Michael Marszalek
4 marzo 1930 — 5 settembre 2014 (84 anni)
Michael Marszalek (March 4, 1930 – September 5, 2014) was a German cinematographer and music producer. The son of conductor and composer Franz Marszalek, he began his career as a photographer and worked as a still photographer on several film productions before moving behind the camera.
From the early 1960s onward, Marszalek was primarily active as a television cameraman, contributing to numerous popular German series including Tatort, Drei Damen vom Grill, and Gute Zeiten, schlechte Zeiten. In addition to his camera work, he later became a music producer and ran his own label, MARUS, remaining active in the media industry for decades.
From the early 1960s onward, Marszalek was primarily active as a television cameraman, contributing to numerous popular German series including Tatort, Drei Damen vom Grill, and Gute Zeiten, schlechte Zeiten. In addition to his camera work, he later became a music producer and ran his own label, MARUS, remaining active in the media industry for decades.
Filmografia
| 1995 | Balko · as Cinematographer |
| 1992 | Good times, bad times · as Cinematographer |
| 1986 | Sarah · as Director Of Photography |
| 1986 | Detektivbüro Roth · as Cinematographer |
| 1985 | Didi The Goodbye · as Cinematographer |
| 1982 | Jakob and Adele · as Cinematographer |
| 1979 | Zwei tolle Käfer räumen auf · as Director Of Photography |
| 1979 | Son of Hitler · as Director Of Photography |
| 1977 | Endstation Paradies · as Cinematographer |
| 1977 | It must not always be caviar · as Cinematographer |
| 1977 | Three Ladies of the Grill · as Cinematographer |
| 1974 | 2069: A Sex Odyssey · as Director Of PhotographySu Plex |
| 1974 | Under One Roof · as Cinematographer |
| 1973 | Mad Memories of a Lifeguard · as Cinematographer |
| 1973 | Swingin' Swappers · as Director Of Photography |
| 1973 | School for Swingers · as Director Of Photography |
| 1973 | Liebe zwischen Tür und Angel - Vertreterinnen-Report · as Director Of Photography |
| 1972 | Heute hau'n wir auf die Pauke · as Director Of Photography |
| 1972 | Praise, What Makes You Hard · as Cinematographer |
| 1972 | Assignment: Munich · as Cinematographer |
| 1971 | Birdie · as Director Of Photography |
| 1970 | Tatort · as Cinematographer |
| 1970 | Berlin Affair · as Director Of Photography |
| 1969 | Three-Cornered Bed · as Director Of Photography |
| 1968 | Eva · as Cinematographer |
| 1968 | Negresco · as Director Of Photography |
| 1968 | Erotik auf der Schulbank · as Cinematographer |
| 1965 | John Kling · as Cinematographer |
| 1964 | Paul Klinger Tells · as Cinematographer |
| 1962 | Jedermannstraße 11 · as Cinematographer |