François Reichenbach
Produttore, Regista, Sceneggiatore, Attore
3 luglio 1921 — 2 febbraio 1993 (71 anni)
François Arnold Reichenbach (3 July 1921 – 2 February 1993) was a French film director, cinematographer producer and screenwriter. He directed 40 films between 1954 aEarly life
François Reichenbach was born in 1921 in Neuilly-sur-Seine. His father Bernard Reichenbach was a successful businessman and his mother Germaine Angèle Sarah Monteux had a passion for music, which she passed on to young François.
His maternal grandfather Gaston Monteux was a wealthy industrialist: he was one of the first to buy paintings by Chagall, Braque, Picasso, Soutine, Utrillo and Modigliani. In his memoirs François Reichenbach says: "At the age of five I was terrified by all the faces in the paintings. And I became a forger. I added mustaches and hairs to the nudes of Modigliani. This hoax takes on another dimension when you know that I made a film with Orson Welles about the forger Elmyr de Hory in 1973.
He is the nephew of the industrialist and manuscript and book collector Jacques Guérin and the cousin of the film producer Pierre Braunberger, who encouraged him to make films.
During the Second World War, François Reichenbach went to Geneva. Although he was born in France, he also has Swiss nationality because his paternal grandfather, Arnold Reichenbach, is a rich Swiss industrialist working in the embroidery industry in St. Gallen. He studied music at the Geneva Conservatory of Music, where he met the film director Gérard Oury.
After the Liberation, he wrote songs, notably for Édith Piaf and Marie Dubas.
Then, remembering the huge collection of paintings of his childhood, he left for the United States with an emigrant card to sell paintings. He started in New York as an advisor to American museums for the purchase of works of art in Europe, then he sold master paintings. He spent several years in the United States.
On his deathbed, François Reichenbach confided to Danièle Thompson his wish to be buried in Limoges where he had spent his vacations in his youth. Faced with the protests of the screenwriter, arguing that it would be inconvenient to visit him, the filmmaker replied "Those who love me will take the train".
This quote inspired Danièle Thompson to write the title of the film Ceux qui m'aiment prendront le train (Those who love me will take the train) by Patrice Chéreau, starring Jean-Louis Trintignant, Charles Berling and Vincent Perez. François Reichenbach died on February 2, 1993, in Neuilly-sur-Seine, a posh neighbourhood near the capital. He is buried in the Louyat cemetery in Limoges.
This pioneer of the New Wave through the importance of his cinematographic work makes this man, with a free and respectful look at others, a privileged witness of his time. He always has a camera loaded on the back seat of his car to film immediately just in case, because he likes to "film everything that moves ". The famous magazine Cahiers du cinéma wrote: "François Reichenbach was born with a camera in his eye". ...
Source: Article "François Reichenbach" from Wikipedia in English, licensed under CC-BY-SA.
François Reichenbach was born in 1921 in Neuilly-sur-Seine. His father Bernard Reichenbach was a successful businessman and his mother Germaine Angèle Sarah Monteux had a passion for music, which she passed on to young François.
His maternal grandfather Gaston Monteux was a wealthy industrialist: he was one of the first to buy paintings by Chagall, Braque, Picasso, Soutine, Utrillo and Modigliani. In his memoirs François Reichenbach says: "At the age of five I was terrified by all the faces in the paintings. And I became a forger. I added mustaches and hairs to the nudes of Modigliani. This hoax takes on another dimension when you know that I made a film with Orson Welles about the forger Elmyr de Hory in 1973.
He is the nephew of the industrialist and manuscript and book collector Jacques Guérin and the cousin of the film producer Pierre Braunberger, who encouraged him to make films.
During the Second World War, François Reichenbach went to Geneva. Although he was born in France, he also has Swiss nationality because his paternal grandfather, Arnold Reichenbach, is a rich Swiss industrialist working in the embroidery industry in St. Gallen. He studied music at the Geneva Conservatory of Music, where he met the film director Gérard Oury.
After the Liberation, he wrote songs, notably for Édith Piaf and Marie Dubas.
Then, remembering the huge collection of paintings of his childhood, he left for the United States with an emigrant card to sell paintings. He started in New York as an advisor to American museums for the purchase of works of art in Europe, then he sold master paintings. He spent several years in the United States.
On his deathbed, François Reichenbach confided to Danièle Thompson his wish to be buried in Limoges where he had spent his vacations in his youth. Faced with the protests of the screenwriter, arguing that it would be inconvenient to visit him, the filmmaker replied "Those who love me will take the train".
This quote inspired Danièle Thompson to write the title of the film Ceux qui m'aiment prendront le train (Those who love me will take the train) by Patrice Chéreau, starring Jean-Louis Trintignant, Charles Berling and Vincent Perez. François Reichenbach died on February 2, 1993, in Neuilly-sur-Seine, a posh neighbourhood near the capital. He is buried in the Louyat cemetery in Limoges.
This pioneer of the New Wave through the importance of his cinematographic work makes this man, with a free and respectful look at others, a privileged witness of his time. He always has a camera loaded on the back seat of his car to film immediately just in case, because he likes to "film everything that moves ". The famous magazine Cahiers du cinéma wrote: "François Reichenbach was born with a camera in his eye". ...
Source: Article "François Reichenbach" from Wikipedia in English, licensed under CC-BY-SA.
Famoso per
Filmografia
| 2024 | Il était une fois Michel Legrand · as Self |
| 2018 | Michel Legrand: Let the Music Play · as Self (archive Footage) |
| 1975 | Apostrophes · as Self |
| 1973 | F for Fake · as Self - Special Participant |
| 1971 | V.I.P.-Schaukel · as Self - Frank |
| 1969 | L'indiscret · as François Reichenbach |
| 1969 | Life Love Death · as Self |
| 1964 | Filmmakers of our time · as Self |
| 1956 | Cinépanorama · as Self |
| 1952 | Reflets de Cannes · as Self |
| 1973 | F for Fake · as Executive Producer |
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| 1961 | The Winner · as Screenplay |
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| 1969 | Erotissimo · as Cast |
| 1982 | Forty Deuce · as Director Of Photography |
| 1973 | F for Fake · as Director Of Photography |
| 1973 | F for Fake · as Co-Director |
| 1968 | Carmen · as Director Of Photography |
| 1968 | La sixième face du pentagone · as Director Of Photography |
| 1968 | La sixième face du pentagone · as Commentary |
| 1968 | Portrait: Orson Welles · as Director Of Photography |
| 1965 | Games Without Borders · as Producer: France |
| 1963 | La douceur du village · as Director Of Photography |
| 1963 | Le petit café · as Director Of Photography |
| 1963 | Illuminations · as Cinematographer |
| 1961 | The Winner · as Cinematographer |
| 1960 | America as Seen by a Frenchman · as Director Of Photography |
| 1957 | Les marines · as Cinematographer |
| 1956 | Impressions de New York · as Director Of Photography |