NR
1950    87minCrime, Dramma
8.198%93%8.0
Kyoto, periodo Heian. Un boscaiolo, un monaco e un vagabondo si interrogano su una vicenda, l'assassinio di un samurai e lo stupro di sua moglie per mano del bandito Tajômaru, che li ha coinvolti come testimoni. Mentre si susseguono le dichiarazioni dei protagonisti davanti a un tribunale sulla loro versione dei fatti, la verità anziché emergere sembra vieppiù allontanarsi. In un Giappone ancora dilaniato dai lasciti del dopoguerra, Kurosawa Akira ritorna a un'altra epoca di morte e sofferenza, quel periodo Heian in cui di fronte alla porta del tempio di Rashô non scorrevano che sangue, violenza e frode.
Diretto da Akira Kurosawa
  • Toshirō MifuneTajômaru
  • Machiko KyōMasako
  • Takashi ShimuraWoodcutter
  • Masayuki MoriTakehiro
  • Minoru ChiakiPriest
  • Kichijirō UedaCommoner
  • Noriko HonmaMedium
  • Daisuke KatōPoliceman
  • Akira KurosawaRegista / Sceneggiatura / Montatore
  • Shinobu HashimotoSceneggiatura
  • Ryūnosuke AkutagawaRomanzo
  • Jingo MinouraProduttore
  • Masaichi NagataProduttore Esecutivo
  • Takashi MatsuyamaProduction Design
  • H. MotsumotoSet Decoration
  • Kazuo MiyagawaDirector Of Photography
  • Uichi ÔhataCostume Design
  • Tokuzō TanakaAssistente Regista
  • Teruyo NogamiSupervisore della Sceneggiatura
  • Mitsuo WakasugiAssistente Regista
  • Steve Zodiac25 aprile 2026
    A brilliant, timeless, film noir, Ghost Story The truth is in the beholder!
  • Elliot04713 gennaio 2026
    If you love Nolan’s mind-bending non-linear timelines, know that Rashomon invented that style over 70 years ago. It wasn’t a blockbuster or feel-good flick, it’s pure cinema study, forcing you to rethink human nature and self-deception. Modern directors built their careers on its path, from Hollywood thrillers to courtroom dramas. Sure, today’s artists could mimic Van Gogh perfectly, but that doesn’t erase the original’s genius.
  • vinaynair80715 luglio 2025
    When they ask you which film shows true human nature show them this
  • PoetofCinema13 ottobre 2025
    I strongly revere Akira Kurosawa for how he did Ryūnosuke Akutagawa’s work with justice and tact. It’s beyond impressive because I read Akutagawa’s work first and he was firstly extraordinary and legendary. I have to say, this film does deserve the hype it gets. This may sound cliché but yes the film is a masterpiece; it is, really. There is a lot to say about this iconic film directed by Kurosawa as the ambiguity, strangeness, action, interactions, dialogue, and imagery has been executed well to show the audience watching it enticed and interested in the film. As I said before, this film can get a lot of praise because how many good things are from this movie. Overall, a masterpiece.
  • Dagmar D.14 dicembre 2025
    I wasn’t that impressed, too much drama and too much of annoying fake laughter.
  • Sean27 aprile 2025
    See it twice!
  • Sam17 novembre 2025
    obviously historically important but idk not for me
  • Judit Garrido18 settembre 2025
    Excellent/
  • Daniel Gois12 luglio 2025
    The rhythm and story's certainly influence Tarantino. Kurosawa is awesome. So many layers and meanings. Very good
  • Joel1 luglio 2025
    Kurosawa is so good always, I love how much range there is in his filmography the same way as I love Toshiro Mifune's range (although I desperately need to watch more of both of their films.) This is probably my least favourite Kurosawa film I've seen, but it's still a brilliant film. If only plex didn't have a 2.5 minute ad break every ~12 minutes...
  • mickerdoo10 luglio 2025
    Weird and confusing. Interesting idea of a murder where three parties admit guilt. Just strange execution. Slow reaction shots.
  • Jaquan Willams15 giugno 2025
    I love the movie. The story was amazing and on point. It was a great Japanese foreign film.
  • Jakkrit aree12 maggio 2025
    Legend!!!!

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