天才音楽家モーツァルトの早過ぎた死は、何者かによる暗殺だったのか。“音楽史上最大のミステリー”に迫ったP・シェーファーの戯曲を、「カッコーの巣の上で」の名匠M・フォアマン監督が豪華絢爛に映画化。第57回アカデミー賞で作品賞など計8部門を受賞。
1823年11月のある晩、ウィーンの街でひとりの老人が発狂して自殺を図り、病院へ運ばれた。この老人は、かつてウィーンで最も尊敬された宮廷音楽家、アントニオ・サリエリ。数週間後、サリエリの告白を聞くために若年の神父・フォーグラーが病室を訪れた。サリエリは自分がかつて若き音楽家“アマデウス”モーツァルトを殺したと告白する…。18世紀のオーストリア。イタリアに生まれたサリエリは、作曲家として優れた才能を持っていた。やがて音楽の都ウィーンへ赴き、皇帝ヨーゼフ2世付きの宮廷音楽家になった。そんな順調なサリエリの人生も、音楽の神童と噂されるヴォルフガング・アマデウス・モーツァルトに出会ったことで狂わされていく…。
- Mike2024年10月11日Amadeus is a manifestation of perfection. A perfection that is rare to behold "32 years of slowly watching myself become extinct. My music growing fainter, all the time fainter till no one plays it at all, and his..." You would initially think that the title of this film is only reffering to Wolfgang Amadeus Mozart, but it is reffering to both Mozart and Salieri. Salieri mentions at the beginning of the film that he devotes himself to God... Amare [Classical: äˈmäːrɛ] [Ecclesiastical: äˈmäːre] The Latin word for "to love" or "I love". Deus [Classical: ˈd̪e.ʊs] [Ecclestiastical: ˈd̪ɛː.us] The Latin word for "god" or "deity". The title reffering to both Mozart and Salieri symbolizes the connection of their love for music. A connection that is stronger than anything else, even Salieri's jealousy... Even though my reviews are mainly possitive, I always have some criticism when forming an opinion on a film. With Amadeus I could not find a single aspect that wasn't crafted into perfection. From the story, plot, cinematography, music (obviously), characters, character arcs, acting, costume design to the set design... everything was, in my opinion, perfect. A perfect film does not necessarily mean it is my favorite film, hence why Amadeus is not my most favorite film. My favorite film does not need to be perfect. The character arcs of both Mozart and Salieri were very interesting. Mozart went from this joyful and energetic person, to an obsessive and even depressed one. Salieri went from a calm and professional person, to a jealous and in some ways anarchic one. Throughout these strong changes one thing remains the same. Their love for music. The cinematography, especially in combination with the beautiful comstume and set design, created some very aesthetically pleasing visuals. But the prime element in this film is the music. Music that was created by Mozart himself. Not only do we see the amount of effort Mozart is putting in the creation of these musical compositions, but we simultaneously hear the remarkable result of them. This means that we do not only see the emotions of Mozart, but we also feel them through his music. This adds a lot to the immersion. Although this film is not large-scale, the powerful music left me the impression that I was watching an epic. Read full review at Letterboxd: Mike_v_E
- Patrick Willis2026年1月29日To watch Amadeus is not merely to see a film; it is to witness a sublime opera of human contradiction, rendered in cinematic form with unparalleled audacity, heart, and wit. Milos Forman’s 1984 adaptation of Peter Shaffer’s stage play is not just a great movie... it is a sensational, transformative work of art that achieves the seemingly impossible: it makes divinity visceral, genius tangible, and mediocrity tragically epic.
- Eric Bakke2024年10月9日(Theatrical Version) Offers a unique and captivating portrayal of the life and genius of Wolfgang Amadeus Mozart, and features the most exquisite soundtrack in film history. The use of music in "Amadeus" elevates the film to a transcendent and immersive experience, capturing the essence and power of Mozart's genius while enriching the storytelling and emotional resonance of the narrative.
- witty youngman2025年8月18日This was charming. I didn’t look much into this one before watching it, but I did know it was worth watching from its notoriety. The ending was a decent twist! I liked the plot and I’m a music history buff, so this was a fun one to watch. A little long, but it had twists and turns.
- Vincent Reggiannini2025年7月11日I tried hard to like this movie. At the most I can appreciate it - the acting is convincing, from both Holst and Abraham’s - but everything else is just indecipherable pretentious nonsense. Part of the problem is the era in which this movie takes place - people behave very oddly. The ostentatious deference to royalty, the wigs, the flamboyant dress and the almost religious adulation of opera left me baffled, confused and feeling like I needed a bath (in boiling rubbing alcohol). The true history or Mozart and Saleri is both fascinating and alluring - conjuring modern day feelings of jealousy, anger, and an overriding sense that life is not fair - but this movie is just people at a costume party who take themselves a bit too seriously.
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アマデウスは1984年9月19日に公開されました。
アマデウスはMiloš Formanが監督を務めました。
アマデウスの上映時間は3hです。
アマデウスはSaul Zaentzがプロデューサーを務めました。
天才音楽家モーツァルトの早過ぎた死は、何者かによる暗殺だったのか。“音楽史上最大のミステリー”に迫ったP・シェーファーの戯曲を、「カッコーの巣の上で」の名匠M・フォアマン監督が豪華絢爛に映画化。第57回アカデミー賞で作品賞など計8部門を受賞。 1823年11月のある晩、ウィーンの街でひとりの老人が発狂して自殺を図り、病院へ運ばれた。この老人は、かつてウィーンで最も尊敬された宮廷音楽家、アントニオ・サリエリ。数週間後、サリエリの告白を聞くために若年の神父・フォーグラーが病室を訪れた。サリエリは自分がかつて若き音楽家“アマデウス”モーツァルトを殺したと告白する…。18世紀のオーストリア。イタリアに生まれたサリエリは、作曲家として優れた才能を持っていた。やがて音楽の都ウィーンへ赴き、皇帝ヨーゼフ2世付きの宮廷音楽家になった。そんな順調なサリエリの人生も、音楽の神童と噂されるヴォルフガング・アマデウス・モーツァルトに出会ったことで狂わされていく…。
アマデウスの主要人物はAntonio Salieri (F. Murray Abraham), Wolfgang Amadeus Mozart (Tom Hulce), Constanze Mozart (Elizabeth Berridge)です。
アマデウスはPG12と評価されています。
アマデウスはドラマ, 履歴, Biography映画です。
アマデウスは、視聴者によって10点満点中9.5点をつけられています。
アマデウスの予算は$1800万です。
アマデウスの興行収入は$9000.8万です。