巨大クレーターが観光名所の米南西部の砂漠の街アステロイド・シティ。科学賞の栄誉に輝いた5人の天才的な子供たちの授賞式の最中に宇宙人が到来する事件が発生。軍は宇宙人出現の事実を隠蔽しようとするが、子供たちは外部へ情報を伝えようと企てて……。
アステロイド・シティの視聴方法
- James Saenz2025年6月13日“you can’t wake up if you don’t fall asleep.” existentialism and grief orbiting each other, unable to confront one another or themselves. a gradual loss of autonomy as both the narrative and its creation unravel. how do you reconcile the story and its themes when the words keep escaping your fingers, bleeding ink into paper without your control and when you don’t understand it? how can your actors understand it? why does june feebly attempt to stick to the lesson plan? why do mercedes and her character midge run away from the beginnings of things? why does augie burn his hand on the quickie griddle? these are problems the cast and characters of the stage play of asteroid city have never seen before. it’s the chaos of creation and destruction and our desperate attempts at making sense of it. the story of the universe is written in innumerable riddles across myriad stars; the story of the art we create is much the same, and even if we don’t quite grasp it, we’re compelled to make it. there’s purpose in it, as opaque as it may seem. we just keep telling the story.
- Kevin Ward2025年7月2日I think I’m just out on Wes Anderson. Obviously, the production design, shot framing and score are all immaculate. And there are a few bits that were genuinely funny. Overall, though, Anderson’s films are beginning to feel like a parody of themselves. Wes Anderson parodies are already so prevalent now, though, particularly with the explosion of ai generated content. When I watch anything that mimics Anderson’s signature style, I inevitably feel a certain soulless quality, even when it’s Anderson himself at the helm. With few exceptions, the ensemble cast (incredible as it is) are clearly all stepping into a “Wes Anderson film” and performing as such and it all feels, literally, very one note. Sign me up for when Anderson steps out of this meticulously crafted corner he has painted himself into.
- Mr72026年1月15日Asteroid City is a work of art; like a Turd that's been beautifully molded and shaped, carved into a pristine statue that has you mesmerized. But then you realize it's still a Turd. The only people that could possibly like this are the NPC's roaming the Earth without an inner monologue. This isn't even a movie....One half star for the scene with the Alien; hilarious. Clearly Anderson rose and peaked with Grand Budapest....
- jackmeat2025年1月11日My quick rating - 6.2/10. Wes Anderson’s latest flick is an unmistakable product of his singular vision, blending meticulous craftsmanship with his trademark whimsy. Set in a 1955 American desert town, Asteroid City follows a Junior Stargazer/Space Cadet convention disrupted by world-changing events. This premise sets the stage for Anderson’s signature blend of quirky humor, visual spectacle, and narrative eccentricity. The cast is nothing short of exceptional, featuring heavyweights like Jason Schwartzman, Scarlett Johansson, Tom Hanks, Bryan Cranston, and Edward Norton, to name a few! At least ten members of the ensemble could lead their own films, making for a densely packed showcase of talent. While their performances are solid, the sheer volume of characters occasionally feels overwhelming, with some left underutilized amidst the chaos. As expected from Anderson, the visuals are breathtaking. The pastel color palette, symmetrical compositions, and meticulous set designs are a feast for the eyes, transforming the film into a living piece of art. The aesthetic is so captivating that even those who find the story lacking might be drawn in by its visual charm. Narratively, the film unfolds as a meta-melodrama—a play within a film—adding layers of storytelling that invite deeper interpretation. This approach highlights Anderson’s knack for blending art with entertainment, though it risks alienating newcomers to his work. Hardcore fans will likely relish the intricate structure, while others may find it semi-frustrating or overly pretentious. The story itself oscillates between intriguing and overly self-aware, and I found it occasionally testing my patience. While it raises interesting questions about art, legacy, and existential uncertainty, it often feels more like a vehicle for Anderson’s artistic indulgences than a fully realized narrative. At its core, Asteroid City exemplifies the balance of art versus entertainment, leaning heavily into the former while still offering moments of levity and charm. However, it also commercializes its artistry to a degree, diluting its impact for those expecting a more immersive emotional experience. In summary, it is a visually stunning, highly stylized film that will delight loyalists while potentially perplexing newcomers. It’s a pretty film with a unique aesthetic and clever storytelling, though its slightly pretentious tone and uneven pacing may limit its appeal. If you’re a fan of Anderson’s previous works, you’ll likely enjoy the ride, otherwise, it might be a bit of an acquired taste.
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アステロイド・シティは2023年6月8日に公開されました。
アステロイド・シティはWes Andersonが監督を務めました。
アステロイド・シティの上映時間は1h 45mです。
アステロイド・シティはJeremy Dawson, Steven M. Rales, Wes Andersonがプロデューサーを務めました。
巨大クレーターが観光名所の米南西部の砂漠の街アステロイド・シティ。科学賞の栄誉に輝いた5人の天才的な子供たちの授賞式の最中に宇宙人が到来する事件が発生。軍は宇宙人出現の事実を隠蔽しようとするが、子供たちは外部へ情報を伝えようと企てて……。
アステロイド・シティの主要人物はAugie Steenbeck (Jason Schwartzman), Midge Campbell (Scarlett Johansson), Stanley Zak (Tom Hanks)です。
アステロイド・シティはGと評価されています。
アステロイド・シティはコメディ, ロマンス, ドラマ映画です。
アステロイド・シティは、視聴者によって10点満点中6.2点をつけられています。
アステロイド・シティの予算は$2500万です。
アステロイド・シティの興行収入は$5385.8万です。