Sidney Hickox
Attore, Montatore
15 luglio 1895 — 16 maggio 1982 (86 anni)
From Wikipedia, the free encyclopedia
Sidney Hickox, A.S.C. (July 15, 1895 – May 16, 1982) was an American film and television cinematographer.
New York City-born Hickox started his film career at the age of 20 as an assistant cameraman at Manhattan's Biograph Studios and quickly became a full-time director of photography with Gloria's Romance in 1916. Following World War I, where he was a photographer for the US Naval Air Service, he relocated to Hollywood and joined the staff of First National Pictures. When the studio was absorbed by Warner Bros. in 1928, he remained there and worked on hundreds of projects until his retirement from feature films. Hickox also directed multiple episodes of the TV series I Love Lucy and The Lucy-Desi Comedy Hour during their final seasons, as well as most of the episodes of The Andy Griffith Show during its lengthy run.
Sidney Hickox, A.S.C. (July 15, 1895 – May 16, 1982) was an American film and television cinematographer.
New York City-born Hickox started his film career at the age of 20 as an assistant cameraman at Manhattan's Biograph Studios and quickly became a full-time director of photography with Gloria's Romance in 1916. Following World War I, where he was a photographer for the US Naval Air Service, he relocated to Hollywood and joined the staff of First National Pictures. When the studio was absorbed by Warner Bros. in 1928, he remained there and worked on hundreds of projects until his retirement from feature films. Hickox also directed multiple episodes of the TV series I Love Lucy and The Lucy-Desi Comedy Hour during their final seasons, as well as most of the episodes of The Andy Griffith Show during its lengthy run.
Film e Serie su Plex
Filmografia
| 1960 | The Andy Griffith Show · as Cameraman |
| 1932 |
| 1968 | Mayberry R.F.D. · as Director Of Photography |
| 1965 | I Spy · as Cinematographer |
| 1960 | Harrigan and Son · as Cinematographer |
| 1960 | The Andy Griffith Show · as Director Of Photography |
| 1959 | Sunday Showcase · as Cinematographer |
| 1958 | Westinghouse Desilu Playhouse · as Director Of Photography |
| 1958 | The Texan · as Cinematographer |
| 1958 | The Fountain of Youth · as Director Of Photography |
| 1957 | The Lucy-Desi Comedy Hour · as Director Of Photography |
| 1957 | Date with the Angels · as Cinematographer |
| 1955 | The Life and Legend of Wyatt Earp · as CinematographerSu Plex |
| 1955 | Battle Cry · as Director Of Photography |
| 1954 | Drum Beat · as Second Unit Director Of Photography |
| 1954 | December Bride · as Cinematographer |
| 1954 | The Jimmy Durante Show · as Cinematographer |
| 1954 | Them! · as Director Of PhotographySu Plex |
| 1953 | Blowing Wild · as Director Of PhotographySu Plex |
| 1952 | The Winning Team · as Director Of Photography |
| 1952 | Our Miss Brooks · as Cinematographer |
| 1951 | Distant Drums · as Director Of Photography |
| 1951 | I Love Lucy · as Cinematographer |
| 1951 | The Red Skelton Show · as Cinematographer |
| 1951 | Fort Worth · as Director Of Photography |
| 1951 | Lightning Strikes Twice · as Director Of Photography |
| 1951 | Along the Great Divide · as Director Of Photography |
| 1950 | The West Point Story · as Director Of Photography |
| 1950 | The Jack Benny Program · as Cinematographer |
| 1950 | Three Secrets · as Director Of Photography |
| 1950 | The Great Jewel Robber · as Director Of Photography |
| 1949 | White Heat · as Director Of PhotographySu Plex |
| 1949 | Colorado Territory · as Director Of Photography |
| 1948 | One Sunday Afternoon · as Director Of Photography |
| 1948 | Fighter Squadron · as Director Of Photography |
| 1948 | Silver River · as Director Of Photography |
| 1947 | Dark Passage · as Director Of Photography |
| 1947 | Possessed · as Director Of Photography |
| 1947 | Cheyenne · as Director Of Photography |
| 1946 | The Man I Love · as Director Of Photography |
| 1946 | The Big Sleep · as Director Of Photography |
| 1945 | The Horn Blows at Midnight · as Director Of Photography |
| 1945 | God Is My Co-Pilot · as Director Of Photography |
| 1944 | To Have and Have Not · as Director Of Photography |
| 1944 | Uncertain Glory · as Director Of Photography |
| 1943 | Northern Pursuit · as Director Of Photography |
| 1943 | Edge of Darkness · as Director Of Photography |
| 1942 | Gentleman Jim · as Director Of Photography |
| 1942 | The Big Shot · as Director Of Photography |
| 1942 | Always in My Heart · as Director Of Photography |
| 1942 | All Through the Night · as Director Of Photography |
| 1941 | Law of the Tropics · as Director Of Photography |
| 1941 | Underground · as Director Of PhotographySu Plex |
| 1941 | Thieves Fall Out · as Director Of Photography |
