Frankenstein
7.485%94%7.6
Il dottor Victor Frankenstein, uno scienziato geniale ma egoista, dà vita a una creatura in un mostruoso esperimento che porterà alla rovina sia del creatore che della sua tragica creazione.
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- Austin Burke3 novembre 2025This is one of Guillermo del Toro’s finest achievements. Not only does this film hit on expected themes with elegance, but the style and overall visuals are even more impactful than anticipated. Tackling this journey of pain, loss, and forgiveness takes nuance, and there is so much consistency with how it presents these characters. Isaac and Goth are excellent, but Elordi is the showstopper, and an Oscar nomination could be in the cards. The storytelling method occasionally meanders and could cause pacing problems for some, but the emotional impact is perfectly executed. Frankenstein is the real deal.
- Ravi Oliveira23 luglio 2026Synopsis: A brilliant but selfish scientist brings a monstrous creature to life in a daring experiment that ultimately leads to the ruin of both the creator and his tragic creation. Review: Guillermo del Toro's "Frankenstein" presents an intriguing reinterpretation of Mary Shelley's classic work, bringing to light timeless themes about human ambition and its consequences. The plot revolves around Victor Frankenstein, played by Oscar Isaac, whose quest to defy death creates a profound moral dilemma, reflecting the struggle between genius and egocentrism. The performances are one of the highlights of the production. Jacob Elordi, as the Creature, delivers a performance that combines intensity and vulnerability, allowing the audience to empathize with a being often seen only as a monster. His transformation through the extensive use of makeup demonstrates a remarkable commitment to the role, contributing to the emotional complexity that the film seeks to convey. The visual aspect contributes significantly to the gothic atmosphere of the narrative. Del Toro effectively uses real sets and practical effects, creating an immersive environment that engages the viewer from the start. The gothic aesthetic is complemented by Dan Laustsen's cinematography, which captures the dark essence of the plot with a carefully crafted color palette. One of the elements that deserves highlighting is how the film explores the relationship between the creator and his creation. This dynamic is presented in a profound and thought-provoking way, raising philosophical questions about responsibility and the pursuit of knowledge. The narrative offers moments of tension and reflection that make the audience ponder the limits of human ambition. On the other hand, while the production is visually impressive and the performances are well-executed, there is a need for a more balanced pace. There are sequences that, although well-intentioned, can seem drawn out, which may compromise the viewer's engagement at certain moments. Overall, "Frankenstein" is a bold and well-crafted proposition that resonates with the central themes of the original, while bringing a new layer of interpretation and reflection. The combination of competent direction, memorable performances, and meticulous aesthetics makes this film a remarkable experience in the gothic science fiction genre.
- rg94008 luglio 2026I was incredibly excited for this adaptation because Frankenstein is one of the best books I've ever read, and Guillermo del Toro has made one of the best movies I've ever watched in Pan's Labyrinth. It seemed like a pairing made in heaven, and I felt I had to drive out to see this in a theater to do it justice instead of waiting for it on Netflix streaming. To say I was incredibly disappointed would be an understatement. First off, this movie is long. It is 2.5 hours, and it feels it. It is split into two halves from two separate perspectives, and both had lots of moments that dragged, though I would say the first half is the one where there is a lot more padding. To be honest, the slowness of the movie almost makes me think that GDT made this movie *for* Netflix, cognizant that there will be a ton of viewers who would be using it as background viewing moreso than actively paying attention. In theaters though, that pacing felt glacial. There are some gorgeous shots as you would expect from the director, but I was honestly disappointed overall with the cinematography. It goes back to the length. The pieces in between gorgeous shots, lush costume/monster design, and great practical effects are littered with really flat, dull imagery. The castle has this Netflix sheen to it, and maybe because I was watching it on a gigantic screen, but it just did not impress me. Again, I feel like GDT made this movie for the streaming platform and not for a cinematic experience. Similarly, the music left me wanting. It takes a much softer, gentler approach with more piano melodies. It pairs with what he is trying to do with the story and the character, but it results in a less dynamic sound. Again, in the theater, it was notable how limp it felt, never rousing, never deeply emotional, never impactful. I could probably forgive a lot of these technical mishaps. I do think directors should be making movies for the big screen even if they are funded by a streamer, but I get that only a handful of people would be watching this outside of Netflix. It has a very limited and short release. The problem is that these issues were only the tip of the iceberg. This is not a faithful adaptation of Frankenstein. It is radically different actually. I am not a book purist, and I am okay with directors taking creative liberties to try and make a story their own. However, those changes need to actually be good and engaging and compelling and entertaining. None of these changes are that. First off, the central core theme of the story is completely lost despite that theme being extremely timely. GDT bookends the movie by trying to emphasize the idea of man pushing too far in the name of progress, but that is not what this movie is really about. It takes a very different approach to the creature and the character of Victor Frankenstein. I get what he was trying to do, but honestly, it's just boring. And overdrawn. The message and idea are fairly clear early on, but the movie keeps trying to illustrate the same point. It doesn't even do a particularly good job at it. Characters treat the Creature based on what the plot needs them to do, not based on some sort of inherent character development. For a story that takes almost 1.5 hours to setup the character of Victor and to a lesser degree Elizabeth, it's crazy how little their characters in the second half are actually extensions of whatever we spent watching for the first half. In going with this approach, GDT also strips out the entire horror and tension from the story. This is not a creature feature or a movie filled with pulse-pounding dread. Again, while that is the movie I was expecting, I might have been okay with it had the changes actually felt deeply thematic, dripping with pathos, or very character-driven. I do not think they were. The real highlight of the movie was Jacob Elordi as the Creature. He did a fantastic job, and alongside some nice set and costume designs, helped salvage a movie that I thought was really weak otherwise. Overall, this was a huge miss for GDT. Some gorgeous shots and strong acting aside, there is a lot I disliked about it. Ironically, I find myself thinking about the theme of the original. A man who thinks he knows better cobbling together an amalgamation of parts, stitching pieces that did not belong together in the original body, just to inject unnatural life into something that has already had its time. At least Victor experienced horror at the shambling monstrosity that he created. GDT could learn a thing or two from that story.
