R
2026    1h 33minHorror, Thriller
5.973%50%6.2
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Acquista per $19.99pubblicità
Evy Babic, conduttrice di un popolare podcast dedicato al paranormale, torna nella casa d'infanzia per prendersi cura della madre in stato comatoso. La sua routine viene sconvolta quando inizia a ricevere inquietanti registrazioni audio anonime riguardanti una coppia in attesa perseguitata da una misteriosa presenza legata a un'antica leggenda folkloristica. Man mano che ascolta i nastri, gli eventi narrati sembrano riflettersi nella sua vita, trascinandola in una spirale di paranoia, allucinazioni e terrore. Per scoprire la verità, Evy dovrà affrontare i traumi del proprio passato prima che il male nascosto dietro quelle registrazioni prenda definitivamente il controllo della sua mente.
Diretto da Ian Tuason
  • Nina KiriEvy Babic
  • Adam DiMarcoJustin (voice)
  • Keana BastidasJessa (voice)
  • Jeff YungMike (voice)
  • Michèle DuquetMama
  • Ryan TurnerDarren (voice)
  • Ari MillenDr. Ram (voice)
  • Marisol D’AndreaNurse (voice)
  • Austin TuasonCaller 1 (voice)
  • Seled CalderonCaller 2 (voice)
  • Bianca NugaraCaller 3 (voice)
  • Jayda WoodsCaller 4 (voice)
  • Sarah BeaudinCaller 5 - Abby (voice)
  • Christina NottoMeditation Voice (voice)
  • Ian TuasonRegista / Sceneggiatore / Produttore Esecutivo
  • Dan SlaterProduttore
  • Cody CalahanProduttore
  • Chad ArchibaldProduttore Esecutivo
  • Daril FanninProduttore Esecutivo
  • Brit MacRaeProduttore Esecutivo
  • GrimeFiVideo17 marzo 2026
    Feature-length film about two friends who can't sit down for more than five minutes at a time to record a podcast. The best acting was from the mom who was in a coma the whole movie.
  • Nichrysalis1 g fa
    Spook factor masquerading as substantive depth. And the ending was more shock than satisfying.
  • Casper Hørning1 g fa
    Okay 👌🏻
  • jborn4christ4 gg fa
    Surprisingly good. Creepy and edgy delivery of a paranormal story
  • hokasu10 luglio 2026
    Just felt silly. Luckily it was short
  • Planktontm17 maggio 2026
    Rumor has it if you play this movie in reverse, it becomes watchable.
  • Flappy18 aprile 2026
    Oh my God if I could give this a negative rating I would. I don't know what I have to do to get the hour and a half back of my life. This was one of the worst movies I've ever seen.
  • merrittwilson53919 aprile 2026
    Hands Down Scariest Movie This Year
  • Corey Burkes14 aprile 2026
    Lord Almighty, I never thought I’d see such a slow burn horror movie. I know it is trying to do and I totally get how audio can be a sensation, but long minutes on one character just to listen to audio is not the way to go. This film starts off well and it’s great if you want something playing in the background since the audio does its job that way, but looking at this movie will make you sleepy. It’s incredibly dull. And I think the core problem is it’s trying to make a feature-length out of something that could’ve been just done well as a short and left as a short. One last thought: it’s films like this that justify my appreciation for streaming versus going to the theater. If I went to the movies and paid upwards of $50 plus including concession, I would be pissed.
  • Steven Wallace23 aprile 2026
    Movie was creepy as crap but wish the ending was better.
  • Doc Worm15 marzo 2026
    A haunted podcast? 🙄 This story just didn’t work for me. I wasn’t satisfied with where it ended up and that wouldn’t be so frustrating if it wasn’t such a slow burn. I was bought in for the most part as Undertone effectively conveys a sense of tension while moving through its plot. From a technical aspect the movie does so much with so little. Nina Kiri has a committed performance, the lighting is solid and the sound design is PHENOMENAL. If you do watch this one make sure you are doing so in a way that you can appreciate it’s Dolby atmos mix as this aspect of the film is truly special. With all the kudos I can give Undertone it made it that much more frustrating that I couldn’t get behind the tale it was trying to tell.
  • Zokkiie16 giugno 2026
    I was genuinely impressed by this, especially considering the movie was made with such a small budget. It’s a great example of how atmosphere and creativity can matter more than expensive effects. The film creates a constant sense of unease, with a creepy feeling that sticks throughout. I found myself paying attention to every corner and every shot because it does a great job making you feel like something could be lurking anywhere. The biggest weakness is the final 20 minutes, where some of that carefully built tension starts to fall apart. It becomes more chaotic and loses the momentum it had going, making the ending feel a bit weaker than everything that came before. Still, the overall experience is much stronger than I expected. A genuinely creepy, well-crafted horror movie that gets a lot out of very little.
  • CUCHYTO15 luglio 2026
    This have been the worse (talk ) movie
  • King Larios5 luglio 2026
    Absolutely bone chilling unfortunately
  • Garrett Wilkins2 luglio 2026
    Undertone demonstrates how far a compelling idea and disciplined filmmaking can stretch a modest budget. Writer-director Ian Tuason builds his debut around an inspired premise: a paranormal podcast host caring for her dying mother begins receiving increasingly disturbing audio recordings whose haunting events begin mirroring her own reality. Rather than relying on elaborate visuals or conventional jump scares, the film places extraordinary confidence in its sound design, allowing unseen voices, subtle distortions, and oppressive silence to generate much of its unease. Nina Kiri anchors the film with a restrained performance that convincingly conveys mounting isolation and psychological exhaustion, while Tuason's decision to keep nearly every other character off-screen gives the story an intimacy that distinguishes it from more traditional supernatural horror. Unfortunately, Undertone never develops that remarkable premise into an equally compelling narrative. Once the central mystery is established, the film falls into a repetitive rhythm that gradually diminishes the effectiveness of its otherwise exceptional sound design, and its final act struggles to deliver a payoff worthy of the tension that precedes it. I found myself admiring the craftsmanship more than becoming fully invested in the story itself. Even so, this is the kind of ambitious independent horror that deserves appreciation for attempting something genuinely distinctive rather than settling for familiar genre formulas. It may rank among the lesser entries in A24's horror catalog, but its creative use of sound and unwavering commitment to its central concept make it an intriguing debut that leaves me more interested in Ian Tuason's future than completely satisfied by this particular film.

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