Michel Deville
Regista, Sceneggiatore, Produttore
13 aprile 1931 — 16 febbraio 2023 (91 anni)
Deville started his filmmaking career in the late 1950s, paralleling the emergence of the French New Wave directors. He never achieved the level of critical and international recognition of some of his contemporaries such as François Truffaut, Jean-Luc Godard and Claude Chabrol, possibly because of his more conventional filmmaking style. Nevertheless, his films, especially his comedies from the 1970s and 1980s, were popular in his native France.
Famoso per
Filmografia
| 2005 | |
| 2002 | |
| 1999 | |
| 1997 | |
| 1993 | |
| 1992 | |
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| 1988 | |
| 1986 | |
| 1985 | |
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| 1981 | |
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| 1978 | |
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| 1968 | |
| 1966 | |
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| 1964 | |
| 1963 | |
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| 1962 | |
| 1961 | |
| 1958 |
| 2002 | |
| 1999 | |
| 1997 | |
| 1988 | |
| 1986 | Paltoquet · as Screenplay |
| 1985 | |
| 1981 | Deep Water · as Screenplay |
| 1980 | |
| 1978 | |
| 1977 | |
| 1973 | |
| 1970 | |
| 1968 | |
| 1966 | The Mona Lisa Has Been Stolen · as Screenplay |
| 1964 | Lucky Jo · as Screenplay |
| 1963 | |
| 1963 | |
| 1962 | |
| 1961 | |
| 1958 | A Bullet in the Gun Barrel · as Screenplay |
| 2025 | Michel Deville, le plaisir du jeu · as Self - Subject |
| 2022 | Marie Trintignant: Tes rêves brisés · as Self |
| 2022 | Nos italiennes, de Magnani à Muti · as Self |
| 2016 | My Journey Through French Cinema · as Self |
| 1995 | The Son of Gascogne · as Self |
| 1982 | Cinéma cinémas · as Self |
| 1976 | César Awards · as Self - Winner |
| 1975 | Sunday meetings · as Self |
| 1972 | Midi Trente · as Self |
| 1999 | La maladie de Sachs · as Casting |
| 1969 | Bye bye, Barbara · as Adaptation |
| 1966 | Soldier Martin · as Adaptation |
| 1955 | Razzia · as Second Assistant Director |
| 1954 | The Bed · as Assistant Director |