- BigRett7 novembre 2025Guillermo del Toro’s Frankenstein is a triumph of vision, mood, and emotional depth, a film that feels both timeless and entirely new. As someone who has followed his work for years, this might be his most mature and haunting creation yet. Del Toro approaches Mary Shelley’s story with reverence, but he never allows the film to become a simple retelling. Instead, he reshapes it into a tragic meditation on creation, abandonment, and the brutal cost of longing for connection. The production design is extraordinary. Every frame is layered with texture and atmosphere, from the cold laboratories soaked in candlelight to the sweeping, desolate European landscapes that feel alive with melancholy. It is unmistakably del Toro, yet more restrained and grounded than some of his earlier work. The world he builds is gothic and beautiful without ever becoming self-indulgent. The performances elevate the film even further. The Creature is portrayed with heartbreaking vulnerability, and the film gives him more emotional clarity than most adaptations. Victor Frankenstein is equally compelling, a man torn between brilliance and fear, his moral unraveling captured in small, precise moments. Their scenes together carry a weight that lingers long after the credits roll. The score is haunting and elegant, weaving itself into the film’s emotional rhythm without overwhelming it. The pacing is deliberate, allowing the story to breathe and giving every moment purpose. When the film reaches its final act, the emotional impact feels earned, not manufactured. What makes Frankenstein truly magnificent is the way del Toro treats the story not as horror, but as tragedy. He approaches the Creature with profound empathy, and in doing so, he transforms the narrative into something deeply human. This is not a film about monsters. It is a film about what happens when compassion fails and responsibility is abandoned. As a longtime admirer of del Toro’s work, this feels like the culmination of everything he has been building toward. It is visually stunning, emotionally rich, and crafted with the care of a storyteller who understands both the darkness and the beauty of the human soul. If this is the version of Frankenstein that will define the story for a new generation, it deserves that place without question.
- Zokkiie29 novembre 2025Surprisingly good take on the story — moody, stylish, and way better than most reboots. The creature feels more tragic than scary, the performances land, and it all carries the same classic weight Karloff brought, just with a modern edge. Slows down a bit at times, but overall a very cool revival.
- Mr710 novembre 2025As of Nov this is the best movie I've seen this year. The weakest point is the relationship between the Elizabeth and the monster. Could have been explored slightly more. 2 1/2 hrs long and the movie could have been longer with no issue. Fantastic pacing. Everything about this movie is excellent. Best Frankenstein ever made, Oscar Isaac nails it as Dr. Frankenstein. Del Toro hits a home run.
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Frankenstein è stato rilasciato il 17 ottobre 2025.
Frankenstein era diretto da Guillermo del Toro.
Frankenstein ha una durata di 2h 30min.
Frankenstein è stato prodotto da J. Miles Dale, Guillermo del Toro, Scott Stuber.
Il dottor Victor Frankenstein, uno scienziato geniale ma egoista, dà vita a una creatura in un mostruoso esperimento che porterà alla rovina sia del creatore che della sua tragica creazione.
I personaggi principali di Frankenstein sono Victor Frankenstein (Oscar Isaac), The Creature (Jacob Elordi), Harlander (Christoph Waltz).
Frankenstein è votato 10+.
Frankenstein è un film Horror, Fantascienza, Dramma.
Frankenstein ha una valutazione di 9.4 su 10 dal pubblico.
Frankenstein aveva un budget di 120 Mln USD.
Frankenstein ha guadagnato 481K USD al botteghino.