The "black sheep" son of a wealthy family meets a young psychiatric patient who's been raised in isolation her entire life. He takes the naive young woman home for his brother's wedding to convince his family that he's finally straightened out his life. She impresses the family with her genuine, if unstable charm. Along the way they fall into an improbable love
- UMAID2025年3月6日"Barefoot" (2014) isn't a blockbuster that thunders into your consciousness. It's more like a quiet, persistent melody that lingers long after the credits roll. It's the cinematic equivalent of finding a forgotten, worn-out paperback in a dusty bookstore and discovering it holds a story that speaks directly to your soul. What struck me most wasn't the predictable romantic arc, but the humanity woven into every frame. It's a film that dares to explore the raw, unvarnished edges of mental health and the profound, often messy, beauty of connection. Evan Rachel Wood, as Daisy, doesn't play "crazy"; she embodies a fragile, beautiful spirit navigating a world that doesn't always understand her. Her innocence isn't saccharine; it's a desperate, almost primal attempt to find safety and acceptance. Scott Speedman, as Jay, is the perfect counterpoint. He's not a knight in shining armor, but a flawed, struggling man who finds unexpected redemption in Daisy's unfiltered perspective. He doesn't "fix" her; he simply sees her, and in doing so, allows himself to be seen too. The film's magic lies in its understated honesty. It doesn't rely on grand gestures or dramatic monologues. Instead, it captures the small, intimate moments that define human connection: a shared laugh, a hesitant touch, a quiet understanding that transcends words. It's about the power of empathy, the courage to be vulnerable, and the transformative potential of unconditional acceptance. "Barefoot" reminds us that we're all a little bit broken, a little bit lost, and a little bit searching for someone to see us for who we truly are. It's a film that whispers a gentle reminder that even in the midst of chaos and uncertainty, there's always the possibility of finding beauty, love, and a sense of belonging. It's not a perfect film, but it's a deeply human one, and that's what makes it truly special. It's a film that doesn't just entertain; it gently nudges you to look at the world, and the people in it, with a little more compassion and a little more hope.
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ベアフットは2014年9月4日に公開されました。
ベアフットはAndrew Flemingが監督を務めました。
ベアフットの上映時間は89mです。
ベアフットはDavid Scharf, Lisa Demetreeがプロデューサーを務めました。
The "black sheep" son of a wealthy family meets a young psychiatric patient who's been raised in isolation her entire life. He takes the naive young woman home for his brother's wedding to convince his family that he's finally straightened out his life. She impresses the family with her genuine, if unstable charm. Along the way they fall into an improbable love
ベアフットの主要人物はDaisy (Evan Rachel Wood), Jay Wheeler (Scott Speedman), Dr. Bertleman (J.K. Simmons)です。
ベアフットはPG-13と評価されています。
ベアフットはドラマ, コメディ, ロマンス映画です。
ベアフットは、視聴者によって10点満点中4.6点をつけられています。
ベアフットの予算は$600万です。
ベアフットの興行収入は$15,071です。