Horror Noire

Diretto da Zandashé Brown, Rob J. Greenlea, Robin Givens

28 ottobre 2021 2h 33minHorror

5.240%4.5

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Presents together six horror stories from Black directors and screenwriters in a single film: "Daddy," "Bride Before You," "Brand of Evil," "The Lake," "Sundown" and "Fugue State".

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Trasmissione di Horror Noire

Lesley-Ann BrandtAbbie (segment 'The Lake')
Nathaniel Logan McIntyreDerek (segment 'The Lake')
Brandon Mychal SmithNekani (segment 'Brand of Evil')
Samuel-TaylorCordell (segment 'Brand of Evil')
Lenora CrichlowMrs Clay (segment 'Brand of Evil')
Sean Patrick ThomasTheodus (segment 'Bride Before You')
TiJuan MosleySabine (segment 'Bride Before You')
Rachel TrueCharlotte (segment 'Fugue State')
Malcolm BarrettArthur (segment 'Fugue State')
Tony ToddPike (segment 'Fugue State')
Luke JamesRed (segment 'Daddy')
Miles McNicollJames (segment 'Daddy')
Erica AshShanita (segment 'Sundown')
Tone BellMarcus (segment 'Sundown')
Peter StormareErebus (segment 'Sundown')
Lavell CrawfordSamuel (segment 'Sundown')
Maceo SmedleyJack (segment 'The Lake')
Keith DouglasWaylen (segment 'Brand of Evil')
Afemo OmilamiZeke (segment 'The Lake')
Jason GrahamPrincipal Millhouse (segment 'The Lake')
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Horror Noire Ratings e Recensioni

jackmeat12 agosto 2025
My quick rating - 3.7/10. Shudder original. Don't go in "The Lake" type segment, pretty lame. "Brand of Evil" is a poor Satan-worshipping story. "Bride Before You" Ehhh.... "Fugue State," Tony Todd was in this short about religious fanatics. He was by far the best part. "Daddy" had a pretty decent premise to it, but wasn't very well done. Very rushed feeling to it. "Sundown." Interesting swerve in this one, although it was slightly obvious. As you can tell by the rundown of each segment, it wasn't very impressive at all. I know this was a follow-up to Shudders successful Horror Noire: A History of Black Horror, which was a well-made documentary and launchpad for this showcase of Black writers/directors. The problem here is that it really doesn't matter what color we are talking about, since the shorts were just not good. None of them packed any punch to their stories. The first three were entirely too predictable, while the last two were good ideas that just didn't get proper treatment. All of them were given the proper treatment as far as aesthetics. So it wasn't a lack of ability behind the camera. It was all just a quickly forgotten anthology. Lately, Shudder has been serving up some pretty good stuff, so an occasional swing and miss is expected. Still, it was able to slide in for #shocktober and will not become a staple for the holiday.

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