Russell Metty
20 settembre 1906 — 28 aprile 1978 (71 anni)
From Wikipedia, the free encyclopedia
Russell Metty, A.S.C. (September 20, 1906 – April 28, 1978) was an American cinematographer who won the Academy Award for Best Cinematography, Color, for the 1960 film Spartacus.
Metty's career began around 1925 as an assistant with Standard Film Laboratory, who was then was hired by Paramount Pictures working in the camera department. He left for RKO in 1929. He became a regular cameraman at Universal Studios, and was a regular collaborator with the German film director Douglas Sirk, making eleven films all together with Sirk.
Russell Metty, A.S.C. (September 20, 1906 – April 28, 1978) was an American cinematographer who won the Academy Award for Best Cinematography, Color, for the 1960 film Spartacus.
Metty's career began around 1925 as an assistant with Standard Film Laboratory, who was then was hired by Paramount Pictures working in the camera department. He left for RKO in 1929. He became a regular cameraman at Universal Studios, and was a regular collaborator with the German film director Douglas Sirk, making eleven films all together with Sirk.
Film e Serie su Plex
Filmography
| 1977 | The Hardy Boys / Nancy Drew Mysteries · as Cinematographer |
| 1976 | Delvecchio · as Cinematographer |
| 1976 | Territorial Men · as Cinematographer |
| 1976 | Mallory: Circumstantial Evidence · as Director Of Photography |
| 1976 | Rich Man, Poor Man · as Cinematographer |
| 1973 | Hawkins · as Director Of Photography |
| 1973 | Brock's Last Case · as Director Of Photography |
| 1972 | Cancel My Reservation · as Director Of Photography |
| 1972 | The Waltons · as Director Of Photography |
| 1972 | Ben · as Director Of PhotographySu Plex |
| 1971 | Lock, Stock and Barrel · as Director Of Photography |
| 1971 | Columbo · as Cinematographer |
| 1971 | The Omega Man · as Director Of Photography |
| 1971 | Maybe I'll Come Home in the Spring · as Director Of Photography |
| 1970 | Tribes · as Director Of Photography |
| 1970 | How Do I Love Thee? · as Director Of Photography |
| 1969 | Change of Habit · as Director Of Photography |
| 1969 | Eye of the Cat · as Director Of Photography |
| 1969 | Marcus Welby, M.D. · as Cinematographer |
| 1968 | The Pink Jungle · as Director Of Photography |
| 1968 | Madigan · as Director Of Photography |
| 1968 | The Secret War of Harry Frigg · as Director Of Photography |
| 1967 | Counterpoint · as Director Of Photography |
| 1967 | Rough Night in Jericho · as Director Of Photography |
| 1967 | Thoroughly Modern Millie · as Director Of Photography |
| 1966 | Texas Across the River · as Director Of Photography |
| 1966 | The Appaloosa · as Director Of Photography |
| 1966 | Madame X · as Director Of Photography |
| 1965 | The War Lord · as Director Of Photography |
| 1965 | Bus Riley's Back in Town · as Director Of Photography |
| 1965 | The Art of Love · as Director Of Photography |
| 1964 | I'd Rather Be Rich · as Director Of Photography |
| 1964 | Broadside · as Cinematographer |
| 1963 | Captain Newman, M.D. · as Director Of Photography |
| 1963 | The Thrill of It All · as Director Of Photography |
| 1963 | Tammy and the Doctor · as Director Of Photography |
| 1962 | If a Man Answers · as Director Of Photography |
| 1962 | The Interns · as Director Of Photography |
| 1962 | That Touch of Mink · as Director Of Photography |
| 1961 | By Love Possessed · as Director Of Photography |
| 1961 | Flower Drum Song · as Director Of PhotographySu Plex |
| 1961 | The Misfits · as Director Of Photography |
| 1960 | Midnight Lace · as Director Of Photography |
| 1960 | Spartacus · as Director Of Photography |
| 1960 | Portrait in Black · as Director Of Photography |
| 1960 | Platinum High School · as Director Of Photography |
| 1959 | This Earth Is Mine · as Director Of Photography |
| 1959 | Imitation of Life · as Director Of Photography |
| 1959 | One Step Beyond · as Director Of PhotographySu Plex |
| 1958 | Monster on the Campus · as Director Of PhotographySu Plex |
| 1958 | Steve Canyon · as CinematographerSu Plex |
| 1958 | Step Down to Terror · as Director Of Photography |
| 1958 | A Time to Love and a Time to Die · as Director Of Photography |
| 1958 | The Thing That Couldn't Die · as Director Of Photography |
| 1958 | Touch of Evil · as Director Of Photography |
| 1957 | The Female Animal · as Director Of Photography |
| 1957 | Man of a Thousand Faces · as Director Of Photography |
| 1957 | Man Afraid · as Director Of Photography |
| 1957 | The Midnight Story · as Director Of Photography |
| 1957 | Mister Cory · as Director Of Photography |
| 1957 | Battle Hymn · as Director Of Photography |
| 1956 | Written on the Wind · as Director Of Photography |
| 1956 | Playhouse 90 · as Cinematographer |
| 1956 | Congo Crossing · as Director Of Photography |
| 1956 | Miracle in the Rain · as Director Of Photography |
| 1956 | There's Always Tomorrow · as Director Of Photography |
| 1955 | All That Heaven Allows · as Director Of Photography |
| 1955 | Cult of the Cobra · as Director Of Photography |
| 1955 | Man Without a Star · as Director Of Photography |
