeau Wassermann (Joaquin Phoenix), Mona Wassermann (Patti LuPone), Grace (Amy Ryan)です。
ボーはおそれているはR15+と評価されています。
ボーはおそれているはコメディ, ドラマ, Adventure映画です。
ボーはおそれているは、視聴者によって10点満点中7.1点をつけられています。
ボーはおそれているの予算は$3500万です。
ボーはおそれているの興行収入は$1233.7万です。