The Gifted è una serie tv statunitense che si inserisce nell'universo Marvel, è ideata da Matt Nix per la Fox. La serie racconta la storia dell'ordinaria famiglia Strucker, composta dal padre Reed, che lavora nell'ufficio del procuratore distrettuale, dalla madre Caitlin impegnata nel suo lavoro di infermiera e dai loro figli adolescenti Lauren ed Andy. La normalità di questa famiglia viene bruscamente sconvolta quando i due genitori scoprono che entrambi i figli hanno dei poteri speciali, sono infatti dei mutanti con il gene X, i quali non sono ben visti dalla società che ha paura di ciò che è diverso e non ne permette l'integrazione e per questo motivo sono costretti a fuggire.
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The Gifted Ratings e Recensioni
- flavo4325 dicembre 2025As a lifelong X‑Men fan, The Gifted immediately grabbed my attention, and I was pleasantly surprised by how well it interpreted the franchise for television. I loved seeing a mix of familiar mutant abilities alongside new powers created for the show, and the complex storylines felt true to the spirit of the X‑Men universe—moral dilemmas, shifting alliances, and the constant struggle for survival in a world that fears them. The world‑building was engaging, and I enjoyed watching how ordinary families were pulled into the mutant conflict. At the same time, I couldn’t help feeling the series needed more room to grow. It had the foundation for something bigger, but like many genre shows, it didn’t get enough time to fully explore its universe or show how mutants adapt without the X‑Men around. Even so, The Gifted delivered solid entertainment and a fresh angle on a world I’ve always loved.
- Callum5 novembre 2025⭐⭐⭐1/2 -⭐⭐⭐⭐ – The Gifted – When Family Becomes the First Battlefield Set in the shadow of the X-Men but standing on its own two feet, The Gifted takes the mutant metaphor and turns it inward — into a family drama where powers don’t just divide the world, they divide the dinner table. What begins as parents trying to protect their children quickly becomes a story about secrets, trust, and identity. When one of the parents’ own powers are revealed after years of denial, the show pivots beautifully: if the adults can lie about who they are, why should the next generation play by their rules? Stephen Moyer trades in his fangs from True Blood for telekinesis and trauma, proving that science fiction suits him just as much as the supernatural. Amy Acker, usually the emotional anchor in anything she touches, slips seamlessly into the sci-fi world and shows that compassion can be just as powerful as mutation. Together they ground what could’ve been a flashy power-fest into something deeply human. This isn’t X-Men: First Class — it’s X-Men: First Crisis, the quiet war fought in kitchens and safehouses rather than stadiums. Across its two concise seasons, the show knew when to end, wrapping up before the concept wore thin. For fans of mutant lore, it’s an oblique angle on a familiar world — no costumes, no Xavier’s mansion, just people trying (and sometimes failing) to hold a family together when the world sees them as dangerous. 🥃 Pairing: A glass of red wine by candlelight — warm, tense, and reflective, best shared with the people you trust most… or the ones you’re not quite sure you do.
