18+
1983    89minDramma, Crime
7.27.3
Le storie di alcuni tossicodipendenti, Cesare, Roberto, Enzo, Massimo, Michela e Debora, e la loro incessante ricerca di una dose di droga fra la spiaggia di Ostia e il quartiere di Centocelle di Roma. Un'esistenza che si potrebbe definire di routine, con abitudini quotidiane incentrate sul consumo di stupefacenti.
Diretto da Claudio Caligari

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  • Cesare FerrettiCesare
  • Michela MioniMichela
  • Enzo Di BenedettoEnzo
  • Roberto Stani"Ciopper"
  • Clara MemoriaTeresa
  • Dario TrombettaPimp
  • Loredana FerraraLoredana
  • Mario AfeltraMario
  • Fernando ArcangeliDebora
  • Mario CaiazziFat Guy
  • Gianni Schettini"Er Donna"
  • Silvia StaritaPsychologist
  • Patrizia VicinelliPainter (uncredited)
  • Massimo MagginiMassimo (uncredited)
  • Faliero BallarinBig Guy (uncredited)
  • Erminio Bianchi FasaniMan in Car (uncredited)
  • Antonio CalòMan in Hospital (uncredited)
  • Dolores CalòWoman in Hospital (uncredited)
  • Franco LaitanoMale Nurse (uncredited)
  • Maria GalleoniMario's Mother (uncredited)
  • lennyofficial3 gg fa
    An all-too-real and ruthless snapshot of urban decay in Rome’s outskirts—particularly Ostia—during the transition from the 1970s to the 1980s. The film centers on young people committing all manner of street crimes for a few lire, money used solely to feed their drug habits. It eschews technical polish and stylistic flourishes, focusing instead on capturing this human tragedy without filters or mediation. It lays bare the squalor surrounding society’s "invisible" figures—drug addicts, pimps, prostitutes, and thieves—refusing to sugarcoat the reality for the sake of popularity. The actors do not merely perform; they inhabit the dehumanizing, alienating existence of addicts willing to do anything for a fleeting taste of "paradise." Ultimately, the story reaches a point of no return when the protagonists, Cesare and Michela, decide to have one "last dance" with intravenous cocaine. This proves fatal, claiming the lives of two young people who might otherwise have realized the error of their ways. The soundtrack immerses the viewer in the characters' twisted, unhealthy world, effectively detaching them from reality with uncompromising directness. One enters their realm through their coded language, a dialect rooted in Roman slang. The director’s skillful hand—utilizing shots of the decaying suburbs, nocturnal scenes, and raw close-ups—adds depth to a film that has been largely overlooked and forgotten. It is one of the few movies to truly address this reality without ulterior motives or moralizing; there is no "class struggle" here between the "lucky" residents of the upscale Parioli district and the slum-dwellers—only squalor and despair.

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