T
1987    1h 43minFantascienza, Action
7.684%84%7.4
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La città di Detroit è sconvolta da bande di stupratori e assassini, e la società finanziaria COP produce un robot corazzato da usare di notte per le strade a tutela dei cittadini. Il robot preme al vice-presidente Jones, che comanda anche la polizia locale, poiché la sua produzione in serie si preannuncia come un gigantesco affare. Tuttavia, messo alla prova in pieno consiglio di amministrazione, il prototipo si inceppa e uccide uno dei presenti. Morton, un dirigente scaltro e rivale di Jones, propone Robocop, un androide avveniristico, il quale risulta essere il corpo mutilato dell'agente di polizia Murphy.
Diretto da Paul Verhoeven
  • Peter WellerOfficer Alex J. Murphy / RoboCop
  • Nancy AllenOfficer Anne Lewis
  • Dan O'HerlihyThe Old Man
  • Ronny CoxDick Jones
  • Kurtwood SmithClarence Boddicker
  • Miguel FerrerBob Morton
  • Robert DoQuiSgt. Warren Reed
  • Ray WiseLeon Nash
  • Felton PerryJohnson
  • Paul McCraneEmil Antonowsky
  • Jesse D. GoinsJoe Cox
  • Del ZamoraKaplan
  • Calvin JungSteve Minh
  • Rick LiebermanWalker
  • Lee de BrouxSal
  • Mark CarltonMiller
  • Edward EdwardsManson
  • Michael GregoryLt. Hedgecock
  • Freddie HiceBobby
  • Neil SummersDougy
  • pipanni
    pipanni11 ottobre 2026
    Robocop is still a great movie after all these years. Some of the effects are obviously dated, but many scenes remain powerful and memorable and the raw evil of the big corporation is palpable, through the incredible perfomances of the chief villain and his partners in crime. By the way the remake of this movie is also excellent, don't miss it.
  • Vincent Reggiannini
    Vincent Reggiannini16 giugno 2025
    In the wrong hands this could have been an utter, contemptible failure. But give the script to a non-American director who initially rejected the script, and give the lead role to an actor who took himself WAY too seriously and you get one of the most iconic and memorable movies of the late 20th century. Drenched with satire and off the wall humor, and spiced up with an almost x-rated amount of violence this movie just rolls with the punches, all while delivering a poignant story about a man realizing he has lost his humanity.
  • Ricardo Orlandini
    Ricardo Orlandini16 agosto 2026
    Directed by Paul Verhoeven, *RoboCop* (1987) became a classic—a sci-fi action masterpiece. It is arguably Verhoeven's best film. I believe it was one of the first theatrical films to feature a cyborg. The movie blends intense violence, excellent special effects, and sharp social satire regarding corporatism and the dehumanization of urban society, all while following the journey of a police officer (Murphy) who is transformed into a cyborg and ultimately reclaims his humanity.
  • Scott beard
    Scott beard24 gennaio 2026
    RoboCop (1987) is Paul Verhoeven dropping a thermonuclear satire bomb disguised as the most badass cyborg cop movie ever made. Detroit’s a crime ravaged shithole run by corporate overlords at OCP who literally auction off the city like it’s a bad timeshare. They murder honest cop Alex Murphy (Peter Weller, giving robotic stoicism Oscar worthy depth) in one of the most brutal, lingering executions in cinema history, shot to pieces, limbs mangled, blood everywhere, then resurrect him as RoboCop: part machine, part haunting memory of the man he used to be. The action? Pure 80s excess done right. RoboCop storms in with that iconic “dead or alive, you’re coming with me” deadpan, auto aiming precision shots, and enough slow motion violence to make your popcorn taste like guilt. The practical effects hold up like steel: that toxic waste villain meltdown still looks gloriously disgusting, and the stop motion ED 209 malfunction is comedy gold wrapped in corporate hubris. But Verhoeven’s not just serving ultraviolence, he’s force feeding you Reagan era America on steroids. Corporate greed privatizing everything (including law enforcement), media desensitization with fake news segments (“Nuke ‘em!” game shows, product placement murders), and the illusion of justice in a system that chews up good people and spits out profit machines. The satire is vicious and hilarious: OCP execs clap like seals at murder demos, the news anchors smile through apocalypse reports, and RoboCop’s directive glitches remind you humanity’s the real glitch. Weller’s performance is the soul, those tiny eye twitches when old memories flicker, the halting “I’d buy that for a dollar!” echoes, turn a tin man into a tragic hero. Nancy Allen’s tough as nails partner adds heart without sap, Kurtwood Smith’s coke fueled villain Clarence Boddicker is scenery chewing perfection (“Bitches leave!”), and the whole cast plays it straight so the irony hits like a Directive violation. It’s funny as hell (those interstitial ads are savage), gory enough to get an X rating originally, and smart enough to make you question if we’re all just programmed to cheer for the next upgrade. The 2014 remake? Polished, PG 13 sanitized corporate product, misses the point entirely. The original is raw, unapologetic, and still cuts deeper than any modern blockbuster dares. Ten out of ten directive violating headshots. RoboCop isn’t just a movie; it’s a middle finger to unchecked capitalism, wrapped in chrome and carnage. Say it with me, “Serve the public trust. Protect the innocent. Uphold the law.” Then go watch it and feel that delicious unease. 🤖💥🩸
  • tellum
    tellum8 agosto 2026
    This doesn’t get enough credit for what a great satire it is, and also for Peter’s great performance.
