BBC DocumentariesStagione 1969
TV-PG
Documentaries produced by or for the BBC.
Dove guardare BBC Documentaries • Stagione 1969
17 Episodi
- How They Dug The Victoria Line
E1How They Dug The Victoria LineFirst transmitted in 1969, this documentary follows the construction of the world’s most advanced underground system. Macdonald Hastings narrates the story of one of the most complex tunnel engineering feats of its time. He reveals the isolation felt by the miners who spent six years burrowing deep beneath the streets of London, shows what they did beneath one of London's most famous department stores and explains why the ground at Tottenham Court Road had to be frozen during the hottest weeks of 1966. The result is a brave new world of transport with automated trains, two way mirrors, automatic fare collection and closed-circuit television, all choreographed by a computer programme played out by an updated version of a pianola located in a control room somewhere near Euston station. - I Love This Dirty Town
E2I Love This Dirty TownThis personal plea from Margaret Drabble is a lament for the death of the city, which questions whether 'civic redevelopment' is tearing the heart out of our cities. Are tower blocks, giant supermarkets and an ever expanding suburbia the way forward? Margaret Drabble thinks not and argues that a successful city combines areas where residents and office workers share a space and a multiplicity of shops serve their needs. She also challenges the myth that streets are traffic arteries and unsavoury places to be in, especially for children, arguing that it's traffic that's the problem, not kids. The documentary was based on Jane Jacobs' work "The Death and Life of Great American Cities" (1961), an influential book on urban planning in the 20th Century. - What’s The Truth About Hells Angels and SkinheadsE3
What’s The Truth About Hells Angels and SkinheadsWith Angels and Skins neck and neck in the contemporary Folk Devil stakes, presenter Harold Williamson decides to meet and talk with members of each group and, crucially, to speak to their parents, in order to find out what they’re really like. - Engines Must Not Enter the Potato SidingE4
Engines Must Not Enter the Potato SidingThis film looks at a handful of the 280,000 railwaymen who work in Britain, especially the men who worked on the former Midland and Great Central routes, as they reflect on their changing industry. Inside Sheffield Railway Men's Club former steam locomotive crew discuss the transition from steam to electric and diesel engines, and heatedly debate their respective merits. Meanwhile, on the Manchester-Sheffield line a former steam locomotive driver remembers what it was like to go through the Woodhead Tunnel, where driver and fireman had to crouch down to avoid the fumes and get breathable air. Signalman Michael Gatonby reveals life inside the signal box, one of the loneliest and busiest jobs on the railway line. - JumboE5
JumboIn just four months, the world's first jumbo jet goes into regular service over the Atlantic. Already 200 have been ordered by the world's airlines. Each is designed to carry nearly 500 passengers. The jumbo has been called a 'pilot's dream.' But will it also be an airport's nightmare? By next year, half a dozen of the giants may be queuing at peak hours to disgorge their passengers at London Airport. Round the world, airports face their biggest jam in history. Jumbo jets will revolutionise airport design. But they may also speed up other travel developments, with far-reaching effects on the design and peace, of our cities. - The Northern LightsE6
The Northern LightsFor the Safety of All. There are seventy-two manned lighthouses around the Scottish coast and it takes a vast and complex organisation to administer them. The isolated rock stations are serviced by four ships. These ships are crewed by seamen who know every rock in the gullies which are the hazardous landing places. This documentary is a story of storm and danger-and a story of lonely living. The Northern Lights followed the Pole Star, a Northern Lighthouse Board relief vessel and her crew as she serviced some of Scotland's most remote and inaccessible lighthouses. Although the Northern Lighthouse Board had begun the process of automation by then, several manned lighthouses remained and the crew of the Pole Star had the crucial role of taking relief crews and supplies to these lighthouses. In this programme, the Pole Star visits the Sule Skerry and North Ronaldsay Lighthouses in Orkney as well as the mysterious Flannan Isles Lighthouse where three lighthouse keepers disappeared in mysterious circumstances in 1900. Narrated by Tom Fleming - Pop Go the Sixties!E7
