Ma papà ti manda sola?

Diretto da Peter Bogdanovich
T
1972    1h 33minCommedia, Romance
7.688%88%7.4
Giunto a San Francisco per una riunione della Federazione dei musicologi insieme alla insignificante fidanzata, il professor Howard s'imbatte nella dolce e svitata Judy Marwell, che gli si mette alle costole. Incidenti, qui pro quo e botte con intrusione di ladri e poliziotti.
  • Barbra StreisandJudy Maxwell
  • Ryan O'NealHoward Bannister
  • Madeline KahnEunice Burns
  • Kenneth MarsHugh Simon
  • Austin PendletonFrederick Larrabee
  • Michael MurphyMr. Smith
  • Philip RothMr. Jones
  • Sorrell BookeHarry
  • Stefan GieraschFritz
  • Mabel AlbertsonMrs. Van Hoskins
  • Liam DunnJudge Maxwell
  • John HillermanHotel Manager
  • George MorfogenHeadwaiter
  • Graham JarvisBailiff
  • Randy QuaidProfessor Hosquith
  • M. Emmet WalshArresting Officer
  • Kevin O'NealDelivery Boy
  • Eleanor ZeeBanquet Receptionist
  • Paul CondylisRoom Service Waiter
  • Fred ScheiwillerJewel Thief
  • alexnoaholdmate28 marzo 2026
    Peter Bogdanovich - who always wanted to be Howard Hawks - remakes Hawks's classic comedy 'Bringing Up Baby', but without the leopard this time. It's funny, the jokes are good, the physical comedy not so much. Ryan O'Neal is no Cary Grant, but Barbra Streisand is cute as a button - and has perfect comic timing. Have fun.
  • cultfilmliker19 febbraio 2025
    Would love to see Barbara in a good comedy lol this is my first film of hers and I’m a fan
  • mhamreus5 febbraio 2026
    This is controlled chaos done right. Peter Bogdanovich revives classic screwball comedy and lets it tear through San Francisco with zero apologies. Fast dialogue, escalating misunderstandings, physical gags, and pure slapstick energy that never lets up. Barbra Streisand is unstoppable as Judy Maxwell, a walking tornado of confidence and mischief. Ryan O’Neal is perfectly cast as the increasingly unhinged straight man, watching his carefully planned life get flattened in real time. Their chemistry is the engine that keeps everything from flying off the rails. Then there is Madeline Kahn, stealing scenes as the hilariously jealous, tightly wound fiancée. Her line delivery, facial expressions, and sheer commitment elevate every moment she is in. This is early proof of the comedic brilliance she would later unleash in Blazing Saddles and Young Frankenstein. The plot is proudly absurd. Four identical plaid bags. Mistaken identities stacked on top of mistaken identities. Slapstick chaos that keeps escalating until it detonates into one of the most gloriously unhinged car chases ever filmed. San Francisco’s hills are basically cast members, and the chase is funny not because it is thrilling, but because it is joyfully stupid in the best way. What makes What’s Up, Doc? endure is confidence. The movie never explains the joke. It trusts timing, rhythm, and performance. It knows slapstick works best when played straight and fast.
  • Michael Surber17 febbraio 2026
    Saw this one in the theater back when it was released. Just as funny today even though this style of film is fairly dated. Film classics like this one or any one of Peter Sellars films simply would not be made today and that's tragic. Instead we are innundated with mediocre content shoveled onto Netflix while there are true gems out there that so many have never seen.

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