バビロン
監督:Damien Chazelle1920年代のハリウッドは、すべての夢が叶う場所。サイレント映画の大スター、ジャック（ブラッド・ピット）は毎晩開かれる映画業界の豪華なパーティの主役だ。会場では大スターを夢見る、新人女優ネリー（マーゴット・ロビー）と、映画製作を夢見る青年マニー（ディエゴ・カルバ）が、運命的な出会いを果たし、心を通わせる。恐れ知らずで奔放なネリーは、特別な輝きで周囲を魅了し、スターへの道を駆け上がっていく。マニーもまた、ジャックの助手として映画界での一歩を踏み出す。しかし時は、サイレント映画からトーキーへと移り変わる激動の時代。映画界の革命は、大きな波となり、それぞれの運命を巻き込んでいく。果たして3人の夢が迎える結末は…？
バビロンの評価とレビュー
- nicolai1082026年3月20日I absolutely don't understand why the reviews of this movie are so bad. Damien Chazelle has created an epic here. Partly very crude humor, but with a lot of love for the medium of film as such.
- chris williams2026年3月15日Interesting Film.
- thomasrogers7532026年1月14日One of the biggest love letters to movies I have ever seen, I’m truly at a loss for words Thank God for Cinema
- Megan Cruz2025年7月31日Saw at the Egyptian on 70 mm and my life was changed all over again. I make no apologies for this gluttonous feast of a film. Babylon hive forever.
- mickerdoo2025年8月17日Exhilarating. About the debauchery of LA, relevance, growing old and living to the fullest. Punches you in the face. Wild imagery.
- Thyrius2025年12月11日This movie has a rare ability to answer a very simple question: Why do we love cinema ?
- stuhannaford2025年7月14日I thoroughly enjoyed it, but to do so, you must endure the first half an hour, in order for the film to show its true colours. Just watched in isolation, it is brash, obscene, fantastical, nonsense. However, it sets up the narrative to highlight the utter absurdity of Hollywood and fame. Whilst many view it as a love letter to the golden era of silent movie, I found it anything but. For me, it simply showed human nature when the going is good, against the tribulations when it’s not. Death, over indulgence, depression, prostitution, greed, cry’s for help… none of it is oh so noticeable when the sun is shining, your back is being patted and you’re being celebrated for sheer good fortune. The right place at the right time? Perhaps, more likely the right face for the right person. It’s the dispensable nature of people, to those with power and money. No longer useful? No longer required. It’s a feeling not so unique to those with fame, but relatable to pretty much everyone. Hopes and dreams given and dashed in the blink of an eye, and as the film progresses, the moral decay becomes more apparent. The three leads are all outstanding, in particular Pitt, who embodies the somewhat ironic role of visual appeal versus perceived talent. You laugh with him, you cry with him. His joy and his despair, are both easy to feel. The toss away starlet, the money making up and comer… traits we still see today amongst those that crave the glamour and splendour… unaware of the pitfalls. Maguire, however, encapsulates the dark, seedy, disgusting underbelly of the glitzy facade in his small role, which for those that know, may not be too much of an act. The truly ugly side of the business is acknowledged by some, and walked away from, relatively unscathed. For others, the lure is too great, and despite a set of wood, nails, glue and paint, all hastily being thrown together amidst carnage and chaos, the polish, the lights and the sparkle are impossible to resist until it is too late. Sadly, we have been living the last days of Babylon for quite some time it would seem, as we dance into the shadows ourselves.
- Abba2025年8月3日I think I was a bit confused at first. The movie is much longer than I think it needs to be but towards the end, I understood the message. It was trying to send. I actually think it’s a pretty great movie. I think they can cut out about an hour of it to maintain interest, but I did like the story in the end.
- neuroparadox2025年7月29日Can't believe this got snubbed by the Academy. It should have at least been nominated for Best Motion Picture Where the Opening Title Doesn't Appear Until After Thirty Minutes... A surprisingly stacked category, including: RRR and Drive My Car 🤣🤣🤣
- Kevin Ward2025年7月4日Babylon is all at once a maximalist tribute to Hollywood cinema, an indulgence in its debaucherous excesses, and also an excess of those excesses. For every splash of brilliance there is plenty of poop and vomit and piss and blood and elephant poop and snake venom and rats blood to go around. Chazelle must not have had the hazmat suits required to leave any of it on the editing room floor. But I’m a huge fan of Singin’ in the Rain, and the many homages to that film along with the celebration of cinema in general still managed to leave me wonderstruck. (Highly recommend watching (or re-watching) Singin’ in the Rain) before you see this one.)
- PLEKTSIYA2025年6月30日Wannabe shocking, wannabe epic, with a wannabe poignant 'love letter to the movies' ending. Like Baz Luhrmann's GREAT GATSBY but more inept.
- Tyler S2025年2月8日👍👍 9/10
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バビロンに関するトリビア
バビロンは2022年12月23日に公開されました。
バビロンはDamien Chazelleが監督を務めました。
バビロンの上映時間は3h 8mです。
バビロンはMarc Platt, Olivia Hamilton, Matthew Plouffeがプロデューサーを務めました。
1920年代のハリウッドは、すべての夢が叶う場所。サイレント映画の大スター、ジャック（ブラッド・ピット）は毎晩開かれる映画業界の豪華なパーティの主役だ。会場では大スターを夢見る、新人女優ネリー（マーゴット・ロビー）と、映画製作を夢見る青年マニー（ディエゴ・カルバ）が、運命的な出会いを果たし、心を通わせる。恐れ知らずで奔放なネリーは、特別な輝きで周囲を魅了し、スターへの道を駆け上がっていく。マニーもまた、ジャックの助手として映画界での一歩を踏み出す。しかし時は、サイレント映画からトーキーへと移り変わる激動の時代。映画界の革命は、大きな波となり、それぞれの運命を巻き込んでいく。果たして3人の夢が迎える結末は…？
バビロンの主要人物はManny Torres (Diego Calva), Nellie LaRoy (Margot Robbie), Jack Conrad (Brad Pitt)です。
バビロンはR15+と評価されています。
バビロンはドラマ, コメディ, 履歴映画です。
バビロンは、視聴者によって10点満点中5.2点をつけられています。
バビロンの予算は$7800万です。
バビロンの興行収入は$6526.7万です。