| 1955 | The Man from Bitter Ridge · as Director Of Photography |
| 1955 | Crashout · as Director Of Photography |
| 1954 | Sign of the Pagan · as Director Of Photography |
| 1954 | Four Guns to the Border · as Director Of Photography |
| 1954 | Naked Alibi · as Director Of Photography |
| 1954 | Magnificent Obsession · as Director Of Photography |
| 1954 | Taza, Son of Cochise · as Director Of Photography |
| 1953 | Take Me to Town · as Director Of Photography |
| 1953 | Tumbleweed · as Director Of Photography |
| 1953 | Seminole · as Director Of Photography |
| 1953 | The Veils of Bagdad · as Director Of Photography |
| 1953 | The Man from the Alamo · as Director Of Photography |
| 1953 | It Happens Every Thursday · as Director Of Photography |
| 1952 | Against All Flags · as Director Of Photography |
| 1952 | Because of You · as Director Of Photography |
| 1952 | The World in His Arms · as Director Of Photography |
| 1952 | Yankee Buccaneer · as Director Of Photography |
| 1952 | Scarlet Angel · as Director Of Photography |
| 1952 | The Treasure of Lost Canyon · as Director Of Photography |
| 1951 | Little Egypt · as Cinematographer |
| 1951 | Flame of Araby · as Director Of Photography |
| 1951 | The Raging Tide · as Director Of Photography |
| 1951 | The Golden Horde · as Director Of Photography |
| 1951 | Up Front · as Cinematographer |
| 1950 | Katie Did It · as Director Of Photography |
| 1950 | Wyoming Mail · as Director Of Photography |
| 1950 | The Desert Hawk · as Director Of Photography |
| 1950 | Peggy · as Director Of Photography |
| 1950 | Sierra · as Director Of Photography |
| 1950 | Curtain Call at Cactus Creek · as Director Of Photography |
| 1950 | Buccaneer's Girl · as Director Of Photography |
| 1949 | Bagdad · as Director Of Photography |
| 1949 | The Lady Gambles · as Director Of Photography |
| 1949 | We Were Strangers · as Director Of Photography |
| 1948 | Mr. Peabody and the Mermaid · as Director Of Photography |
| 1948 | Kiss the Blood Off My Hands · as Director Of Photography |
| 1948 | You Gotta Stay Happy · as Director Of Photography |
| 1948 | A Woman's Vengeance · as Director Of Photography |
| 1948 | All My Sons · as Director Of Photography |
| 1948 | Arch of Triumph · as Director Of PhotographySu Plex |
| 1947 | Ride the Pink Horse · as Director Of Photography |
| 1947 | Ivy · as Director Of Photography |
| 1947 | The Private Affairs of Bel Ami · as Director Of Photography |
| 1946 | The Perfect Marriage · as Director Of Photography |
| 1946 | The Stranger · as Director Of PhotographySu Plex |
| 1946 | Breakfast in Hollywood · as Director Of Photography |
| 1946 | Whistle Stop · as Director Of PhotographySu Plex |
| 1945 | Pardon My Past · as Director Of Photography |
| 1945 | Story of G.I. Joe · as Director Of PhotographySu Plex |
| 1945 | Betrayal from the East · as Director Of Photography |
| 1945 | It's in the Bag! · as Director Of Photography |
| 1944 | Music in Manhattan · as Director Of Photography |
| 1944 | The Master Race · as Director Of Photography |
| 1944 | Seven Days Ashore · as Director Of Photography |
| 1943 | Tender Comrade · as Director Of Photography |
| 1943 | Around the World · as Director Of Photography |
| 1943 | Behind the Rising Sun · as Director Of Photography |
| 1943 | The Sky's the Limit · as Director Of Photography |
| 1943 | Forever and a Day · as Director Of Photography |
| 1943 | Hitler's Children · as Director Of Photography |
| 1942 | Army Surgeon · as Cinematographer |
| 1942 | The Falcon's Brother · as Director Of Photography |
| 1942 | The Big Street · as Director Of Photography |
| 1942 | Mexican Spitfire Sees a Ghost · as Director Of Photography |
| 1942 | Four Jacks and a Jill · as Director Of Photography |
| 1942 | Joan of Paris · as Director Of Photography |
| 1941 | Weekend for Three · as Director Of Photography |
| 1941 | Sunny · as Director Of Photography |
| 1941 | A Girl, a Guy, and a Gob · as Director Of Photography |
| 1940 | No, No, Nanette · as Director Of Photography |
| 1940 | Dance, Girl, Dance · as Director Of Photography |
| 1940 | Irene · as Director Of Photography |
| 1940 | Curtain Call · as Director Of Photography |
| 1939 | That's Right - You're Wrong · as Director Of Photography |
| 1939 | Three Sons · as Cinematographer |
| 1939 | Everything's on Ice · as Cinematographer |
| 1939 | Bad Lands · as Cinematographer |
| 1939 | The Spellbinder · as Director Of Photography |
| 1939 | The Great Man Votes · as Cinematographer |
| 1938 | Next Time I Marry · as Director Of Photography |
| 1938 | Annabel Takes a Tour · as Director Of Photography |
| 1938 | Mr. Doodle Kicks Off · as Director Of Photography |
| 1938 | The Affairs of Annabel · as Director Of Photography |
| 1938 | Bringing Up Baby · as Director Of Photography |
| 1938 | The Dummy Owner · as Cinematographer |
| 1937 | Forty Naughty Girls · as Director Of Photography |
| 1937 | Annapolis Salute · as Director Of Photography |
| 1937 | You Can't Beat Love · as Cinematographer |
| 1937 | Behind the Headlines · as Director Of Photography |
| 1937 | They Wanted to Marry · as Cinematographer |
| 1936 | Night Waitress · as Cinematographer |