| 1941 | The Wagons Roll at Night · as Director Of Photography |
| 1940 | East of the River · as Director Of Photography |
| 1940 | Flowing Gold · as Director Of Photography |
| 1940 | The Doctor Takes a Wife · as Director Of Photography |
| 1940 | The Man Who Talked Too Much · as Director Of Photography |
| 1940 | Tear Gas Squad · as Director Of Photography |
| 1940 | King of the Lumberjacks · as Cinematographer |
| 1939 | The Return of Doctor X · as Director Of Photography |
| 1939 | British Intelligence · as CinematographerSu Plex |
| 1939 | Everybody's Hobby · as Cinematographer |
| 1939 | Indianapolis Speedway · as Director Of Photography |
| 1939 | The Kid from Kokomo · as Director Of Photography |
| 1939 | Women in the Wind · as Director Of Photography |
| 1939 | Blackwell's Island · as Director Of Photography |
| 1939 | King of the Underworld · as Director Of Photography |
| 1938 | Secrets of an Actress · as Director Of Photography |
| 1938 | Men Are Such Fools · as Director Of Photography |
| 1938 | My Bill · as Director Of Photography |
| 1938 | Women Are Like That · as Cinematographer |
| 1938 | A Slight Case of Murder · as Director Of Photography |
| 1937 | Missing Witnesses · as Director Of Photography |
| 1937 | First Lady · as Cinematographer |
| 1937 | Confession · as Director Of Photography |
| 1937 | San Quentin · as Director Of Photography |
| 1937 | The Singing Marine · as Cinematographer |
| 1937 | Slim · as Director Of Photography |
| 1937 | Stolen Holiday · as Director Of Photography |
| 1936 | Give Me Your Heart · as Director Of Photography |
| 1936 | Trailin' West · as Director Of Photography |
| 1936 | The Case of the Velvet Claws · as Cinematographer |
| 1936 | The Law in Her Hands · as Director Of Photography |
| 1936 | Brides Are Like That · as Director Of Photography |
| 1936 | Two Against the World · as Director Of Photography |
| 1935 | Freshman Love · as Director Of Photography |
| 1935 | I Found Stella Parish · as Director Of Photography |
| 1935 | The Goose and the Gander · as Cinematographer |
| 1935 | Special Agent · as Director Of Photography |
| 1935 | Bright Lights · as Director Of Photography |
| 1935 | Stranded · as Director Of Photography |
| 1935 | Living on Velvet · as Director Of Photography |
| 1935 | The Right to Live · as Director Of Photography |
| 1934 | I Am a Thief · as Cinematographer |
| 1934 | The St. Louis Kid · as Director Of Photography |
| 1934 | I Sell Anything · as Director Of Photography |
| 1934 | A Lost Lady · as Director Of Photography |
| 1934 | Dames · as Director Of Photography |
| 1934 | The Circus Clown · as Cinematographer |
| 1934 | Twenty Million Sweethearts · as Director Of Photography |
| 1934 | Registered Nurse · as Director Of Photography |
| 1934 | Heat Lightning · as Director Of Photography |
| 1934 | Bedside · as Cinematographer |
| 1934 | The Big Shakedown · as Director Of Photography |
| 1933 | Female · as Director Of Photography |
| 1933 | Mary Stevens, M.D. · as Cinematographer |
| 1933 | Sensation Hunters · as Director Of Photography |
| 1933 | The Little Giant · as Director Of Photography |
| 1933 | Central Airport · as Director Of Photography |
| 1933 | Grand Slam · as Director Of Photography |
| 1932 | Frisco Jenny · as Director Of Photography |
| 1932 | Central Park · as Director Of Photography |
| 1932 | La foule hurle · as Cinematographer |
| 1932 | A Bill of Divorcement · as Director Of Photography |
| 1932 | The Purchase Price · as Director Of Photography |
| 1932 | Love Is a Racket · as Director Of Photography |
| 1932 | So Big! · as Director Of Photography |
| 1932 | The Crowd Roars · as Director Of Photography |
| 1932 | The Hatchet Man · as Cinematographer |
| 1931 | Safe in Hell · as Director Of Photography |
| 1931 | The Sea Ghost · as Director Of PhotographySu Plex |
| 1931 | Blonde Crazy · as Director Of Photography |
| 1931 | Convicted · as Director Of Photography |
| 1931 | Pleasure · as Cinematographer |
| 1931 | The Last Flight · as Director Of Photography |
| 1931 | Broadminded · as Cinematographer |
| 1931 | Party Husband · as Cinematographer |
| 1931 | Too Young to Marry · as Director Of Photography |
| 1930 | The Naughty Flirt · as Cinematographer |
| 1930 | The Gorilla · as Cinematographer |
| 1930 | Top Speed · as Director Of Photography |
| 1930 | Sweet Mama · as Director Of Photography |
| 1930 | The Flirting Widow · as Director Of Photography |
| 1930 | Those Who Dance · as Director Of Photography |
| 1929 | Smiling Irish Eyes · as Director Of Photography |
| 1929 | Footlights and Fools · as Director Of Photography |
| 1929 | Why Be Good? · as Director Of Photography |
| 1929 | Synthetic Sin · as Director Of Photography |
| 1928 | Lilac Time · as Director Of Photography |
| 1927 | The Private Life of Helen of Troy · as Cinematographer |