  • Leonard Mosca
    Leonard Mosca9 febbraio 2025
    Is a classic movie with science fiction over the top violence but I don't think that's the only interesting thing about the movie the story is interesting I think a lot of fans get the wrong idea about this film
  • sti53
    sti5313 gennaio 2026
    I'd buy THAT for a dollar!
  • mdediego
    mdediego9 maggio 2026
    One of the first cyborg movies ever made. Probably the best Paul Verhoeven film. Robocop takes you to a corporation-run society, where profit and power matter more than human lives, and even the police force becomes just another business asset. What made Robocop great was Murphy’s personal struggle with his own reality and identity. Apart from that, it was probably one of the first movies with full-on gore that is not suitable for all stomachs.
  • Josh Eade
    Josh Eade1 maggio 2026
    a classic
  • mickerdoo
    mickerdoo13 aprile 2026
    Boss taken down by a flight of stairs, 80s sedans painted flat black, emotionless lead. Yep. An 80s success.
  • Zokkiie
    Zokkiie7 aprile 2026
    Haven’t seen this in over 25 years, and wow—I’d forgotten how intense and brutal it really is. The action hits hard, the satire is sharp, and it somehow balances both without ever feeling messy. The practical effects are messy in the best way, gritty and tactile, and the dark, dry humor sneaks up on you. It’s confident in its chaos, unapologetically rough around the edges, which makes it stick in your head. That bleak, industrial vibe just works, and even after it’s over, it lingers longer than you expect.
  • mhamreus
    mhamreus20 gennaio 2026
    A brutal, hilarious time capsule of late-80s cinema, RoboCop is peak Paul Verhoeven. On the surface, it is a hard-R sci-fi action film drenched in over-the-top violence. Underneath, it is razor-sharp social commentary aimed straight at corporate greed, privatized policing, and a media culture numb to brutality. Verhoeven walks a perfect line between satire and spectacle. The violence is so excessive it becomes absurd, the villains so exaggerated they feel like walking indictments of the era. And somehow it all works. Every outrageous moment reinforces the point rather than dulling it. At the center is RoboCop himself, a tragic hero fighting to reclaim fragments of his humanity beneath the steel. The film never forgets the man inside the machine, even when the body count climbs. And then there is Kurtwood Smith. As Clarence Boddicker, he absolutely steals the villain show. Charismatic, vicious, and endlessly quotable, he delivers some of the most memorable lines of the decade and sets the gold standard for cinematic bad guys. This is a movie that simply could not be made today. Too mean. Too blunt. Too willing to offend. And that is exactly why it still hits so hard
  • Timeless Cinema
    Timeless Cinema6 maggio 2025
    Robocop has no right to be this good. And yet, it delivers action, corporate politics, AI, sciencd fiction, comedy, and drama all into an explosive package.
  • Mike Holland
    Mike Holland5 marzo 2026
    Dead or ALIVE
  • Cubane
    Cubane8 gennaio 2026
    They have a statue of this vaguely phallic metal man in Detroit despite none of the filming actually taking place there. The choice to use Dallas as a cheat location for Detroit is lazy and contemptible. It's a shame considering the great themes, action, one-liners, and hilarious campy CGI this film also has on offer.

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