Pop Go the Sixties!Pop Go The 60s! was a one-off, 75-minute TV special originally broadcast in colour on 31 December 1969,to celebrate the major pop hits of the 1960s.[3] The show was a co-production between the United Kingdom's BBC and West Germany's ZDF broadcasters. It was shown on both stations on the same day, with other European stations broadcasting the programme either the same day or later. Although a co-production, it was primarily produced by the BBC and recorded at the BBC's Television Centre in London, in late 1969, featuring largely only British pop acts and hits. History The show (which went out at 10:35pm) was presented by Jimmy Savile and Elfi von Kalckreuth. The two presenters introduced each act (with the exception of Cliff Richard), but neither was present in the studio recording with the artists, their links being added later. Savile spoke English, whereas Elfi von Kalckreuth speaks in German throughout. The BBC's Johnnie Stewart produced the show, while Stanley Dorfman directed. Both men were involved with the regular production of BBC music show Top Of The Pops and this show had a very similar look and production style. The artists performed on rostra, surrounded by a standing audience who danced along with the music. Klaus Weiding was the co-producer for the German station. The end titles are in both English and German. Some of the artists present in the studio performed live, singing with an orchestra directed by Johnny Harris but many mimed to their original studio recordings. The Ascot Dancers appeared with a large number of the performers. Although a British-West German co-production, only one West German artist appears and that is on a pre-recorded film insert. The only song performed in German is by Sandie Shaw, who performed incomplete versions of two songs. The participating artists were (in order of appearance):[4] The Who - I Can See For Miles Adam Faith - What Do You Want?[5] & Someone Else's Baby The Tremeloes - Silence Is Golden - So You Think You Know About Children?E11
So You Think You Know About Children?The first duty of a state is to see that every child born therein shall be well housed, clothed, fed, and educated. (John Ruskin) How good a parent are you? Do you know the laws - old and new - governing you and your child? How far are you answerable, and how far is the State, for his health, safety, education, behaviour, hours of work? Cliff Michelmore and Magnus Magnusson give you the chance to check your knowledge of the rights and duties of parents; and of facts about children, from toddlers to teenagers. Keep your score and compare it with the three studio teams: Four Parents, Four Children and Four Experts - a paediatrician, a headmistress, a child psychotherapist, and a children's officer. - One Pair of Eyes - Marty Feldman: No, But Seriously...E12
One Pair of Eyes - Marty Feldman: No, But Seriously...Marty Feldman, for many years a successful comedy writer before turning to performing, explores humour through the people who create it, comparing their traditions, motivations and anxieties with his own. Among the people Marty talks to are Peter Sellers, Eric Morecambe, Peter Brough and Archie Andrews, Dudley Moore and Barry Took. - Hitchcock at the NFT
E13Hitchcock at the NFTFirst broadcast in 1969. In his 70th year, Alfred Hitchcock came to the National Film Theatre in London to talk to fellow director Bryan Forbes and to answer questions from an audience of film enthusiasts. With scenes from Blackmail (1929), The Lady Vanishes (1938), Psycho (1960), The Birds (1963) and Torn Curtain (1966). - Fit UpsE14
Fit UpsBBC documentary following life in one of the last of the Irish roadshows "Existence as portable as the props, Travelling light, living in transit, always thinking of that next town just ahead." The first BBC NI documentary in colour, entertainers portrayed in this film are a rapidly dying breed, and are possibly the last surviving family in Ireland to dispense a nightly three-hour brew of blood and thunder melodrama. The Courtneys play in a wooden and canvas booth and their audience sits on benches on the grass to watch such dramas as East Lynne, Murder in the Old Red Barn, and The Cary! Chessman Story. - The Game That Got Away
E15The Game That Got AwayFilmmaker Roger Mills authored this documentary in 1969 and managed to capture the spirit of rugby league in the north of England. Mills tells the story from his own perspective, as a middle-class rugby union-playing southerner who was taught nothing of the game at school and who never knew that far off in the 'cloth-capped' north men took money for a very different type of rugger. The film is beautifully shot and shows the sport on and off the pitch. It deals with league's difficult relationship with rugby union and differences in attitude and culture. Among his interviewees is the late Brian Redhead, who describes league as an intellectual game. The documentary ends with classic behind-the-scenes access to a game featuring Featherstone Rovers. About half the Featherstone Rovers side work in the mines - they live in a small community but their ground is regularly thronged by talent spotters and the national press. - Garbo, by Joan CrawfordE16
Garbo, by Joan CrawfordNo star fell in love as often as Garbo did on the screen, but was she herself happy? 'I live in a corner. I am typically alone. I wish it could be otherwise, but it cannot.' This programme, narrated by Joan Crawford and first broadcast in 1969, looks at Garbo's art and life through her films. Extracts, courtesy of MGM, include Camille, Ninotchka, Queen Christina, Marie Walewska, Two-Faced Woman and Flesh and the Devil.
